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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5C816 it is the complementary color #2A37E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5C816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D5C816: #DAC811, #EBDA24, #FCEC37, #FFFE4A and #FFFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5C816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D5C816: #D5C816, #C4B603, #B3A400, #A29200 and #918000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 90 / 16

HEX #D5C816

RGB 213 200 22

HSL 55.92, 0.81%, 0.46%

LAB 79.34, -12.1, 77.47

 

Complementary color

CMYK 82 / 76 / 0 / 9

HEX #2A37E9

RGB 42 55 233

HSL 235.92, 0.81%, 0.54%

LAB 36.19, 56.91, -88.93

 

CMYK 0 / 8 / 92 / 15

HEX #DAC811

RGB 218 200 17

HSL 54.63, 0.86%, 0.46%

LAB 79.76, -10.02, 78.73

 

CMYK 0 / 7 / 85 / 8

HEX #EBDA24

RGB 235 218 36

HSL 54.87, 0.83%, 0.53%

LAB 85.97, -11.45, 80.9

 

CMYK 0 / 6 / 78 / 1

HEX #FCEC37

RGB 252 236 55

HSL 55.13, 0.97%, 0.6%

LAB 92.11, -12.7, 81.96

 

CMYK 0 / 0 / 71 / 0

HEX #FFFE4A

RGB 255 254 74

HSL 59.67, 1%, 0.65%

LAB 97.08, -19.46, 80.8

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 6 / 90 / 16

HEX #D5C816

RGB 213 200 22

HSL 55.92, 0.81%, 0.46%

LAB 79.34, -12.1, 77.47

 

CMYK 0 / 7 / 98 / 23

HEX #C4B603

RGB 196 182 3

HSL 55.65, 0.97%, 0.39%

LAB 73.02, -10.56, 74.42

 

CMYK 0 / 8 / 100 / 30

HEX #B3A400

RGB 179 164 0

HSL 54.97, 1%, 0.35%

LAB 66.62, -8.78, 69.45

 

CMYK 0 / 10 / 100 / 36

HEX #A29200

RGB 162 146 0

HSL 54.07, 1%, 0.32%

LAB 60.1, -6.91, 64.05

 

CMYK 0 / 12 / 100 / 43

HEX #918000

RGB 145 128 0

HSL 52.97, 1%, 0.28%

LAB 53.45, -4.97, 58.54

 

CMYK 0 / 6 / 90 / 16

HEX #D5C816

RGB 213 200 22

HSL 55.92, 0.81%, 0.46%

LAB 79.34, -12.1, 77.47

 

CMYK 8 / 0 / 90 / 17

HEX #C4D416

RGB 196 212 22

HSL 65.05, 0.81%, 0.46%

LAB 81.23, -25.23, 78.38

 

CMYK 23 / 0 / 90 / 17

HEX #A4D416

RGB 164 212 22

HSL 75.16, 0.81%, 0.46%

LAB 79.06, -38.21, 75.74

 

CMYK 37 / 0 / 90 / 17

HEX #85D416

RGB 133 212 22

HSL 84.95, 0.81%, 0.46%

LAB 77.36, -49.71, 73.64

 

CMYK 52 / 0 / 90 / 17

HEX #65D416

RGB 101 212 22

HSL 95.05, 0.81%, 0.46%

LAB 76.01, -59.8, 71.97

 

CMYK 0 / 6 / 90 / 16

HEX #D5C816

RGB 213 200 22

HSL 55.92, 0.81%, 0.46%

LAB 79.34, -12.1, 77.47

 

CMYK 0 / 11 / 89 / 96

HEX #090801

RGB 9 8 1

HSL 52.5, 0.8%, 0.02%

LAB 2.11, -0.71, 2.74

 

CMYK 0 / 7 / 90 / 76

HEX #3C3806

RGB 60 56 6

HSL 55.56, 0.82%, 0.13%

LAB 23.01, -4.84, 29.2

 

CMYK 0 / 6 / 90 / 56

HEX #6F680B

RGB 111 104 11

HSL 55.8, 0.82%, 0.24%

LAB 43.22, -7.48, 47.01

 

CMYK 0 / 6 / 90 / 36

HEX #A29811

RGB 162 152 17

HSL 55.86, 0.81%, 0.35%

LAB 61.81, -9.85, 62.66

 

CMYK 0 / 6 / 90 / 16

HEX #D5C816

RGB 213 200 22

HSL 55.92, 0.81%, 0.46%

LAB 79.34, -12.1, 77.47

 

CMYK 90 / 0 / 79 / 17

HEX #16D42C

RGB 22 212 44

HSL 126.95, 0.81%, 0.46%

LAB 74.47, -72.49, 64.98

 

CMYK 43 / 90 / 0 / 17

HEX #7816D4

RGB 120 22 212

HSL 270.95, 0.81%, 0.46%

LAB 36.59, 70.28, -76.01

 

CMYK 0 / 6 / 90 / 16

HEX #D5C816

RGB 213 200 22

HSL 55.92, 0.81%, 0.46%

LAB 79.34, -12.1, 77.47

 

CMYK 90 / 0 / 8 / 17

HEX #16D4C4

RGB 22 212 196

HSL 174.95, 0.81%, 0.46%

LAB 76.83, -45.74, -4.23

 

CMYK 8 / 90 / 0 / 17

HEX #C416D4

RGB 196 22 212

HSL 294.95, 0.81%, 0.46%

LAB 48.34, 80.84, -56.38

 

CMYK 0 / 6 / 90 / 16

HEX #D5C816

RGB 213 200 22

HSL 55.92, 0.81%, 0.46%

LAB 79.34, -12.1, 77.47

 

CMYK 90 / 0 / 79 / 17

HEX #16D42C

RGB 22 212 44

HSL 126.95, 0.81%, 0.46%

LAB 74.47, -72.49, 64.98

 

CMYK 90 / 82 / 0 / 17

HEX #1626D4

RGB 22 38 212

HSL 234.95, 0.81%, 0.46%

LAB 30.18, 57.94, -86.88

 

CMYK 0 / 90 / 10 / 17

HEX #D416BE

RGB 212 22 190

HSL 306.95, 0.81%, 0.46%

LAB 49.84, 80.39, -41.09

 

CMYK 0 / 6 / 90 / 16

HEX #D5C816

RGB 213 200 22

HSL 55.92, 0.81%, 0.46%

LAB 79.34, -12.1, 77.47

 

CMYK 90 / 0 / 52 / 17

HEX #16D465

RGB 22 212 101

HSL 144.95, 0.81%, 0.46%

LAB 74.95, -66.52, 42.68

 

CMYK 90 / 82 / 0 / 17

HEX #1626D4

RGB 22 38 212

HSL 234.95, 0.81%, 0.46%

LAB 30.18, 57.94, -86.88

 

CMYK 0 / 90 / 37 / 17

HEX #D41685

RGB 212 22 133

HSL 324.95, 0.81%, 0.46%

LAB 47.32, 73.71, -11.07

 

Description

Color code: HEX #D5C816 | qconv.com Color code: HEX #D5C816 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 200 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 200 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 90 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 90% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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