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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D70BC3 it is the complementary color #28F43C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D70BC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D70BC3 shade: #DC0BBE, #ED1DD1, #FE2FE4, #FF41F7 and #FF53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D70BC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D70BC3 shade: #D70BC3, #C600B0, #B5009D, #A4008A and #930077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D70BC3 shade: #D50BC1, #D50B8B, #D50B54, #D50B1E and #D50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D70BC3 shade: #D50BC1, #B30BD5, #7C0BD5, #460BD5 and #0F0BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D70BC3 shade matches the following richer shades: #D50BC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D70BC3 shade: #D50BC1, #C31DB3, #B130A4, #9F4296 and #8D5487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D70BC3 shade: #7A0BD5, #B00BD5, #D50BC4, #D50B8E and #D50B59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D70BC3 shade: #87077A, #AE099E, #D50BC1, #F317DD and #F53EE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D70BC3 shade: #D70BC3, #D5440B and #0BD595

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D70BC3 shade: #D70BC3, #C4D50B and #0BC4D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D70BC3 shade: #D70BC3, #D5440B, #0BD51C and #0B9CD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D70BC3 shade: #D70BC3, #D5810B, #0BD51C and #0B5FD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 9 / 16

HEX #D70BC3

RGB 215 11 195

HSL 305.88, 0.9%, 0.44%

LAB 50.25, 82.77, -43.33

 

Complementary color

CMYK 84 / 0 / 75 / 4

HEX #28F43C

RGB 40 244 60

HSL 125.88, 0.9%, 0.56%

LAB 84.73, -79.1, 70.1

 

CMYK 0 / 95 / 14 / 14

HEX #DC0BBE

RGB 220 11 190

HSL 308.61, 0.9%, 0.45%

LAB 50.89, 83.01, -39.35

 

CMYK 0 / 88 / 12 / 7

HEX #ED1DD1

RGB 237 29 209

HSL 308.08, 0.85%, 0.52%

LAB 55.57, 86.54, -42.72

 

CMYK 0 / 81 / 10 / 0

HEX #FE2FE4

RGB 254 47 228

HSL 307.54, 0.99%, 0.59%

LAB 60.52, 89.07, -45.47

 

CMYK 0 / 75 / 3 / 0

HEX #FF41F7

RGB 255 65 247

HSL 302.53, 1%, 0.63%

LAB 63.14, 87.6, -51.92

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 95 / 9 / 16

HEX #D70BC3

RGB 215 11 195

HSL 305.88, 0.9%, 0.44%

LAB 50.25, 82.77, -43.33

 

CMYK 0 / 100 / 11 / 22

HEX #C600B0

RGB 198 0 176

HSL 306.67, 1%, 0.39%

LAB 45.83, 78.15, -39.4

 

CMYK 0 / 100 / 13 / 29

HEX #B5009D

RGB 181 0 157

HSL 307.96, 1%, 0.35%

LAB 41.62, 72.59, -34.91

 

CMYK 0 / 100 / 16 / 36

HEX #A4008A

RGB 164 0 138

HSL 309.51, 1%, 0.32%

LAB 37.35, 66.93, -30.28

 

CMYK 0 / 100 / 19 / 42

HEX #930077

RGB 147 0 119

HSL 311.43, 1%, 0.29%

LAB 32.99, 61.17, -25.49

 

CMYK 0 / 95 / 9 / 16

HEX #D50BC1

RGB 213 11 193

HSL 305.94, 0.9%, 0.44%

LAB 49.78, 82.16, -42.93

 

CMYK 0 / 95 / 35 / 16

HEX #D50B8B

RGB 213 11 139

HSL 321.98, 0.9%, 0.44%

LAB 47.3, 75.79, -14.73

 

CMYK 0 / 95 / 61 / 16

HEX #D50B54

RGB 213 11 84

HSL 338.32, 0.9%, 0.44%

LAB 45.67, 71.41, 16.85

 

CMYK 0 / 95 / 86 / 16

HEX #D50B1E

RGB 213 11 30

HSL 354.36, 0.9%, 0.44%

LAB 44.91, 69.32, 47.74

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 95 / 9 / 16

HEX #D50BC1

RGB 213 11 193

HSL 305.94, 0.9%, 0.44%

LAB 49.78, 82.16, -42.93

 

CMYK 16 / 95 / 0 / 16

HEX #B30BD5

RGB 179 11 213

HSL 289.9, 0.9%, 0.44%

LAB 45.12, 79.69, -62.29

 

CMYK 42 / 95 / 0 / 16

HEX #7C0BD5

RGB 124 11 213

HSL 273.56, 0.9%, 0.44%

LAB 36.61, 72.81, -76.54

 

CMYK 67 / 95 / 0 / 16

HEX #460BD5

RGB 70 11 213

HSL 257.52, 0.9%, 0.44%

LAB 30.27, 68.69, -87.24

 

CMYK 93 / 95 / 0 / 16

HEX #0F0BD5

RGB 15 11 213

HSL 241.19, 0.9%, 0.44%

LAB 27.14, 67.12, -92.53

 

CMYK 0 / 95 / 9 / 16

HEX #D50BC1

RGB 213 11 193

HSL 305.94, 0.9%, 0.44%

LAB 49.78, 82.16, -42.93

 

CMYK 0 / 95 / 9 / 16

HEX #D50BC1

RGB 213 11 193

HSL 305.94, 0.9%, 0.44%

LAB 49.78, 82.16, -42.93

 

CMYK 0 / 85 / 8 / 24

HEX #C31DB3

RGB 195 29 179

HSL 305.78, 0.74%, 0.44%

LAB 46.63, 74.54, -39.94

 

CMYK 0 / 73 / 7 / 31

HEX #B130A4

RGB 177 48 164

HSL 306.05, 0.57%, 0.44%

LAB 44.43, 63.62, -34.72

 

CMYK 0 / 58 / 6 / 38

HEX #9F4296

RGB 159 66 150

HSL 305.81, 0.41%, 0.44%

LAB 43.46, 49.53, -28.06

 

CMYK 0 / 40 / 4 / 45

HEX #8D5487

RGB 141 84 135

HSL 306.32, 0.25%, 0.44%

LAB 43.88, 31.83, -18.58

 

CMYK 43 / 95 / 0 / 16

HEX #7A0BD5

RGB 122 11 213

HSL 272.97, 0.9%, 0.44%

LAB 36.33, 72.6, -77.01

 

CMYK 17 / 95 / 0 / 16

HEX #B00BD5

RGB 176 11 213

HSL 289.01, 0.9%, 0.44%

LAB 44.62, 79.26, -63.12

 

CMYK 0 / 95 / 8 / 16

HEX #D50BC4

RGB 213 11 196

HSL 305.05, 0.9%, 0.44%

LAB 49.94, 82.56, -44.41

 

CMYK 0 / 95 / 33 / 16

HEX #D50B8E

RGB 213 11 142

HSL 321.09, 0.9%, 0.44%

LAB 47.42, 76.09, -16.37

 

CMYK 0 / 95 / 58 / 16

HEX #D50B59

RGB 213 11 89

HSL 336.83, 0.9%, 0.44%

LAB 45.78, 71.71, 13.88

 

CMYK 0 / 95 / 10 / 47

HEX #87077A

RGB 135 7 122

HSL 306.09, 0.9%, 0.28%

LAB 31.13, 58.24, -30.48

 

CMYK 0 / 95 / 9 / 32

HEX #AE099E

RGB 174 9 158

HSL 305.82, 0.9%, 0.36%

LAB 40.67, 70.53, -37.1

 

CMYK 0 / 95 / 9 / 16

HEX #D50BC1

RGB 213 11 193

HSL 305.94, 0.9%, 0.44%

LAB 49.78, 82.16, -42.93

 

CMYK 0 / 91 / 9 / 5

HEX #F317DD

RGB 243 23 221

HSL 306, 0.9%, 0.52%

LAB 56.97, 89.98, -47.27

 

CMYK 0 / 75 / 7 / 4

HEX #F53EE3

RGB 245 62 227

HSL 305.9, 0.9%, 0.6%

LAB 60.25, 83.5, -45.43

 

CMYK 0 / 95 / 9 / 16

HEX #D70BC3

RGB 215 11 195

HSL 305.88, 0.9%, 0.44%

LAB 50.25, 82.77, -43.33

 

CMYK 0 / 68 / 95 / 16

HEX #D5440B

RGB 213 68 11

HSL 16.93, 0.9%, 0.44%

LAB 49.86, 54.9, 58.34

 

CMYK 95 / 0 / 30 / 16

HEX #0BD595

RGB 11 213 149

HSL 160.99, 0.9%, 0.44%

LAB 75.96, -58.42, 19.62

 

CMYK 0 / 95 / 9 / 16

HEX #D70BC3

RGB 215 11 195

HSL 305.88, 0.9%, 0.44%

LAB 50.25, 82.77, -43.33

 

CMYK 8 / 0 / 95 / 16

HEX #C4D50B

RGB 196 213 11

HSL 65.05, 0.9%, 0.44%

LAB 81.48, -25.87, 79.95

 

CMYK 95 / 8 / 0 / 16

HEX #0BC4D5

RGB 11 196 213

HSL 185.05, 0.9%, 0.44%

LAB 72.47, -33.89, -19.95

 

CMYK 0 / 95 / 9 / 16

HEX #D70BC3

RGB 215 11 195

HSL 305.88, 0.9%, 0.44%

LAB 50.25, 82.77, -43.33

 

CMYK 0 / 68 / 95 / 16

HEX #D5440B

RGB 213 68 11

HSL 16.93, 0.9%, 0.44%

LAB 49.86, 54.9, 58.34

 

CMYK 95 / 0 / 87 / 16

HEX #0BD51C

RGB 11 213 28

HSL 125.05, 0.9%, 0.44%

LAB 74.66, -74.14, 69.06

 

CMYK 95 / 27 / 0 / 16

HEX #0B9CD5

RGB 11 156 213

HSL 196.93, 0.9%, 0.44%

LAB 60.47, -13.44, -38.44

 

CMYK 0 / 95 / 9 / 16

HEX #D70BC3

RGB 215 11 195

HSL 305.88, 0.9%, 0.44%

LAB 50.25, 82.77, -43.33

 

CMYK 0 / 39 / 95 / 16

HEX #D5810B

RGB 213 129 11

HSL 35.05, 0.9%, 0.44%

LAB 61.54, 25.34, 66.02

 

CMYK 95 / 0 / 87 / 16

HEX #0BD51C

RGB 11 213 28

HSL 125.05, 0.9%, 0.44%

LAB 74.66, -74.14, 69.06

 

CMYK 95 / 55 / 0 / 16

HEX #0B5FD5

RGB 11 95 213

HSL 215.05, 0.9%, 0.44%

LAB 42.85, 23.78, -66.6

 

Description

Color code: HEX #D70BC3 | qconv.com Color code: HEX #D70BC3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 11 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 11 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 9 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 9% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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