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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6AF2E it is the complementary color #2950D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6AF2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6AF2E shade: #DBAF29, #ECC13C, #FDD34F, #FFE562 and #FFF775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6AF2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6AF2E shade: #D6AF2E, #C59D1B, #B48B08, #A37900 and #926700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6AF2E shade: #D6AF2E, #D6822E, #D6552E and #D62E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6AF2E shade: #D6AF2E, #CFD62E, #A2D62E, #75D62E and #48D62E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6AF2E shade matches the following richer shades: #D6AF2E, #EABA1A and #FEC506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6AF2E shade: #D6AF2E, #C2A443, #AD9957, #998E6B and #85847F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6AF2E shade: #D6552E, #D6822E, #D6AF2E, #D0D62E and #A4D62E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6AF2E shade: #94791D, #B79524, #D6AF2E, #DDBC51 and #E3C973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6AF2E shade: #D6AF2E, #34D62E and #6C2ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6AF2E shade: #D6AF2E, #2ED6AF and #AF2ED6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6AF2E shade: #D6AF2E, #34D62E, #2E55D6 and #D02ED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6AF2E shade: #D6AF2E, #2ED65B, #2E55D6 and #D62EA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

Complementary color

CMYK 80 / 62 / 0 / 18

HEX #2950D1

RGB 41 80 209

HSL 226.07, 0.67%, 0.49%

LAB 39.26, 33.74, -70.14

 

CMYK 0 / 20 / 81 / 14

HEX #DBAF29

RGB 219 175 41

HSL 45.17, 0.71%, 0.51%

LAB 73.47, 3.9, 68.49

 

CMYK 0 / 18 / 75 / 7

HEX #ECC13C

RGB 236 193 60

HSL 45.34, 0.82%, 0.58%

LAB 79.78, 2.47, 68.54

 

CMYK 0 / 17 / 69 / 1

HEX #FDD34F

RGB 253 211 79

HSL 45.52, 0.98%, 0.65%

LAB 86.02, 1.24, 68.02

 

CMYK 0 / 10 / 62 / 0

HEX #FFE562

RGB 255 229 98

HSL 50.06, 1%, 0.69%

LAB 90.86, -5.95, 65.34

 

CMYK 0 / 3 / 54 / 0

HEX #FFF775

RGB 255 247 117

HSL 56.52, 1%, 0.73%

LAB 95.61, -13.53, 62.39

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 0 / 20 / 86 / 23

HEX #C59D1B

RGB 197 157 27

HSL 45.88, 0.76%, 0.44%

LAB 66.57, 3.44, 65.67

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 0 / 26 / 100 / 36

HEX #A37900

RGB 163 121 0

HSL 44.54, 1%, 0.32%

LAB 53.45, 7.37, 59.43

 

CMYK 0 / 29 / 100 / 43

HEX #926700

RGB 146 103 0

HSL 42.33, 1%, 0.29%

LAB 46.73, 9.7, 53.91

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 0 / 39 / 79 / 16

HEX #D6822E

RGB 214 130 46

HSL 30, 0.67%, 0.51%

LAB 62.05, 26.04, 56.18

 

CMYK 0 / 60 / 79 / 16

HEX #D6552E

RGB 214 85 46

HSL 13.93, 0.67%, 0.51%

LAB 52.94, 48.77, 47.35

 

CMYK 0 / 79 / 79 / 16

HEX #D62E2E

RGB 214 46 46

HSL 0, 0.67%, 0.51%

LAB 47.56, 63.44, 41.89

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 3 / 0 / 79 / 16

HEX #CFD62E

RGB 207 214 46

HSL 62.5, 0.67%, 0.51%

LAB 82.68, -20.97, 74.73

 

CMYK 24 / 0 / 79 / 16

HEX #A2D62E

RGB 162 214 46

HSL 78.57, 0.67%, 0.51%

LAB 79.6, -39.12, 70.81

 

CMYK 45 / 0 / 79 / 16

HEX #75D62E

RGB 117 214 46

HSL 94.64, 0.67%, 0.51%

LAB 77.32, -54.87, 67.88

 

CMYK 66 / 0 / 79 / 16

HEX #48D62E

RGB 72 214 46

HSL 110.71, 0.67%, 0.51%

LAB 75.87, -66.43, 65.99

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 0 / 21 / 89 / 8

HEX #EABA1A

RGB 234 186 26

HSL 46.15, 0.83%, 0.51%

LAB 77.69, 4.26, 76.31

 

CMYK 0 / 22 / 98 / 0

HEX #FEC506

RGB 254 197 6

HSL 46.21, 0.99%, 0.51%

LAB 82.39, 6.9, 83.36

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 0 / 15 / 65 / 24

HEX #C2A443

RGB 194 164 67

HSL 45.83, 0.51%, 0.51%

LAB 68.33, 0.05, 52.82

 

CMYK 0 / 12 / 50 / 32

HEX #AD9957

RGB 173 153 87

HSL 46.05, 0.34%, 0.51%

LAB 63.64, -1.52, 37.17

 

CMYK 0 / 7 / 30 / 40

HEX #998E6B

RGB 153 142 107

HSL 45.65, 0.18%, 0.51%

LAB 59.14, -1.55, 20.17

 

CMYK 0 / 1 / 5 / 48

HEX #85847F

RGB 133 132 127

HSL 50, 0.02%, 0.51%

LAB 55.09, -0.59, 2.82

 

CMYK 0 / 60 / 79 / 16

HEX #D6552E

RGB 214 85 46

HSL 13.93, 0.67%, 0.51%

LAB 52.94, 48.77, 47.35

 

CMYK 0 / 39 / 79 / 16

HEX #D6822E

RGB 214 130 46

HSL 30, 0.67%, 0.51%

LAB 62.05, 26.04, 56.18

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 3 / 0 / 79 / 16

HEX #D0D62E

RGB 208 214 46

HSL 62.14, 0.67%, 0.51%

LAB 82.75, -20.56, 74.83

 

CMYK 23 / 0 / 79 / 16

HEX #A4D62E

RGB 164 214 46

HSL 77.86, 0.67%, 0.51%

LAB 79.72, -38.35, 70.96

 

CMYK 0 / 18 / 80 / 42

HEX #94791D

RGB 148 121 29

HSL 46.39, 0.67%, 0.35%

LAB 51.9, 1.05, 50.49

 

CMYK 0 / 19 / 80 / 28

HEX #B79524

RGB 183 149 36

HSL 46.12, 0.67%, 0.43%

LAB 63.09, 1.78, 59.52

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 0 / 15 / 63 / 13

HEX #DDBC51

RGB 221 188 81

HSL 45.86, 0.67%, 0.59%

LAB 77.24, -0.2, 56.98

 

CMYK 0 / 11 / 49 / 11

HEX #E3C973

RGB 227 201 115

HSL 46.07, 0.67%, 0.67%

LAB 81.48, -1.85, 46.03

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 76 / 0 / 79 / 16

HEX #34D62E

RGB 52 214 46

HSL 117.86, 0.67%, 0.51%

LAB 75.46, -69.85, 65.46

 

CMYK 50 / 79 / 0 / 16

HEX #6C2ED6

RGB 108 46 214

HSL 262.14, 0.67%, 0.51%

LAB 37.84, 61.82, -75.17

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 79 / 0 / 18 / 16

HEX #2ED6AF

RGB 46 214 175

HSL 166.07, 0.67%, 0.51%

LAB 77.14, -50.37, 7.52

 

CMYK 18 / 79 / 0 / 16

HEX #AF2ED6

RGB 175 46 214

HSL 286.07, 0.67%, 0.51%

LAB 46.87, 72.4, -60.06

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 76 / 0 / 79 / 16

HEX #34D62E

RGB 52 214 46

HSL 117.86, 0.67%, 0.51%

LAB 75.46, -69.85, 65.46

 

CMYK 79 / 60 / 0 / 16

HEX #2E55D6

RGB 46 85 214

HSL 226.07, 0.67%, 0.51%

LAB 41.11, 32.84, -69.98

 

CMYK 3 / 79 / 0 / 16

HEX #D02ED6

RGB 208 46 214

HSL 297.86, 0.67%, 0.51%

LAB 52.08, 78.48, -51.41

 

CMYK 0 / 18 / 79 / 16

HEX #D6AF2E

RGB 214 175 46

HSL 46.07, 0.67%, 0.51%

LAB 72.99, 1.89, 66.3

 

CMYK 79 / 0 / 57 / 16

HEX #2ED65B

RGB 46 214 91

HSL 136.07, 0.67%, 0.51%

LAB 75.72, -66.4, 48.34

 

CMYK 79 / 60 / 0 / 16

HEX #2E55D6

RGB 46 85 214

HSL 226.07, 0.67%, 0.51%

LAB 41.11, 32.84, -69.98

 

CMYK 0 / 79 / 21 / 16

HEX #D62EA9

RGB 214 46 169

HSL 316.07, 0.67%, 0.51%

LAB 50.82, 73.31, -27.23

 

Description

Color code: HEX #D6AF2E | qconv.com Color code: HEX #D6AF2E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 175 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 175 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 79% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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