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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6CE23 it is the complementary color #2931DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6CE23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6CE23 shade: #DBCE1E, #ECE031, #FDF244, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6CE23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6CE23 shade: #D6CE23, #C5BC10, #B4AA00, #A39800 and #928600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6CE23 shade: #D7CF23, #D79E23, #D76E23, #D73D23 and #D72323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6CE23 shade: #D7CF23, #AED723, #7ED723, #4DD723 and #23D729

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6CE23 shade matches the following richer shades: #D7CF23 and #EBE10F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6CE23 shade: #D7CF23, #C3BC37, #AEAA4B, #9A9860 and #868574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6CE23 shade: #D76E23, #D79E23, #D7CE23, #B0D723 and #80D723

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6CE23 shade: #908B17, #B3AD1D, #D7CF23, #E0D943 and #E6E066

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6CE23 shade: #D6CE23, #23D73E and #8623D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6CE23 shade: #D6CE23, #23D7CE and #CE23D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6CE23 shade: #D6CE23, #23D73E, #232CD7 and #D723BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6CE23 shade: #D6CE23, #23D774, #232CD7 and #D72386

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 84 / 16

HEX #D6CE23

RGB 214 206 35

HSL 57.32, 0.72%, 0.49%

LAB 81.05, -14.4, 76.34

 

Complementary color

CMYK 81 / 78 / 0 / 14

HEX #2931DC

RGB 41 49 220

HSL 237.32, 0.72%, 0.51%

LAB 33.64, 55.83, -85.74

 

CMYK 0 / 6 / 86 / 14

HEX #DBCE1E

RGB 219 206 30

HSL 55.87, 0.76%, 0.49%

LAB 81.45, -12.39, 77.91

 

CMYK 0 / 5 / 79 / 7

HEX #ECE031

RGB 236 224 49

HSL 56.15, 0.83%, 0.56%

LAB 87.66, -13.65, 79.19

 

CMYK 0 / 4 / 73 / 1

HEX #FDF244

RGB 253 242 68

HSL 56.43, 0.98%, 0.63%

LAB 93.8, -14.74, 79.59

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE23

RGB 214 206 35

HSL 57.32, 0.72%, 0.49%

LAB 81.05, -14.4, 76.34

 

CMYK 0 / 5 / 92 / 23

HEX #C5BC10

RGB 197 188 16

HSL 57.02, 0.85%, 0.42%

LAB 74.75, -13.04, 74.24

 

CMYK 0 / 6 / 100 / 29

HEX #B4AA00

RGB 180 170 0

HSL 56.67, 1%, 0.35%

LAB 68.35, -11.47, 70.74

 

CMYK 0 / 7 / 100 / 36

HEX #A39800

RGB 163 152 0

HSL 55.95, 1%, 0.32%

LAB 61.86, -9.67, 65.36

 

CMYK 0 / 8 / 100 / 43

HEX #928600

RGB 146 134 0

HSL 55.07, 1%, 0.29%

LAB 55.24, -7.8, 59.87

 

CMYK 0 / 4 / 84 / 16

HEX #D7CF23

RGB 215 207 35

HSL 57.33, 0.72%, 0.49%

LAB 81.4, -14.48, 76.66

 

CMYK 0 / 27 / 84 / 16

HEX #D79E23

RGB 215 158 35

HSL 41, 0.72%, 0.49%

LAB 68.77, 11.04, 66.09

 

CMYK 0 / 49 / 84 / 16

HEX #D76E23

RGB 215 110 35

HSL 25, 0.72%, 0.49%

LAB 57.77, 36.62, 56.7

 

CMYK 0 / 72 / 84 / 16

HEX #D73D23

RGB 215 61 35

HSL 8.67, 0.72%, 0.49%

LAB 49.38, 58.6, 49.35

 

CMYK 0 / 84 / 84 / 16

HEX #D72323

RGB 215 35 35

HSL 0, 0.72%, 0.49%

LAB 46.67, 66.19, 46.92

 

CMYK 0 / 4 / 84 / 16

HEX #D7CF23

RGB 215 207 35

HSL 57.33, 0.72%, 0.49%

LAB 81.4, -14.48, 76.66

 

CMYK 19 / 0 / 84 / 16

HEX #AED723

RGB 174 215 35

HSL 73.67, 0.72%, 0.49%

LAB 80.58, -35.29, 74.77

 

CMYK 41 / 0 / 84 / 16

HEX #7ED723

RGB 126 215 35

HSL 89.67, 0.72%, 0.49%

LAB 77.97, -52.88, 71.48

 

CMYK 64 / 0 / 84 / 16

HEX #4DD723

RGB 77 215 35

HSL 106, 0.72%, 0.49%

LAB 76.25, -66.28, 69.3

 

CMYK 84 / 0 / 81 / 16

HEX #23D729

RGB 35 215 41

HSL 122, 0.72%, 0.49%

LAB 75.52, -72.47, 66.85

 

CMYK 0 / 4 / 84 / 16

HEX #D7CF23

RGB 215 207 35

HSL 57.33, 0.72%, 0.49%

LAB 81.4, -14.48, 76.66

 

CMYK 0 / 4 / 94 / 8

HEX #EBE10F

RGB 235 225 15

HSL 57.27, 0.88%, 0.49%

LAB 87.75, -15.27, 85.64

 

CMYK 0 / 4 / 84 / 16

HEX #D7CF23

RGB 215 207 35

HSL 57.33, 0.72%, 0.49%

LAB 81.4, -14.48, 76.66

 

CMYK 0 / 4 / 72 / 24

HEX #C3BC37

RGB 195 188 55

HSL 57, 0.56%, 0.49%

LAB 74.73, -12.72, 64.19

 

CMYK 0 / 2 / 57 / 32

HEX #AEAA4B

RGB 174 170 75

HSL 57.58, 0.4%, 0.49%

LAB 68.21, -11.19, 48.52

 

CMYK 0 / 1 / 38 / 40

HEX #9A9860

RGB 154 152 96

HSL 57.93, 0.23%, 0.49%

LAB 61.8, -8.03, 29.75

 

CMYK 0 / 1 / 13 / 47

HEX #868574

RGB 134 133 116

HSL 56.67, 0.07%, 0.49%

LAB 55.18, -2.77, 9.31

 

CMYK 0 / 49 / 84 / 16

HEX #D76E23

RGB 215 110 35

HSL 25, 0.72%, 0.49%

LAB 57.77, 36.62, 56.7

 

CMYK 0 / 27 / 84 / 16

HEX #D79E23

RGB 215 158 35

HSL 41, 0.72%, 0.49%

LAB 68.77, 11.04, 66.09

 

CMYK 0 / 4 / 84 / 16

HEX #D7CE23

RGB 215 206 35

HSL 57, 0.72%, 0.49%

LAB 81.13, -13.98, 76.44

 

CMYK 18 / 0 / 84 / 16

HEX #B0D723

RGB 176 215 35

HSL 73, 0.72%, 0.49%

LAB 80.71, -34.5, 74.93

 

CMYK 40 / 0 / 84 / 16

HEX #80D723

RGB 128 215 35

HSL 89, 0.72%, 0.49%

LAB 78.06, -52.22, 71.59

 

CMYK 0 / 3 / 84 / 44

HEX #908B17

RGB 144 139 23

HSL 57.52, 0.72%, 0.33%

LAB 56.54, -10.94, 56.28

 

CMYK 0 / 3 / 84 / 30

HEX #B3AD1D

RGB 179 173 29

HSL 57.6, 0.72%, 0.41%

LAB 69.15, -12.96, 66.63

 

CMYK 0 / 4 / 84 / 16

HEX #D7CF23

RGB 215 207 35

HSL 57.33, 0.72%, 0.49%

LAB 81.4, -14.48, 76.66

 

CMYK 0 / 3 / 70 / 12

HEX #E0D943

RGB 224 217 67

HSL 57.32, 0.72%, 0.57%

LAB 84.93, -14.49, 70.63

 

CMYK 0 / 3 / 56 / 10

HEX #E6E066

RGB 230 224 102

HSL 57.19, 0.72%, 0.65%

LAB 87.53, -13.35, 59.32

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE23

RGB 214 206 35

HSL 57.32, 0.72%, 0.49%

LAB 81.05, -14.4, 76.34

 

CMYK 84 / 0 / 71 / 16

HEX #23D73E

RGB 35 215 62

HSL 129, 0.72%, 0.49%

LAB 75.64, -71, 60.25

 

CMYK 38 / 84 / 0 / 16

HEX #8623D7

RGB 134 35 215

HSL 273, 0.72%, 0.49%

LAB 39.88, 69.36, -72.28

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE23

RGB 214 206 35

HSL 57.32, 0.72%, 0.49%

LAB 81.05, -14.4, 76.34

 

CMYK 84 / 0 / 4 / 16

HEX #23D7CE

RGB 35 215 206

HSL 177, 0.72%, 0.49%

LAB 78.12, -43.47, -7.67

 

CMYK 4 / 84 / 0 / 16

HEX #CE23D7

RGB 206 35 215

HSL 297, 0.72%, 0.49%

LAB 50.96, 80.77, -53.81

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE23

RGB 214 206 35

HSL 57.32, 0.72%, 0.49%

LAB 81.05, -14.4, 76.34

 

CMYK 84 / 0 / 71 / 16

HEX #23D73E

RGB 35 215 62

HSL 129, 0.72%, 0.49%

LAB 75.64, -71, 60.25

 

CMYK 84 / 80 / 0 / 16

HEX #232CD7

RGB 35 44 215

HSL 237, 0.72%, 0.49%

LAB 31.95, 56.47, -85.66

 

CMYK 0 / 84 / 13 / 16

HEX #D723BC

RGB 215 35 188

HSL 309, 0.72%, 0.49%

LAB 51.01, 78.53, -38.05

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE23

RGB 214 206 35

HSL 57.32, 0.72%, 0.49%

LAB 81.05, -14.4, 76.34

 

CMYK 84 / 0 / 46 / 16

HEX #23D774

RGB 35 215 116

HSL 147, 0.72%, 0.49%

LAB 76.2, -64.16, 36.94

 

CMYK 84 / 80 / 0 / 16

HEX #232CD7

RGB 35 44 215

HSL 237, 0.72%, 0.49%

LAB 31.95, 56.47, -85.66

 

CMYK 0 / 84 / 38 / 16

HEX #D72386

RGB 215 35 134

HSL 327, 0.72%, 0.49%

LAB 48.72, 72.19, -9.51

 

Description

Color code: HEX #D6CE23 | qconv.com Color code: HEX #D6CE23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 206 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 206 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 84 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 84% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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