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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D65F83 it is the complementary color #29A07C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D65F83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D65F83 shade: #DB5F7E, #EC7191, #FD83A4, #FF95B7 and #FFA7CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D65F83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D65F83 shade: #D65F83, #C54D70, #B43B5D, #A3294A and #921737

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D65F83 shade: #D66184, #D66165 and #D66161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D65F83 shade: #D66184, #D661A4, #D661C4, #C961D6 and #A961D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D65F83 shade matches the following richer shades: #D66184, #E6517E and #F64178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D65F83 shade: #D66184, #C6718B, #B68191, #A69197 and #96A19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D65F83 shade: #D661C5, #D661A5, #D66186, #D66167 and #D67A61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D65F83 shade: #B62F58, #CE406B, #D66184, #DF829E and #E7A2B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D65F83 shade: #D65F83, #D6C961 and #61B5D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D65F83 shade: #D65F83, #86D661 and #6186D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D65F83 shade: #D65F83, #D6C961, #61D6B1 and #616FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D65F83 shade: #D65F83, #C1D661, #61D6B1 and #7661D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 39 / 16

HEX #D65F83

RGB 214 95 131

HSL 341.85, 0.59%, 0.61%

LAB 56.21, 50.26, 3.29

 

Complementary color

CMYK 74 / 0 / 23 / 37

HEX #29A07C

RGB 41 160 124

HSL 161.85, 0.59%, 0.39%

LAB 59.04, -41.04, 9.59

 

CMYK 0 / 57 / 42 / 14

HEX #DB5F7E

RGB 219 95 126

HSL 345, 0.63%, 0.62%

LAB 56.83, 51.39, 7.22

 

CMYK 0 / 52 / 39 / 7

HEX #EC7191

RGB 236 113 145

HSL 344.39, 0.76%, 0.68%

LAB 63.08, 50.57, 5.49

 

CMYK 0 / 48 / 35 / 1

HEX #FD83A4

RGB 253 131 164

HSL 343.77, 0.97%, 0.75%

LAB 69.32, 49.7, 4

 

CMYK 0 / 42 / 28 / 0

HEX #FF95B7

RGB 255 149 183

HSL 340.75, 1%, 0.79%

LAB 73.66, 43.73, -0.25

 

CMYK 0 / 35 / 21 / 0

HEX #FFA7CA

RGB 255 167 202

HSL 336.14, 1%, 0.83%

LAB 77.97, 37.09, -4.35

 

CMYK 0 / 56 / 39 / 16

HEX #D65F83

RGB 214 95 131

HSL 341.85, 0.59%, 0.61%

LAB 56.21, 50.26, 3.29

 

CMYK 0 / 61 / 43 / 23

HEX #C54D70

RGB 197 77 112

HSL 342.5, 0.51%, 0.54%

LAB 49.92, 50.95, 5.19

 

CMYK 0 / 67 / 48 / 29

HEX #B43B5D

RGB 180 59 93

HSL 343.14, 0.51%, 0.47%

LAB 43.69, 51.41, 7.53

 

CMYK 0 / 75 / 55 / 36

HEX #A3294A

RGB 163 41 74

HSL 343.77, 0.6%, 0.4%

LAB 37.6, 51.4, 10.51

 

CMYK 0 / 84 / 62 / 43

HEX #921737

RGB 146 23 55

HSL 344.39, 0.73%, 0.33%

LAB 31.81, 50.56, 14.38

 

CMYK 0 / 55 / 38 / 16

HEX #D66184

RGB 214 97 132

HSL 342.05, 0.59%, 0.61%

LAB 56.6, 49.42, 3.26

 

CMYK 0 / 55 / 53 / 16

HEX #D66165

RGB 214 97 101

HSL 357.95, 0.59%, 0.61%

LAB 55.87, 46.37, 20.41

 

CMYK 0 / 55 / 55 / 16

HEX #D66161

RGB 214 97 97

HSL 0, 0.59%, 0.61%

LAB 55.79, 46.05, 22.64

 

CMYK 0 / 55 / 38 / 16

HEX #D66184

RGB 214 97 132

HSL 342.05, 0.59%, 0.61%

LAB 56.6, 49.42, 3.26

 

CMYK 0 / 55 / 23 / 16

HEX #D661A4

RGB 214 97 164

HSL 325.64, 0.59%, 0.61%

LAB 57.58, 53.44, -13.95

 

CMYK 0 / 55 / 8 / 16

HEX #D661C4

RGB 214 97 196

HSL 309.23, 0.59%, 0.61%

LAB 58.82, 58.26, -30.47

 

CMYK 6 / 55 / 0 / 16

HEX #C961D6

RGB 201 97 214

HSL 293.33, 0.59%, 0.61%

LAB 57.87, 57.85, -42.3

 

CMYK 21 / 55 / 0 / 16

HEX #A961D6

RGB 169 97 214

HSL 276.92, 0.59%, 0.61%

LAB 53.86, 49.51, -48.91

 

CMYK 0 / 55 / 38 / 16

HEX #D66184

RGB 214 97 132

HSL 342.05, 0.59%, 0.61%

LAB 56.6, 49.42, 3.26

 

CMYK 0 / 65 / 45 / 10

HEX #E6517E

RGB 230 81 126

HSL 341.88, 0.75%, 0.61%

LAB 56.3, 60.98, 6.7

 

CMYK 0 / 74 / 51 / 4

HEX #F64178

RGB 246 65 120

HSL 341.77, 0.91%, 0.61%

LAB 56.81, 70.85, 11.35

 

CMYK 0 / 55 / 38 / 16

HEX #D66184

RGB 214 97 132

HSL 342.05, 0.59%, 0.61%

LAB 56.6, 49.42, 3.26

 

CMYK 0 / 43 / 30 / 22

HEX #C6718B

RGB 198 113 139

HSL 341.65, 0.43%, 0.61%

LAB 57.73, 36.62, 0.55

 

CMYK 0 / 29 / 20 / 29

HEX #B68191

RGB 182 129 145

HSL 341.89, 0.27%, 0.61%

LAB 59.61, 22.85, -0.41

 

CMYK 0 / 13 / 9 / 35

HEX #A69197

RGB 166 145 151

HSL 342.86, 0.11%, 0.61%

LAB 62.16, 8.88, -0.29

 

CMYK 7 / 0 / 2 / 37

HEX #96A19E

RGB 150 161 158

HSL 163.64, 0.06%, 0.61%

LAB 65.31, -4.49, 0.21

 

CMYK 0 / 55 / 8 / 16

HEX #D661C5

RGB 214 97 197

HSL 308.72, 0.59%, 0.61%

LAB 58.86, 58.42, -30.97

 

CMYK 0 / 55 / 23 / 16

HEX #D661A5

RGB 214 97 165

HSL 325.13, 0.59%, 0.61%

LAB 57.62, 53.58, -14.48

 

CMYK 0 / 55 / 37 / 16

HEX #D66186

RGB 214 97 134

HSL 341.03, 0.59%, 0.61%

LAB 56.65, 49.65, 2.17

 

CMYK 0 / 55 / 52 / 16

HEX #D66167

RGB 214 97 103

HSL 356.92, 0.59%, 0.61%

LAB 55.91, 46.55, 19.3

 

CMYK 0 / 43 / 55 / 16

HEX #D67A61

RGB 214 122 97

HSL 12.82, 0.59%, 0.61%

LAB 60.85, 33.33, 29.25

 

CMYK 0 / 74 / 52 / 29

HEX #B62F58

RGB 182 47 88

HSL 341.78, 0.59%, 0.45%

LAB 42.28, 56.11, 8.72

 

CMYK 0 / 69 / 48 / 19

HEX #CE406B

RGB 206 64 107

HSL 341.83, 0.59%, 0.53%

LAB 49.31, 58.68, 7.56

 

CMYK 0 / 55 / 38 / 16

HEX #D66184

RGB 214 97 132

HSL 342.05, 0.59%, 0.61%

LAB 56.6, 49.42, 3.26

 

CMYK 0 / 42 / 29 / 13

HEX #DF829E

RGB 223 130 158

HSL 341.94, 0.59%, 0.69%

LAB 65.06, 39.1, 0.72

 

CMYK 0 / 30 / 21 / 9

HEX #E7A2B7

RGB 231 162 183

HSL 341.74, 0.59%, 0.77%

LAB 73.71, 28.53, -0.51

 

CMYK 0 / 56 / 39 / 16

HEX #D65F83

RGB 214 95 131

HSL 341.85, 0.59%, 0.61%

LAB 56.21, 50.26, 3.29

 

CMYK 0 / 6 / 55 / 16

HEX #D6C961

RGB 214 201 97

HSL 53.33, 0.59%, 0.61%

LAB 80.14, -8.7, 52.79

 

CMYK 55 / 15 / 0 / 16

HEX #61B5D6

RGB 97 181 214

HSL 196.92, 0.59%, 0.61%

LAB 69.78, -16.25, -24.42

 

CMYK 0 / 56 / 39 / 16

HEX #D65F83

RGB 214 95 131

HSL 341.85, 0.59%, 0.61%

LAB 56.21, 50.26, 3.29

 

CMYK 37 / 0 / 55 / 16

HEX #86D661

RGB 134 214 97

HSL 101.03, 0.59%, 0.61%

LAB 78.48, -45.34, 49.51

 

CMYK 55 / 37 / 0 / 16

HEX #6186D6

RGB 97 134 214

HSL 221.03, 0.59%, 0.61%

LAB 56.53, 10.23, -45.05

 

CMYK 0 / 56 / 39 / 16

HEX #D65F83

RGB 214 95 131

HSL 341.85, 0.59%, 0.61%

LAB 56.21, 50.26, 3.29

 

CMYK 0 / 6 / 55 / 16

HEX #D6C961

RGB 214 201 97

HSL 53.33, 0.59%, 0.61%

LAB 80.14, -8.7, 52.79

 

CMYK 55 / 0 / 17 / 16

HEX #61D6B1

RGB 97 214 177

HSL 161.03, 0.59%, 0.61%

LAB 78.35, -41.89, 8.34

 

CMYK 55 / 48 / 0 / 16

HEX #616FD6

RGB 97 111 214

HSL 232.82, 0.59%, 0.61%

LAB 50.41, 24.2, -54.79

 

CMYK 0 / 56 / 39 / 16

HEX #D65F83

RGB 214 95 131

HSL 341.85, 0.59%, 0.61%

LAB 56.21, 50.26, 3.29

 

CMYK 10 / 0 / 55 / 16

HEX #C1D661

RGB 193 214 97

HSL 70.77, 0.59%, 0.61%

LAB 82, -23.69, 54.51

 

CMYK 55 / 0 / 17 / 16

HEX #61D6B1

RGB 97 214 177

HSL 161.03, 0.59%, 0.61%

LAB 78.35, -41.89, 8.34

 

CMYK 45 / 55 / 0 / 16

HEX #7661D6

RGB 118 97 214

HSL 250.77, 0.59%, 0.61%

LAB 48.58, 37.15, -57.65

 

Description

Color code: HEX #D65F83 | qconv.com Color code: HEX #D65F83 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 95 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 95 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 39 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 39% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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