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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 4 / 84 / 16 it is the complementary color CMYK 81 / 78 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 4 / 84 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 4 / 84 / 16: CMYK 0 / 6 / 87 / 14, CMYK 0 / 5 / 80 / 7, CMYK 0 / 4 / 74 / 1, CMYK 0 / 0 / 66 / 0 and CMYK 0 / 0 / 59 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 4 / 84 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 4 / 84 / 16: CMYK 0 / 4 / 84 / 16, CMYK 0 / 5 / 92 / 23, CMYK 0 / 6 / 100 / 29, CMYK 0 / 7 / 100 / 36 and CMYK 0 / 8 / 100 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 84 / 16

HEX #D6CE22

RGB 214 206 34

HSL 57.33, 0.73%, 0.49%

LAB 81.05, -14.43, 76.56

 

Complementary color

CMYK 81 / 78 / 0 / 13

HEX #2931DD

RGB 41 49 221

HSL 237.33, 0.73%, 0.51%

LAB 33.75, 56.15, -86.13

 

CMYK 0 / 6 / 87 / 14

HEX #DBCE1D

RGB 219 206 29

HSL 55.89, 0.77%, 0.49%

LAB 81.45, -12.41, 78.11

 

CMYK 0 / 5 / 80 / 7

HEX #ECE030

RGB 236 224 48

HSL 56.17, 0.83%, 0.56%

LAB 87.66, -13.68, 79.45

 

CMYK 0 / 4 / 74 / 1

HEX #FDF243

RGB 253 242 67

HSL 56.45, 0.98%, 0.63%

LAB 93.79, -14.78, 79.91

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE22

RGB 214 206 34

HSL 57.33, 0.73%, 0.49%

LAB 81.05, -14.43, 76.56

 

CMYK 0 / 5 / 92 / 23

HEX #C5BC0F

RGB 197 188 15

HSL 57.03, 0.86%, 0.42%

LAB 74.74, -13.05, 74.38

 

CMYK 0 / 6 / 100 / 29

HEX #B4AA00

RGB 180 170 0

HSL 56.67, 1%, 0.35%

LAB 68.35, -11.47, 70.74

 

CMYK 0 / 7 / 100 / 36

HEX #A39800

RGB 163 152 0

HSL 55.95, 1%, 0.32%

LAB 61.86, -9.67, 65.36

 

CMYK 0 / 8 / 100 / 43

HEX #928600

RGB 146 134 0

HSL 55.07, 1%, 0.29%

LAB 55.24, -7.8, 59.87

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE22

RGB 214 206 34

HSL 57.33, 0.73%, 0.49%

LAB 81.05, -14.43, 76.56

 

CMYK 10 / 0 / 85 / 15

HEX #C2D821

RGB 194 216 33

HSL 67.21, 0.73%, 0.49%

LAB 82.21, -27.72, 77.12

 

CMYK 24 / 0 / 85 / 15

HEX #A4D821

RGB 164 216 33

HSL 77.05, 0.73%, 0.49%

LAB 80.24, -39.71, 74.67

 

CMYK 38 / 0 / 85 / 15

HEX #86D821

RGB 134 216 33

HSL 86.89, 0.73%, 0.49%

LAB 78.63, -50.67, 72.65

 

CMYK 52 / 0 / 85 / 15

HEX #67D821

RGB 103 216 33

HSL 97.05, 0.73%, 0.49%

LAB 77.34, -60.31, 71.03

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE22

RGB 214 206 34

HSL 57.33, 0.73%, 0.49%

LAB 81.05, -14.43, 76.56

 

CMYK 0 / 0 / 80 / 96

HEX #0A0A02

RGB 10 10 2

HSL 60, 0.67%, 0.02%

LAB 2.58, -1.11, 3.03

 

CMYK 0 / 3 / 84 / 76

HEX #3D3B0A

RGB 61 59 10

HSL 57.65, 0.72%, 0.14%

LAB 24.14, -5.97, 28.74

 

CMYK 0 / 4 / 84 / 56

HEX #706C12

RGB 112 108 18

HSL 57.45, 0.72%, 0.25%

LAB 44.54, -9.04, 46.23

 

CMYK 0 / 4 / 84 / 36

HEX #A39D1A

RGB 163 157 26

HSL 57.37, 0.72%, 0.37%

LAB 63.32, -11.82, 61.91

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE22

RGB 214 206 34

HSL 57.33, 0.73%, 0.49%

LAB 81.05, -14.43, 76.56

 

CMYK 85 / 0 / 72 / 15

HEX #21D83D

RGB 33 216 61

HSL 129.18, 0.73%, 0.49%

LAB 75.93, -71.57, 60.91

 

CMYK 38 / 85 / 0 / 15

HEX #8621D8

RGB 134 33 216

HSL 273.11, 0.73%, 0.49%

LAB 39.77, 70.14, -73.03

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE22

RGB 214 206 34

HSL 57.33, 0.73%, 0.49%

LAB 81.05, -14.43, 76.56

 

CMYK 85 / 0 / 4 / 15

HEX #21D8CF

RGB 33 216 207

HSL 177.05, 0.73%, 0.49%

LAB 78.43, -43.76, -7.75

 

CMYK 4 / 85 / 0 / 15

HEX #CF21D8

RGB 207 33 216

HSL 297.05, 0.73%, 0.49%

LAB 51.05, 81.49, -54.22

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE22

RGB 214 206 34

HSL 57.33, 0.73%, 0.49%

LAB 81.05, -14.43, 76.56

 

CMYK 85 / 0 / 72 / 15

HEX #21D83D

RGB 33 216 61

HSL 129.18, 0.73%, 0.49%

LAB 75.93, -71.57, 60.91

 

CMYK 85 / 81 / 0 / 15

HEX #212AD8

RGB 33 42 216

HSL 237.05, 0.73%, 0.49%

LAB 31.66, 57.67, -86.72

 

CMYK 0 / 85 / 13 / 15

HEX #D821BC

RGB 216 33 188

HSL 309.18, 0.73%, 0.49%

LAB 51.06, 79.11, -37.97

 

CMYK 0 / 4 / 84 / 16

HEX #D6CE22

RGB 214 206 34

HSL 57.33, 0.73%, 0.49%

LAB 81.05, -14.43, 76.56

 

CMYK 85 / 0 / 47 / 15

HEX #21D873

RGB 33 216 115

HSL 146.89, 0.73%, 0.49%

LAB 76.48, -64.83, 37.79

 

CMYK 85 / 81 / 0 / 15

HEX #212AD8

RGB 33 42 216

HSL 237.05, 0.73%, 0.49%

LAB 31.66, 57.67, -86.72

 

CMYK 0 / 85 / 38 / 15

HEX #D82186

RGB 216 33 134

HSL 326.89, 0.73%, 0.49%

LAB 48.77, 72.83, -9.42

 

Description

Color code: CMYK 0 / 4 / 84 / 16 | qconv.com Color code: CMYK 0 / 4 / 84 / 16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 206 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 206 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 84 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 84% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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