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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D612B7 it is the complementary color #29ED48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D612B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D612B7 shade: #DB12B2, #EC24C5, #FD36D8, #FF48EB and #FF5AFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D612B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D612B7 shade: #D612B7, #C500A4, #B40091, #A3007E and #92006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D612B7 shade: #D312B5, #D31281, #D3124D, #D31219 and #D31212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D612B7 shade: #D312B5, #BE12D3, #8A12D3, #5612D3 and #2212D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D612B7 shade matches the following richer shades: #D312B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D612B7 shade: #D312B5, #C125A8, #AE379B, #9B4A8F and #895D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D612B7 shade: #8912D3, #BD12D3, #D312B6, #D31283 and #D3124F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D612B7 shade: #870C74, #AD0F94, #D312B5, #EC23CC and #EF49D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D612B7 shade: #D612B7, #D35612 and #12D3A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D612B7 shade: #D612B7, #B6D312 and #12B6D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D612B7 shade: #D612B7, #D35612, #12D32F and #1290D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D612B7 shade: #D612B7, #D39012, #12D32F and #1256D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 14 / 16

HEX #D612B7

RGB 214 18 183

HSL 309.49, 0.84%, 0.45%

LAB 49.67, 80.33, -37.25

 

Complementary color

CMYK 83 / 0 / 70 / 7

HEX #29ED48

RGB 41 237 72

HSL 129.49, 0.84%, 0.55%

LAB 82.65, -76.05, 63.9

 

CMYK 0 / 92 / 19 / 14

HEX #DB12B2

RGB 219 18 178

HSL 312.24, 0.85%, 0.46%

LAB 50.34, 80.65, -33.21

 

CMYK 0 / 85 / 17 / 7

HEX #EC24C5

RGB 236 36 197

HSL 311.7, 0.84%, 0.53%

LAB 55.2, 83.66, -36.42

 

CMYK 0 / 79 / 15 / 1

HEX #FD36D8

RGB 253 54 216

HSL 311.16, 0.98%, 0.6%

LAB 60.32, 85.72, -39.04

 

CMYK 0 / 72 / 8 / 0

HEX #FF48EB

RGB 255 72 235

HSL 306.56, 1%, 0.64%

LAB 63.25, 83.83, -45.07

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFE

RGB 255 90 254

HSL 300.36, 1%, 0.68%

LAB 66.31, 80.66, -50.76

 

CMYK 0 / 92 / 14 / 16

HEX #D612B7

RGB 214 18 183

HSL 309.49, 0.84%, 0.45%

LAB 49.67, 80.33, -37.25

 

CMYK 0 / 100 / 17 / 23

HEX #C500A4

RGB 197 0 164

HSL 310.05, 1%, 0.39%

LAB 45.01, 76.41, -33.57

 

CMYK 0 / 100 / 19 / 29

HEX #B40091

RGB 180 0 145

HSL 311.67, 1%, 0.35%

LAB 40.81, 70.86, -28.92

 

CMYK 0 / 100 / 23 / 36

HEX #A3007E

RGB 163 0 126

HSL 313.62, 1%, 0.32%

LAB 36.54, 65.21, -24.11

 

CMYK 0 / 100 / 27 / 43

HEX #92006B

RGB 146 0 107

HSL 316.03, 1%, 0.29%

LAB 32.2, 59.47, -19.11

 

CMYK 0 / 91 / 14 / 17

HEX #D312B5

RGB 211 18 181

HSL 309.33, 0.84%, 0.45%

LAB 49.03, 79.51, -37.13

 

CMYK 0 / 91 / 39 / 17

HEX #D31281

RGB 211 18 129

HSL 325.49, 0.84%, 0.45%

LAB 46.8, 73.65, -9.43

 

CMYK 0 / 91 / 64 / 17

HEX #D3124D

RGB 211 18 77

HSL 341.66, 0.84%, 0.45%

LAB 45.38, 69.77, 20.75

 

CMYK 0 / 91 / 88 / 17

HEX #D31219

RGB 211 18 25

HSL 357.82, 0.84%, 0.45%

LAB 44.73, 67.94, 49.8

 

CMYK 0 / 91 / 91 / 17

HEX #D31212

RGB 211 18 18

HSL 0, 0.84%, 0.45%

LAB 44.7, 67.83, 52.73

 

CMYK 0 / 91 / 14 / 17

HEX #D312B5

RGB 211 18 181

HSL 309.33, 0.84%, 0.45%

LAB 49.03, 79.51, -37.13

 

CMYK 10 / 91 / 0 / 17

HEX #BE12D3

RGB 190 18 211

HSL 293.47, 0.84%, 0.45%

LAB 47.08, 80.25, -57.88

 

CMYK 35 / 91 / 0 / 17

HEX #8A12D3

RGB 138 18 211

HSL 277.31, 0.84%, 0.45%

LAB 38.79, 72.92, -71.73

 

CMYK 59 / 91 / 0 / 17

HEX #5612D3

RGB 86 18 211

HSL 261.14, 0.84%, 0.45%

LAB 32.07, 67.81, -83.05

 

CMYK 84 / 91 / 0 / 17

HEX #2212D3

RGB 34 18 211

HSL 244.97, 0.84%, 0.45%

LAB 28.05, 65.3, -89.84

 

CMYK 0 / 91 / 14 / 17

HEX #D312B5

RGB 211 18 181

HSL 309.33, 0.84%, 0.45%

LAB 49.03, 79.51, -37.13

 

CMYK 0 / 91 / 14 / 17

HEX #D312B5

RGB 211 18 181

HSL 309.33, 0.84%, 0.45%

LAB 49.03, 79.51, -37.13

 

CMYK 0 / 81 / 13 / 24

HEX #C125A8

RGB 193 37 168

HSL 309.62, 0.68%, 0.45%

LAB 46.3, 70.86, -33.98

 

CMYK 0 / 68 / 11 / 32

HEX #AE379B

RGB 174 55 155

HSL 309.58, 0.52%, 0.45%

LAB 44.37, 59.01, -29.47

 

CMYK 0 / 52 / 8 / 39

HEX #9B4A8F

RGB 155 74 143

HSL 308.89, 0.35%, 0.45%

LAB 44.02, 43.22, -23.03

 

CMYK 0 / 32 / 5 / 46

HEX #895D82

RGB 137 93 130

HSL 309.55, 0.19%, 0.45%

LAB 45.3, 24.28, -13.43

 

CMYK 35 / 91 / 0 / 17

HEX #8912D3

RGB 137 18 211

HSL 276.99, 0.84%, 0.45%

LAB 38.65, 72.8, -71.97

 

CMYK 10 / 91 / 0 / 17

HEX #BD12D3

RGB 189 18 211

HSL 293.16, 0.84%, 0.45%

LAB 46.91, 80.1, -58.16

 

CMYK 0 / 91 / 14 / 17

HEX #D312B6

RGB 211 18 182

HSL 309.02, 0.84%, 0.45%

LAB 49.08, 79.65, -37.64

 

CMYK 0 / 91 / 38 / 17

HEX #D31283

RGB 211 18 131

HSL 324.87, 0.84%, 0.45%

LAB 46.87, 73.84, -10.55

 

CMYK 0 / 91 / 63 / 17

HEX #D3124F

RGB 211 18 79

HSL 341.04, 0.84%, 0.45%

LAB 45.42, 69.88, 19.56

 

CMYK 0 / 91 / 14 / 47

HEX #870C74

RGB 135 12 116

HSL 309.27, 0.84%, 0.29%

LAB 31.05, 56.6, -26.8

 

CMYK 0 / 91 / 14 / 32

HEX #AD0F94

RGB 173 15 148

HSL 309.49, 0.84%, 0.37%

LAB 40.19, 68.26, -31.82

 

CMYK 0 / 91 / 14 / 17

HEX #D312B5

RGB 211 18 181

HSL 309.33, 0.84%, 0.45%

LAB 49.03, 79.51, -37.13

 

CMYK 0 / 85 / 14 / 7

HEX #EC23CC

RGB 236 35 204

HSL 309.55, 0.84%, 0.53%

LAB 55.48, 84.74, -40.01

 

CMYK 0 / 69 / 11 / 6

HEX #EF49D5

RGB 239 73 213

HSL 309.4, 0.84%, 0.61%

LAB 59.82, 76.8, -38.29

 

CMYK 0 / 92 / 14 / 16

HEX #D612B7

RGB 214 18 183

HSL 309.49, 0.84%, 0.45%

LAB 49.67, 80.33, -37.25

 

CMYK 0 / 59 / 91 / 17

HEX #D35612

RGB 211 86 18

HSL 21.14, 0.84%, 0.45%

LAB 52.45, 46.52, 58.01

 

CMYK 91 / 0 / 23 / 17

HEX #12D3A3

RGB 18 211 163

HSL 165.08, 0.84%, 0.45%

LAB 75.68, -54.14, 11.8

 

CMYK 0 / 92 / 14 / 16

HEX #D612B7

RGB 214 18 183

HSL 309.49, 0.84%, 0.45%

LAB 49.67, 80.33, -37.25

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 91 / 14 / 0 / 17

HEX #12B6D3

RGB 18 182 211

HSL 189.02, 0.84%, 0.45%

LAB 68.23, -27.49, -25.31

 

CMYK 0 / 92 / 14 / 16

HEX #D612B7

RGB 214 18 183

HSL 309.49, 0.84%, 0.45%

LAB 49.67, 80.33, -37.25

 

CMYK 0 / 59 / 91 / 17

HEX #D35612

RGB 211 86 18

HSL 21.14, 0.84%, 0.45%

LAB 52.45, 46.52, 58.01

 

CMYK 91 / 0 / 78 / 17

HEX #12D32F

RGB 18 211 47

HSL 129.02, 0.84%, 0.45%

LAB 74.14, -72.26, 63.76

 

CMYK 91 / 32 / 0 / 17

HEX #1290D3

RGB 18 144 211

HSL 200.83, 0.84%, 0.45%

LAB 56.86, -7.14, -43

 

CMYK 0 / 92 / 14 / 16

HEX #D612B7

RGB 214 18 183

HSL 309.49, 0.84%, 0.45%

LAB 49.67, 80.33, -37.25

 

CMYK 0 / 32 / 91 / 17

HEX #D39012

RGB 211 144 18

HSL 39.17, 0.84%, 0.45%

LAB 64.83, 16.48, 67.01

 

CMYK 91 / 0 / 78 / 17

HEX #12D32F

RGB 18 211 47

HSL 129.02, 0.84%, 0.45%

LAB 74.14, -72.26, 63.76

 

CMYK 91 / 59 / 0 / 17

HEX #1256D3

RGB 18 86 211

HSL 218.86, 0.84%, 0.45%

LAB 40.39, 29.14, -69.47

 

Description

Color code: HEX #D612B7 | qconv.com Color code: HEX #D612B7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 18 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 18 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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