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Color name
RGB 180 139 8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 139 8 it is the complementary color RGB 75 116 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 139 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 139 8 shade: RGB 185 139 3, RGB 202 157 22, RGB 219 175 41, RGB 236 193 60 and RGB 253 211 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 139 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 139 8 shade: RGB 180 139 8, RGB 163 121 0, RGB 146 103 0, RGB 129 85 0 and RGB 112 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 139 8 shade: RGB 180 139 8, RGB 180 92 8, RGB 180 46 8 and RGB 180 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 139 8 shade: RGB 180 139 8, RGB 174 180 8, RGB 128 180 8, RGB 82 180 8 and RGB 35 180 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 139 8 shade matches the following richer shades: RGB 180 139 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 139 8 shade: RGB 180 139 8, RGB 164 131 23, RGB 149 123 39, RGB 134 115 54 and RGB 119 107 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 139 8 shade: RGB 180 45 8, RGB 180 91 8, RGB 180 137 8, RGB 177 180 8 and RGB 131 180 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 139 8 shade: RGB 101 78 4, RGB 140 108 6, RGB 180 139 8, RGB 219 169 10 and RGB 244 192 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 139 8 shade: RGB 180 139 8, RGB 17 180 8 and RGB 68 8 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 139 8 shade: RGB 180 139 8, RGB 8 180 137 and RGB 137 8 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 139 8 shade: RGB 180 139 8, RGB 17 180 8, RGB 8 51 180 and RGB 171 8 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 139 8 shade: RGB 180 139 8, RGB 8 180 51, RGB 8 51 180 and RGB 180 8 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

Complementary color

CMYK 70 / 53 / 0 / 3

HEX #4B74F7

RGB 75 116 247

HSL 225.7, 0.91%, 0.63%

LAB 52.62, 28.52, -69.82

 

CMYK 0 / 25 / 98 / 27

HEX #B98B03

RGB 185 139 3

HSL 44.84, 0.97%, 0.37%

LAB 60.59, 7.46, 65.02

 

CMYK 0 / 22 / 89 / 21

HEX #CA9D16

RGB 202 157 22

HSL 45, 0.8%, 0.44%

LAB 67.07, 5.55, 67.45

 

CMYK 0 / 20 / 81 / 14

HEX #DBAF29

RGB 219 175 41

HSL 45.17, 0.71%, 0.51%

LAB 73.47, 3.9, 68.49

 

CMYK 0 / 18 / 75 / 7

HEX #ECC13C

RGB 236 193 60

HSL 45.34, 0.82%, 0.58%

LAB 79.78, 2.47, 68.54

 

CMYK 0 / 17 / 69 / 1

HEX #FDD34F

RGB 253 211 79

HSL 45.52, 0.98%, 0.65%

LAB 86.02, 1.24, 68.02

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 0 / 26 / 100 / 36

HEX #A37900

RGB 163 121 0

HSL 44.54, 1%, 0.32%

LAB 53.45, 7.37, 59.43

 

CMYK 0 / 29 / 100 / 43

HEX #926700

RGB 146 103 0

HSL 42.33, 1%, 0.29%

LAB 46.73, 9.7, 53.91

 

CMYK 0 / 34 / 100 / 49

HEX #815500

RGB 129 85 0

HSL 39.53, 1%, 0.25%

LAB 39.86, 12.16, 48.29

 

CMYK 0 / 40 / 100 / 56

HEX #704300

RGB 112 67 0

HSL 35.89, 1%, 0.22%

LAB 32.83, 14.77, 42.56

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 0 / 49 / 96 / 29

HEX #B45C08

RGB 180 92 8

HSL 29.3, 0.91%, 0.37%

LAB 48.73, 31.18, 55.62

 

CMYK 0 / 74 / 96 / 29

HEX #B42E08

RGB 180 46 8

HSL 13.26, 0.91%, 0.37%

LAB 40.69, 52.24, 50.48

 

CMYK 0 / 96 / 96 / 29

HEX #B40808

RGB 180 8 8

HSL 0, 0.91%, 0.37%

LAB 37.65, 60.85, 48.74

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 3 / 0 / 96 / 29

HEX #AEB408

RGB 174 180 8

HSL 62.09, 0.91%, 0.37%

LAB 70.63, -19.12, 71.25

 

CMYK 29 / 0 / 96 / 29

HEX #80B408

RGB 128 180 8

HSL 78.14, 0.91%, 0.37%

LAB 67.46, -38.26, 67.43

 

CMYK 54 / 0 / 96 / 29

HEX #52B408

RGB 82 180 8

HSL 94.19, 0.91%, 0.37%

LAB 65.32, -53.9, 64.81

 

CMYK 81 / 0 / 96 / 29

HEX #23B408

RGB 35 180 8

HSL 110.58, 0.91%, 0.37%

LAB 64.17, -63.55, 63.4

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 0 / 20 / 86 / 36

HEX #A48317

RGB 164 131 23

HSL 45.96, 0.75%, 0.37%

LAB 56.27, 2.65, 56.84

 

CMYK 0 / 17 / 74 / 42

HEX #957B27

RGB 149 123 39

HSL 45.82, 0.59%, 0.37%

LAB 52.62, 0.83, 47.32

 

CMYK 0 / 14 / 60 / 47

HEX #867336

RGB 134 115 54

HSL 45.75, 0.43%, 0.37%

LAB 49, -0.54, 35.92

 

CMYK 0 / 10 / 42 / 53

HEX #776B45

RGB 119 107 69

HSL 45.6, 0.27%, 0.37%

LAB 45.45, -1.2, 23.01

 

CMYK 0 / 75 / 96 / 29

HEX #B42D08

RGB 180 45 8

HSL 12.91, 0.91%, 0.37%

LAB 40.57, 52.59, 50.41

 

CMYK 0 / 49 / 96 / 29

HEX #B45B08

RGB 180 91 8

HSL 28.95, 0.91%, 0.37%

LAB 48.51, 31.71, 55.48

 

CMYK 0 / 24 / 96 / 29

HEX #B48908

RGB 180 137 8

HSL 45, 0.91%, 0.37%

LAB 59.54, 6.36, 63.24

 

CMYK 2 / 0 / 96 / 29

HEX #B1B408

RGB 177 180 8

HSL 61.05, 0.91%, 0.37%

LAB 70.88, -17.81, 71.54

 

CMYK 27 / 0 / 96 / 29

HEX #83B408

RGB 131 180 8

HSL 77.09, 0.91%, 0.37%

LAB 67.64, -37.09, 67.64

 

CMYK 0 / 23 / 96 / 60

HEX #654E04

RGB 101 78 4

HSL 45.77, 0.92%, 0.21%

LAB 34.45, 2.71, 41.56

 

CMYK 0 / 23 / 96 / 45

HEX #8C6C06

RGB 140 108 6

HSL 45.67, 0.92%, 0.29%

LAB 47.38, 4.08, 52.69

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 0 / 23 / 95 / 14

HEX #DBA90A

RGB 219 169 10

HSL 45.65, 0.91%, 0.45%

LAB 71.86, 6.46, 73.79

 

CMYK 0 / 21 / 89 / 4

HEX #F4C01A

RGB 244 192 26

HSL 45.69, 0.91%, 0.53%

LAB 80.18, 5.44, 78.68

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 91 / 0 / 96 / 29

HEX #11B408

RGB 17 180 8

HSL 116.86, 0.91%, 0.37%

LAB 63.98, -65.28, 63.16

 

CMYK 62 / 96 / 0 / 29

HEX #4408B4

RGB 68 8 180

HSL 260.93, 0.91%, 0.37%

LAB 25.86, 61.08, -75.16

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 96 / 0 / 24 / 29

HEX #08B489

RGB 8 180 137

HSL 165, 0.91%, 0.37%

LAB 65.36, -48.71, 11.26

 

CMYK 24 / 96 / 0 / 29

HEX #8908B4

RGB 137 8 180

HSL 285, 0.91%, 0.37%

LAB 35.57, 68.21, -58.83

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 91 / 0 / 96 / 29

HEX #11B408

RGB 17 180 8

HSL 116.86, 0.91%, 0.37%

LAB 63.98, -65.28, 63.16

 

CMYK 96 / 72 / 0 / 29

HEX #0833B4

RGB 8 51 180

HSL 225, 0.91%, 0.37%

LAB 28.68, 39.63, -70.58

 

CMYK 5 / 96 / 0 / 29

HEX #AB08B4

RGB 171 8 180

HSL 296.86, 0.91%, 0.37%

LAB 41.42, 73.38, -49.09

 

CMYK 0 / 23 / 96 / 29

HEX #B48B08

RGB 180 139 8

HSL 45.7, 0.91%, 0.37%

LAB 60.06, 5.25, 63.61

 

CMYK 96 / 0 / 72 / 29

HEX #08B433

RGB 8 180 51

HSL 135, 0.91%, 0.37%

LAB 64.11, -63.47, 52.33

 

CMYK 96 / 72 / 0 / 29

HEX #0833B4

RGB 8 51 180

HSL 225, 0.91%, 0.37%

LAB 28.68, 39.63, -70.58

 

CMYK 0 / 96 / 24 / 29

HEX #B40889

RGB 180 8 137

HSL 315, 0.91%, 0.37%

LAB 40.71, 69.05, -24.18

 

Description

Color code: RGB 180 139 8 | qconv.com Color code: RGB 180 139 8 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 139 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 139 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 96 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 96% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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