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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6639C it is the complementary color #299C63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6639C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6639C shade: #DB6397, #EC75AA, #FD87BD, #FF99D0 and #FFABE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6639C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6639C shade: #D6639C, #C55189, #B43F76, #A32D63 and #921B50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6639C shade: #D5629B, #D5627C and #D56262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6639C shade: #D5629B, #D562BA, #D162D5, #B262D5 and #9362D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6639C shade matches the following richer shades: #D5629B, #E5529B and #F5429B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6639C shade: #D5629B, #C5729B, #B5829B, #A5929B and #95A29C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6639C shade: #D162D5, #D562BA, #D5629C, #D5627D and #D56662

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6639C shade: #B53072, #CD4186, #D5629B, #DE82B0 and #E7A3C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6639C shade: #D6639C, #D5B362 and #62CAD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6639C shade: #D6639C, #9CD562 and #629CD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6639C shade: #D6639C, #D5B362, #62D59C and #6284D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6639C shade: #D6639C, #D5D562, #62D59C and #6262D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 27 / 16

HEX #D6639C

RGB 214 99 156

HSL 330.26, 0.58%, 0.61%

LAB 57.67, 51.41, -9.17

 

Complementary color

CMYK 74 / 0 / 37 / 39

HEX #299C63

RGB 41 156 99

HSL 150.26, 0.58%, 0.39%

LAB 57.22, -45.07, 21

 

CMYK 0 / 55 / 31 / 14

HEX #DB6397

RGB 219 99 151

HSL 334, 0.63%, 0.62%

LAB 58.24, 52.36, -5.34

 

CMYK 0 / 50 / 28 / 7

HEX #EC75AA

RGB 236 117 170

HSL 333.28, 0.76%, 0.69%

LAB 64.53, 51.64, -6.68

 

CMYK 0 / 47 / 25 / 1

HEX #FD87BD

RGB 253 135 189

HSL 332.54, 0.97%, 0.76%

LAB 70.79, 50.87, -7.84

 

CMYK 0 / 40 / 18 / 0

HEX #FF99D0

RGB 255 153 208

HSL 327.65, 1%, 0.8%

LAB 75.2, 45.18, -11.75

 

CMYK 0 / 33 / 11 / 0

HEX #FFABE3

RGB 255 171 227

HSL 320, 1%, 0.84%

LAB 79.58, 38.86, -15.53

 

CMYK 0 / 54 / 27 / 16

HEX #D6639C

RGB 214 99 156

HSL 330.26, 0.58%, 0.61%

LAB 57.67, 51.41, -9.17

 

CMYK 0 / 59 / 30 / 23

HEX #C55189

RGB 197 81 137

HSL 331.03, 0.5%, 0.55%

LAB 51.34, 52, -7.72

 

CMYK 0 / 65 / 34 / 29

HEX #B43F76

RGB 180 63 118

HSL 331.79, 0.48%, 0.48%

LAB 45.03, 52.38, -5.93

 

CMYK 0 / 72 / 39 / 36

HEX #A32D63

RGB 163 45 99

HSL 332.54, 0.57%, 0.41%

LAB 38.84, 52.33, -3.63

 

CMYK 0 / 82 / 45 / 43

HEX #921B50

RGB 146 27 80

HSL 333.28, 0.69%, 0.34%

LAB 32.86, 51.51, -0.59

 

CMYK 0 / 54 / 27 / 16

HEX #D5629B

RGB 213 98 155

HSL 330.26, 0.58%, 0.61%

LAB 57.32, 51.43, -9.14

 

CMYK 0 / 54 / 42 / 16

HEX #D5627C

RGB 213 98 124

HSL 346.43, 0.58%, 0.61%

LAB 56.42, 47.73, 7.69

 

CMYK 0 / 54 / 54 / 16

HEX #D56262

RGB 213 98 98

HSL 0, 0.58%, 0.61%

LAB 55.85, 45.28, 22.1

 

CMYK 0 / 54 / 27 / 16

HEX #D5629B

RGB 213 98 155

HSL 330.26, 0.58%, 0.61%

LAB 57.32, 51.43, -9.14

 

CMYK 0 / 54 / 13 / 16

HEX #D562BA

RGB 213 98 186

HSL 314.09, 0.58%, 0.61%

LAB 58.44, 55.92, -25.35

 

CMYK 2 / 54 / 0 / 16

HEX #D162D5

RGB 209 98 213

HSL 297.91, 0.58%, 0.61%

LAB 59.06, 59.32, -39.79

 

CMYK 16 / 54 / 0 / 16

HEX #B262D5

RGB 178 98 213

HSL 281.74, 0.58%, 0.61%

LAB 55.08, 51.12, -46.34

 

CMYK 31 / 54 / 0 / 16

HEX #9362D5

RGB 147 98 213

HSL 265.57, 0.58%, 0.61%

LAB 51.54, 43.17, -52.17

 

CMYK 0 / 54 / 27 / 16

HEX #D5629B

RGB 213 98 155

HSL 330.26, 0.58%, 0.61%

LAB 57.32, 51.43, -9.14

 

CMYK 0 / 64 / 32 / 10

HEX #E5529B

RGB 229 82 155

HSL 330.2, 0.74%, 0.61%

LAB 57.13, 63.32, -9.16

 

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

CMYK 0 / 54 / 27 / 16

HEX #D5629B

RGB 213 98 155

HSL 330.26, 0.58%, 0.61%

LAB 57.32, 51.43, -9.14

 

CMYK 0 / 42 / 21 / 23

HEX #C5729B

RGB 197 114 155

HSL 330.36, 0.42%, 0.61%

LAB 58.29, 38.01, -7.91

 

CMYK 0 / 28 / 14 / 29

HEX #B5829B

RGB 181 130 155

HSL 330.59, 0.26%, 0.61%

LAB 60.03, 23.55, -5.54

 

CMYK 0 / 12 / 6 / 35

HEX #A5929B

RGB 165 146 155

HSL 331.58, 0.1%, 0.61%

LAB 62.44, 8.67, -2.16

 

CMYK 8 / 0 / 4 / 36

HEX #95A29C

RGB 149 162 156

HSL 152.31, 0.07%, 0.61%

LAB 65.46, -5.78, 1.53

 

CMYK 2 / 54 / 0 / 16

HEX #D162D5

RGB 209 98 213

HSL 297.91, 0.58%, 0.61%

LAB 59.06, 59.32, -39.79

 

CMYK 0 / 54 / 13 / 16

HEX #D562BA

RGB 213 98 186

HSL 314.09, 0.58%, 0.61%

LAB 58.44, 55.92, -25.35

 

CMYK 0 / 54 / 27 / 16

HEX #D5629C

RGB 213 98 156

HSL 329.74, 0.58%, 0.61%

LAB 57.35, 51.56, -9.67

 

CMYK 0 / 54 / 41 / 16

HEX #D5627D

RGB 213 98 125

HSL 345.91, 0.58%, 0.61%

LAB 56.45, 47.84, 7.14

 

CMYK 0 / 52 / 54 / 16

HEX #D56662

RGB 213 102 98

HSL 2.09, 0.58%, 0.61%

LAB 56.62, 43.31, 23.12

 

CMYK 0 / 73 / 37 / 29

HEX #B53072

RGB 181 48 114

HSL 330.23, 0.58%, 0.45%

LAB 42.99, 57.98, -6.48

 

CMYK 0 / 68 / 35 / 20

HEX #CD4186

RGB 205 65 134

HSL 330.43, 0.58%, 0.53%

LAB 50.07, 60.74, -7.67

 

CMYK 0 / 54 / 27 / 16

HEX #D5629B

RGB 213 98 155

HSL 330.26, 0.58%, 0.61%

LAB 57.32, 51.43, -9.14

 

CMYK 0 / 41 / 21 / 13

HEX #DE82B0

RGB 222 130 176

HSL 330, 0.58%, 0.69%

LAB 65.46, 41.29, -8.9

 

CMYK 0 / 29 / 15 / 9

HEX #E7A3C5

RGB 231 163 197

HSL 330, 0.59%, 0.77%

LAB 74.33, 30.15, -7.3

 

CMYK 0 / 54 / 27 / 16

HEX #D6639C

RGB 214 99 156

HSL 330.26, 0.58%, 0.61%

LAB 57.67, 51.41, -9.17

 

CMYK 0 / 16 / 54 / 16

HEX #D5B362

RGB 213 179 98

HSL 42.26, 0.58%, 0.61%

LAB 74.36, 2.41, 45.49

 

CMYK 54 / 5 / 0 / 16

HEX #62CAD5

RGB 98 202 213

HSL 185.74, 0.58%, 0.61%

LAB 75.85, -27.02, -14.68

 

CMYK 0 / 54 / 27 / 16

HEX #D6639C

RGB 214 99 156

HSL 330.26, 0.58%, 0.61%

LAB 57.67, 51.41, -9.17

 

CMYK 27 / 0 / 54 / 16

HEX #9CD562

RGB 156 213 98

HSL 89.74, 0.58%, 0.61%

LAB 79.35, -37.21, 50.36

 

CMYK 54 / 27 / 0 / 16

HEX #629CD5

RGB 98 156 213

HSL 209.74, 0.58%, 0.61%

LAB 62.66, -2.68, -34.87

 

CMYK 0 / 54 / 27 / 16

HEX #D6639C

RGB 214 99 156

HSL 330.26, 0.58%, 0.61%

LAB 57.67, 51.41, -9.17

 

CMYK 0 / 16 / 54 / 16

HEX #D5B362

RGB 213 179 98

HSL 42.26, 0.58%, 0.61%

LAB 74.36, 2.41, 45.49

 

CMYK 54 / 0 / 27 / 16

HEX #62D59C

RGB 98 213 156

HSL 150.26, 0.58%, 0.61%

LAB 77.63, -45.77, 18.47

 

CMYK 54 / 38 / 0 / 16

HEX #6284D5

RGB 98 132 213

HSL 222.26, 0.58%, 0.61%

LAB 55.99, 11.32, -45.34

 

CMYK 0 / 54 / 27 / 16

HEX #D6639C

RGB 214 99 156

HSL 330.26, 0.58%, 0.61%

LAB 57.67, 51.41, -9.17

 

CMYK 0 / 0 / 54 / 16

HEX #D5D562

RGB 213 213 98

HSL 60, 0.58%, 0.61%

LAB 83.24, -15.08, 55.87

 

CMYK 54 / 0 / 27 / 16

HEX #62D59C

RGB 98 213 156

HSL 150.26, 0.58%, 0.61%

LAB 77.63, -45.77, 18.47

 

CMYK 54 / 54 / 0 / 16

HEX #6262D5

RGB 98 98 213

HSL 240, 0.58%, 0.61%

LAB 47.15, 32.04, -59.46

 

Description

Color code: HEX #D6639C | qconv.com Color code: HEX #D6639C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 99 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 99 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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