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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6D312 it is the complementary color #492CED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6D312. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6D312 shade: #BBD30D, #CCE520, #DDF733, #EEFF46 and #FFFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6D312. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6D312 shade: #B6D312, #A5C100, #94AF00, #839D00 and #728B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6D312 shade: #B6D312, #D3BC12, #D38812, #D35412 and #D32012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6D312 shade: #B6D312, #82D312, #4ED312, #1AD312 and #12D33F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6D312 shade matches the following richer shades: #B6D312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6D312 shade: #B6D312, #A9C125, #9CAE37, #8F9B4A and #82895D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6D312 shade: #D38912, #D3BD12, #B6D312, #83D312 and #4FD312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6D312 shade: #75870C, #95AD0F, #B6D312, #CEEC23 and #D6EF49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6D312 shade: #B6D312, #12D356 and #A312D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6D312 shade: #B6D312, #12B6D3 and #D312B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6D312 shade: #B6D312, #12D356, #2F12D3 and #D31290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6D312 shade: #B6D312, #12D390, #2F12D3 and #D31256

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

Complementary color

CMYK 69 / 81 / 0 / 7

HEX #492CED

RGB 73 44 237

HSL 249.02, 0.84%, 0.55%

LAB 36.62, 65.22, -90.45

 

CMYK 11 / 0 / 94 / 17

HEX #BBD30D

RGB 187 211 13

HSL 67.27, 0.88%, 0.44%

LAB 80.28, -28.63, 78.54

 

CMYK 11 / 0 / 86 / 10

HEX #CCE520

RGB 204 229 32

HSL 67.61, 0.79%, 0.51%

LAB 86.49, -29.77, 81.15

 

CMYK 11 / 0 / 79 / 3

HEX #DDF733

RGB 221 247 51

HSL 67.96, 0.92%, 0.58%

LAB 92.63, -30.74, 82.58

 

CMYK 7 / 0 / 73 / 0

HEX #EEFF46

RGB 238 255 70

HSL 65.51, 1%, 0.64%

LAB 96.05, -26.94, 80.67

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 15 / 0 / 100 / 24

HEX #A5C100

RGB 165 193 0

HSL 68.7, 1%, 0.38%

LAB 73.64, -29.39, 74.11

 

CMYK 15 / 0 / 100 / 31

HEX #94AF00

RGB 148 175 0

HSL 69.26, 1%, 0.34%

LAB 67.24, -27.94, 68.79

 

CMYK 17 / 0 / 100 / 38

HEX #839D00

RGB 131 157 0

HSL 69.94, 1%, 0.31%

LAB 60.73, -26.46, 63.36

 

CMYK 18 / 0 / 100 / 45

HEX #728B00

RGB 114 139 0

HSL 70.79, 1%, 0.27%

LAB 54.07, -24.97, 57.82

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 0 / 11 / 91 / 17

HEX #D3BC12

RGB 211 188 18

HSL 52.85, 0.84%, 0.45%

LAB 75.98, -6.9, 75.43

 

CMYK 0 / 36 / 91 / 17

HEX #D38812

RGB 211 136 18

HSL 36.68, 0.84%, 0.45%

LAB 62.93, 20.81, 65.59

 

CMYK 0 / 60 / 91 / 17

HEX #D35412

RGB 211 84 18

HSL 20.52, 0.84%, 0.45%

LAB 52.1, 47.44, 57.76

 

CMYK 0 / 85 / 91 / 17

HEX #D32012

RGB 211 32 18

HSL 4.35, 0.84%, 0.45%

LAB 45.53, 65.43, 53.28

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 38 / 0 / 91 / 17

HEX #82D312

RGB 130 211 18

HSL 85.18, 0.84%, 0.45%

LAB 76.91, -50.43, 73.81

 

CMYK 63 / 0 / 91 / 17

HEX #4ED312

RGB 78 211 18

HSL 101.35, 0.84%, 0.45%

LAB 74.98, -65.34, 71.44

 

CMYK 88 / 0 / 91 / 17

HEX #1AD312

RGB 26 211 18

HSL 117.51, 0.84%, 0.45%

LAB 74.09, -73.06, 70.33

 

CMYK 91 / 0 / 70 / 17

HEX #12D33F

RGB 18 211 63

HSL 133.99, 0.84%, 0.45%

LAB 74.24, -71.01, 58.38

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 12 / 0 / 81 / 24

HEX #A9C125

RGB 169 193 37

HSL 69.23, 0.68%, 0.45%

LAB 74, -26.97, 68.44

 

CMYK 10 / 0 / 68 / 32

HEX #9CAE37

RGB 156 174 55

HSL 69.08, 0.52%, 0.45%

LAB 67.74, -22.27, 56.24

 

CMYK 8 / 0 / 52 / 39

HEX #8F9B4A

RGB 143 155 74

HSL 68.89, 0.35%, 0.45%

LAB 61.46, -16.61, 40.56

 

CMYK 5 / 0 / 32 / 46

HEX #82895D

RGB 130 137 93

HSL 69.55, 0.19%, 0.45%

LAB 55.51, -10.21, 22.79

 

CMYK 0 / 35 / 91 / 17

HEX #D38912

RGB 211 137 18

HSL 36.99, 0.84%, 0.45%

LAB 63.16, 20.27, 65.77

 

CMYK 0 / 10 / 91 / 17

HEX #D3BD12

RGB 211 189 18

HSL 53.16, 0.84%, 0.45%

LAB 76.25, -7.42, 75.63

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 38 / 0 / 91 / 17

HEX #83D312

RGB 131 211 18

HSL 84.87, 0.84%, 0.45%

LAB 76.96, -50.09, 73.87

 

CMYK 63 / 0 / 91 / 17

HEX #4FD312

RGB 79 211 18

HSL 101.04, 0.84%, 0.45%

LAB 75.01, -65.12, 71.47

 

CMYK 13 / 0 / 91 / 47

HEX #75870C

RGB 117 135 12

HSL 68.78, 0.84%, 0.29%

LAB 53.1, -21.38, 55.06

 

CMYK 14 / 0 / 91 / 32

HEX #95AD0F

RGB 149 173 15

HSL 69.11, 0.84%, 0.37%

LAB 66.76, -26.31, 66.51

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 13 / 0 / 85 / 7

HEX #CEEC23

RGB 206 236 35

HSL 68.96, 0.84%, 0.53%

LAB 88.56, -32.14, 82.33

 

CMYK 10 / 0 / 69 / 6

HEX #D6EF49

RGB 214 239 73

HSL 69.04, 0.84%, 0.61%

LAB 90.1, -28.87, 73.32

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 91 / 0 / 59 / 17

HEX #12D356

RGB 18 211 86

HSL 141.14, 0.84%, 0.45%

LAB 74.44, -68.51, 49.04

 

CMYK 23 / 91 / 0 / 17

HEX #A312D3

RGB 163 18 211

HSL 285.08, 0.84%, 0.45%

LAB 42.65, 76.22, -65.27

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 91 / 14 / 0 / 17

HEX #12B6D3

RGB 18 182 211

HSL 189.02, 0.84%, 0.45%

LAB 68.23, -27.49, -25.31

 

CMYK 0 / 91 / 14 / 17

HEX #D312B6

RGB 211 18 182

HSL 309.02, 0.84%, 0.45%

LAB 49.08, 79.65, -37.64

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 91 / 0 / 59 / 17

HEX #12D356

RGB 18 211 86

HSL 141.14, 0.84%, 0.45%

LAB 74.44, -68.51, 49.04

 

CMYK 78 / 91 / 0 / 17

HEX #2F12D3

RGB 47 18 211

HSL 249.02, 0.84%, 0.45%

LAB 28.75, 65.7, -88.66

 

CMYK 0 / 91 / 32 / 17

HEX #D31290

RGB 211 18 144

HSL 320.83, 0.84%, 0.45%

LAB 47.36, 75.15, -17.7

 

CMYK 14 / 0 / 91 / 17

HEX #B6D312

RGB 182 211 18

HSL 69.02, 0.84%, 0.45%

LAB 79.94, -30.61, 77.52

 

CMYK 91 / 0 / 32 / 17

HEX #12D390

RGB 18 211 144

HSL 159.17, 0.84%, 0.45%

LAB 75.28, -58.5, 21.32

 

CMYK 78 / 91 / 0 / 17

HEX #2F12D3

RGB 47 18 211

HSL 249.02, 0.84%, 0.45%

LAB 28.75, 65.7, -88.66

 

CMYK 0 / 91 / 59 / 17

HEX #D31256

RGB 211 18 86

HSL 338.86, 0.84%, 0.45%

LAB 45.57, 70.29, 15.4

 

Description

Color code: HEX #B6D312 | qconv.com Color code: HEX #B6D312 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 211 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 211 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 91 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 91% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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