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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D66899 it is the complementary color #299766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D66899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D66899 shade: #DB6894, #EC7AA7, #FD8CBA, #FF9ECD and #FFB0E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D66899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D66899 shade: #D66899, #C55686, #B44473, #A33260 and #92204D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D66899 shade: #D56798, #D5677A and #D56767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D66899 shade: #D56798, #D567B6, #D567D4, #B967D5 and #9B67D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D66899 shade matches the following richer shades: #D56798, #E55796 and #F54895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D66899 shade: #D56798, #C6779A, #B6869B, #A6969D and #97A69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D66899 shade: #D567D3, #D567B6, #D56799, #D5677B and #D57067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D66899 shade: #B7326E, #CC4682, #D56798, #DE87AE and #E7A8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D66899 shade: #D66899, #D5BA67 and #67C5D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D66899 shade: #D66899, #99D567 and #6799D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D66899 shade: #D66899, #D5BA67, #67D5A4 and #6782D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D66899 shade: #D66899, #D0D567, #67D5A4 and #6C67D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 29 / 16

HEX #D66899

RGB 214 104 153

HSL 333.27, 0.57%, 0.62%

LAB 58.51, 48.59, -6.19

 

Complementary color

CMYK 73 / 0 / 32 / 41

HEX #299766

RGB 41 151 102

HSL 153.27, 0.57%, 0.38%

LAB 55.65, -42.41, 17.2

 

CMYK 0 / 53 / 32 / 14

HEX #DB6894

RGB 219 104 148

HSL 337.04, 0.61%, 0.63%

LAB 59.07, 49.6, -2.38

 

CMYK 0 / 48 / 29 / 7

HEX #EC7AA7

RGB 236 122 167

HSL 336.32, 0.75%, 0.7%

LAB 65.39, 48.8, -3.71

 

CMYK 0 / 45 / 26 / 1

HEX #FD8CBA

RGB 253 140 186

HSL 335.58, 0.97%, 0.77%

LAB 71.68, 47.99, -4.85

 

CMYK 0 / 38 / 20 / 0

HEX #FF9ECD

RGB 255 158 205

HSL 330.93, 1%, 0.81%

LAB 76.14, 42.18, -8.69

 

CMYK 0 / 31 / 12 / 0

HEX #FFB0E0

RGB 255 176 224

HSL 323.54, 1%, 0.85%

LAB 80.57, 35.77, -12.42

 

CMYK 0 / 51 / 29 / 16

HEX #D66899

RGB 214 104 153

HSL 333.27, 0.57%, 0.62%

LAB 58.51, 48.59, -6.19

 

CMYK 0 / 56 / 32 / 23

HEX #C55686

RGB 197 86 134

HSL 334.05, 0.49%, 0.55%

LAB 52.12, 49.3, -4.78

 

CMYK 0 / 62 / 36 / 29

HEX #B44473

RGB 180 68 115

HSL 334.82, 0.45%, 0.49%

LAB 45.74, 49.85, -3.05

 

CMYK 0 / 69 / 41 / 36

HEX #A33260

RGB 163 50 96

HSL 335.58, 0.53%, 0.42%

LAB 39.43, 50.08, -0.86

 

CMYK 0 / 78 / 47 / 43

HEX #92204D

RGB 146 32 77

HSL 336.32, 0.64%, 0.35%

LAB 33.31, 49.69, 2.02

 

CMYK 0 / 52 / 29 / 16

HEX #D56798

RGB 213 103 152

HSL 333.27, 0.57%, 0.62%

LAB 58.14, 48.62, -6.16

 

CMYK 0 / 52 / 43 / 16

HEX #D5677A

RGB 213 103 122

HSL 349.64, 0.57%, 0.62%

LAB 57.32, 45.07, 10.13

 

CMYK 0 / 52 / 52 / 16

HEX #D56767

RGB 213 103 103

HSL 0, 0.57%, 0.62%

LAB 56.91, 43.24, 20.62

 

CMYK 0 / 52 / 29 / 16

HEX #D56798

RGB 213 103 152

HSL 333.27, 0.57%, 0.62%

LAB 58.14, 48.62, -6.16

 

CMYK 0 / 52 / 15 / 16

HEX #D567B6

RGB 213 103 182

HSL 316.91, 0.57%, 0.62%

LAB 59.18, 52.92, -21.92

 

CMYK 0 / 52 / 0 / 16

HEX #D567D4

RGB 213 103 212

HSL 300.55, 0.57%, 0.62%

LAB 60.43, 57.87, -37.04

 

CMYK 13 / 52 / 0 / 16

HEX #B967D5

RGB 185 103 213

HSL 284.73, 0.57%, 0.62%

LAB 56.9, 50.43, -43.4

 

CMYK 27 / 52 / 0 / 16

HEX #9B67D5

RGB 155 103 213

HSL 268.36, 0.57%, 0.62%

LAB 53.46, 42.44, -49.06

 

CMYK 0 / 52 / 29 / 16

HEX #D56798

RGB 213 103 152

HSL 333.27, 0.57%, 0.62%

LAB 58.14, 48.62, -6.16

 

CMYK 0 / 62 / 34 / 10

HEX #E55796

RGB 229 87 150

HSL 333.38, 0.73%, 0.62%

LAB 57.73, 60.69, -5.35

 

CMYK 0 / 71 / 39 / 4

HEX #F54895

RGB 245 72 149

HSL 333.29, 0.9%, 0.62%

LAB 58.24, 70.83, -3.71

 

CMYK 0 / 52 / 29 / 16

HEX #D56798

RGB 213 103 152

HSL 333.27, 0.57%, 0.62%

LAB 58.14, 48.62, -6.16

 

CMYK 0 / 40 / 22 / 22

HEX #C6779A

RGB 198 119 154

HSL 333.42, 0.41%, 0.62%

LAB 59.46, 35.54, -5.58

 

CMYK 0 / 26 / 15 / 29

HEX #B6869B

RGB 182 134 155

HSL 333.75, 0.25%, 0.62%

LAB 61.1, 21.68, -3.94

 

CMYK 0 / 10 / 5 / 35

HEX #A6969D

RGB 166 150 157

HSL 333.75, 0.08%, 0.62%

LAB 63.63, 7.17, -1.53

 

CMYK 9 / 0 / 4 / 35

HEX #97A69F

RGB 151 166 159

HSL 152, 0.08%, 0.62%

LAB 66.79, -6.66, 1.81

 

CMYK 0 / 52 / 1 / 16

HEX #D567D3

RGB 213 103 211

HSL 301.09, 0.57%, 0.62%

LAB 60.38, 57.7, -36.55

 

CMYK 0 / 52 / 15 / 16

HEX #D567B6

RGB 213 103 182

HSL 316.91, 0.57%, 0.62%

LAB 59.18, 52.92, -21.92

 

CMYK 0 / 52 / 28 / 16

HEX #D56799

RGB 213 103 153

HSL 332.73, 0.57%, 0.62%

LAB 58.18, 48.75, -6.7

 

CMYK 0 / 52 / 42 / 16

HEX #D5677B

RGB 213 103 123

HSL 349.09, 0.57%, 0.62%

LAB 57.34, 45.18, 9.58

 

CMYK 0 / 47 / 52 / 16

HEX #D57067

RGB 213 112 103

HSL 4.91, 0.57%, 0.62%

LAB 58.71, 38.68, 23.03

 

CMYK 0 / 73 / 40 / 28

HEX #B7326E

RGB 183 50 110

HSL 332.93, 0.57%, 0.46%

LAB 43.47, 57.41, -3.26

 

CMYK 0 / 66 / 36 / 20

HEX #CC4682

RGB 204 70 130

HSL 333.13, 0.57%, 0.54%

LAB 50.49, 58.04, -4.67

 

CMYK 0 / 52 / 29 / 16

HEX #D56798

RGB 213 103 152

HSL 333.27, 0.57%, 0.62%

LAB 58.14, 48.62, -6.16

 

CMYK 0 / 39 / 22 / 13

HEX #DE87AE

RGB 222 135 174

HSL 333.1, 0.57%, 0.7%

LAB 66.45, 38.37, -6.29

 

CMYK 0 / 27 / 15 / 9

HEX #E7A8C4

RGB 231 168 196

HSL 333.33, 0.57%, 0.78%

LAB 75.44, 27.32, -5.1

 

CMYK 0 / 51 / 29 / 16

HEX #D66899

RGB 214 104 153

HSL 333.27, 0.57%, 0.62%

LAB 58.51, 48.59, -6.19

 

CMYK 0 / 13 / 52 / 16

HEX #D5BA67

RGB 213 186 103

HSL 45.27, 0.57%, 0.62%

LAB 76.22, -0.85, 45.25

 

CMYK 52 / 8 / 0 / 16

HEX #67C5D5

RGB 103 197 213

HSL 188.73, 0.57%, 0.62%

LAB 74.58, -23.5, -16.57

 

CMYK 0 / 51 / 29 / 16

HEX #D66899

RGB 214 104 153

HSL 333.27, 0.57%, 0.62%

LAB 58.51, 48.59, -6.19

 

CMYK 28 / 0 / 52 / 16

HEX #99D567

RGB 153 213 103

HSL 92.73, 0.57%, 0.62%

LAB 79.24, -37.76, 47.85

 

CMYK 52 / 28 / 0 / 16

HEX #6799D5

RGB 103 153 213

HSL 212.73, 0.57%, 0.62%

LAB 62.06, 0.13, -35.79

 

CMYK 0 / 51 / 29 / 16

HEX #D66899

RGB 214 104 153

HSL 333.27, 0.57%, 0.62%

LAB 58.51, 48.59, -6.19

 

CMYK 0 / 13 / 52 / 16

HEX #D5BA67

RGB 213 186 103

HSL 45.27, 0.57%, 0.62%

LAB 76.22, -0.85, 45.25

 

CMYK 52 / 0 / 23 / 16

HEX #67D5A4

RGB 103 213 164

HSL 153.27, 0.57%, 0.62%

LAB 77.96, -42.96, 14.73

 

CMYK 52 / 39 / 0 / 16

HEX #6782D5

RGB 103 130 213

HSL 225.27, 0.57%, 0.62%

LAB 55.74, 13.63, -45.72

 

CMYK 0 / 51 / 29 / 16

HEX #D66899

RGB 214 104 153

HSL 333.27, 0.57%, 0.62%

LAB 58.51, 48.59, -6.19

 

CMYK 2 / 0 / 52 / 16

HEX #D0D567

RGB 208 213 103

HSL 62.73, 0.57%, 0.62%

LAB 82.9, -16.69, 53.09

 

CMYK 52 / 0 / 23 / 16

HEX #67D5A4

RGB 103 213 164

HSL 153.27, 0.57%, 0.62%

LAB 77.96, -42.96, 14.73

 

CMYK 49 / 52 / 0 / 16

HEX #6C67D5

RGB 108 103 213

HSL 242.73, 0.57%, 0.62%

LAB 49.12, 31.08, -56.25

 

Description

Color code: HEX #D66899 | qconv.com Color code: HEX #D66899 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 104 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 104 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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