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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 27 / 0 / 15 it is the complementary color CMYK 0 / 48 / 80 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 27 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 27 / 0 / 15: CMYK 65 / 25 / 0 / 17, CMYK 61 / 24 / 0 / 9, CMYK 57 / 22 / 0 / 2, CMYK 51 / 17 / 0 / 0 and CMYK 44 / 10 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 27 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 27 / 0 / 15: CMYK 68 / 27 / 0 / 15, CMYK 74 / 29 / 0 / 22, CMYK 80 / 32 / 0 / 30, CMYK 89 / 35 / 0 / 37 and CMYK 99 / 39 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 27 / 0 / 15

HEX #459ED9

RGB 69 158 217

HSL 203.92, 0.66%, 0.56%

LAB 62.28, -7.89, -37.77

 

Complementary color

CMYK 0 / 48 / 80 / 27

HEX #BA6126

RGB 186 97 38

HSL 23.92, 0.66%, 0.44%

LAB 50.84, 31.73, 47.58

 

CMYK 65 / 25 / 0 / 17

HEX #4A9ED4

RGB 74 158 212

HSL 203.48, 0.62%, 0.56%

LAB 62.22, -8.75, -35.07

 

CMYK 61 / 24 / 0 / 9

HEX #5BB0E7

RGB 91 176 231

HSL 203.57, 0.74%, 0.63%

LAB 68.78, -9.59, -35.29

 

CMYK 57 / 22 / 0 / 2

HEX #6CC2FA

RGB 108 194 250

HSL 203.66, 0.93%, 0.7%

LAB 75.25, -10.27, -35.5

 

CMYK 51 / 17 / 0 / 0

HEX #7DD4FF

RGB 125 212 255

HSL 199.85, 1%, 0.75%

LAB 81.11, -14.81, -29.09

 

CMYK 44 / 10 / 0 / 0

HEX #8EE6FF

RGB 142 230 255

HSL 193.27, 1%, 0.78%

LAB 86.78, -20.15, -20.38

 

CMYK 68 / 27 / 0 / 15

HEX #459ED9

RGB 69 158 217

HSL 203.92, 0.66%, 0.56%

LAB 62.28, -7.89, -37.77

 

CMYK 74 / 29 / 0 / 22

HEX #348CC6

RGB 52 140 198

HSL 203.84, 0.58%, 0.49%

LAB 55.65, -6.62, -37.53

 

CMYK 80 / 32 / 0 / 30

HEX #237AB3

RGB 35 122 179

HSL 203.75, 0.67%, 0.42%

LAB 48.92, -4.98, -37.26

 

CMYK 89 / 35 / 0 / 37

HEX #1268A0

RGB 18 104 160

HSL 203.66, 0.8%, 0.35%

LAB 42.1, -2.83, -36.92

 

CMYK 99 / 39 / 0 / 45

HEX #01568D

RGB 1 86 141

HSL 203.57, 0.99%, 0.28%

LAB 35.17, -0.11, -36.53

 

CMYK 68 / 27 / 0 / 15

HEX #459ED9

RGB 69 158 217

HSL 203.92, 0.66%, 0.56%

LAB 62.28, -7.89, -37.77

 

CMYK 69 / 38 / 0 / 15

HEX #4487D8

RGB 68 135 216

HSL 212.84, 0.65%, 0.56%

LAB 55.6, 4.95, -47.73

 

CMYK 69 / 49 / 0 / 15

HEX #446ED8

RGB 68 110 216

HSL 222.97, 0.65%, 0.56%

LAB 48.68, 20.33, -58.79

 

CMYK 69 / 60 / 0 / 15

HEX #4456D8

RGB 68 86 216

HSL 232.7, 0.65%, 0.56%

LAB 42.52, 35.43, -68.77

 

CMYK 65 / 69 / 0 / 15

HEX #4C44D8

RGB 76 68 216

HSL 243.24, 0.65%, 0.56%

LAB 38.95, 47.29, -74.61

 

CMYK 68 / 27 / 0 / 15

HEX #459ED9

RGB 69 158 217

HSL 203.92, 0.66%, 0.56%

LAB 62.28, -7.89, -37.77

 

CMYK 69 / 31 / 0 / 95

HEX #04090D

RGB 4 9 13

HSL 206.67, 0.53%, 0.03%

LAB 2.26, -0.71, -2.07

 

CMYK 69 / 27 / 0 / 75

HEX #142F40

RGB 20 47 64

HSL 203.18, 0.52%, 0.16%

LAB 18.15, -4.06, -13.8

 

CMYK 68 / 27 / 0 / 55

HEX #255473

RGB 37 84 115

HSL 203.85, 0.51%, 0.3%

LAB 33.92, -5.33, -22.43

 

CMYK 68 / 27 / 0 / 35

HEX #3579A6

RGB 53 121 166

HSL 203.89, 0.52%, 0.43%

LAB 48.49, -6.65, -30.35

 

CMYK 68 / 27 / 0 / 15

HEX #459ED9

RGB 69 158 217

HSL 203.92, 0.66%, 0.56%

LAB 62.28, -7.89, -37.77

 

CMYK 28 / 69 / 0 / 15

HEX #9B44D8

RGB 155 68 216

HSL 275.27, 0.65%, 0.56%

LAB 47.05, 60.83, -61.05

 

CMYK 0 / 1 / 69 / 15

HEX #D8D644

RGB 216 214 68

HSL 59.19, 0.65%, 0.56%

LAB 83.5, -16.28, 68.64

 

CMYK 68 / 27 / 0 / 15

HEX #459ED9

RGB 69 158 217

HSL 203.92, 0.66%, 0.56%

LAB 62.28, -7.89, -37.77

 

CMYK 0 / 69 / 26 / 15

HEX #D844A0

RGB 216 68 160

HSL 322.7, 0.65%, 0.56%

LAB 53.25, 65.73, -18.17

 

CMYK 26 / 0 / 69 / 15

HEX #A0D844

RGB 160 216 68

HSL 82.7, 0.65%, 0.56%

LAB 80.18, -39.58, 64.03

 

CMYK 68 / 27 / 0 / 15

HEX #459ED9

RGB 69 158 217

HSL 203.92, 0.66%, 0.56%

LAB 62.28, -7.89, -37.77

 

CMYK 28 / 69 / 0 / 15

HEX #9B44D8

RGB 155 68 216

HSL 275.27, 0.65%, 0.56%

LAB 47.05, 60.83, -61.05

 

CMYK 0 / 42 / 69 / 15

HEX #D87D44

RGB 216 125 68

HSL 23.11, 0.65%, 0.56%

LAB 61.38, 30.54, 45.45

 

CMYK 40 / 0 / 69 / 15

HEX #82D844

RGB 130 216 68

HSL 94.86, 0.65%, 0.56%

LAB 78.62, -50.14, 61.93

 

CMYK 68 / 27 / 0 / 15

HEX #459ED9

RGB 69 158 217

HSL 203.92, 0.66%, 0.56%

LAB 62.28, -7.89, -37.77

 

CMYK 8 / 69 / 0 / 15

HEX #C744D8

RGB 199 68 216

HSL 293.11, 0.65%, 0.56%

LAB 53.2, 70.09, -50.84

 

CMYK 0 / 42 / 69 / 15

HEX #D87D44

RGB 216 125 68

HSL 23.11, 0.65%, 0.56%

LAB 61.38, 30.54, 45.45

 

CMYK 60 / 0 / 69 / 15

HEX #56D844

RGB 86 216 68

HSL 112.7, 0.65%, 0.56%

LAB 76.99, -62.51, 59.71

 

Description

Color code: CMYK 68 / 27 / 0 / 15 | qconv.com Color code: CMYK 68 / 27 / 0 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 158 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 158 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 27 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 27% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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