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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D57AE4 it is the complementary color #2A851B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D57AE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D57AE4: #DA7ADF, #EB8CF2, #FC9EFF, #FFB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D57AE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D57AE4: #D57AE4, #C468D1, #B356BE, #A244AB and #913298

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 46 / 0 / 11

HEX #D57AE4

RGB 213 122 228

HSL 291.51, 0.66%, 0.69%

LAB 64.7, 51.45, -39.32

 

Complementary color

CMYK 68 / 0 / 80 / 48

HEX #2A851B

RGB 42 133 27

HSL 111.51, 0.66%, 0.31%

LAB 48.69, -46.48, 45.71

 

CMYK 2 / 45 / 0 / 13

HEX #DA7ADF

RGB 218 122 223

HSL 297.03, 0.61%, 0.68%

LAB 65.08, 51.95, -35.89

 

CMYK 3 / 42 / 0 / 5

HEX #EB8CF2

RGB 235 140 242

HSL 295.88, 0.8%, 0.75%

LAB 71.44, 51.23, -36.33

 

CMYK 1 / 38 / 0 / 0

HEX #FC9EFF

RGB 252 158 255

HSL 298.14, 1%, 0.81%

LAB 77.5, 49.42, -33.85

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 7 / 46 / 0 / 11

HEX #D57AE4

RGB 213 122 228

HSL 291.51, 0.66%, 0.69%

LAB 64.7, 51.45, -39.32

 

CMYK 6 / 50 / 0 / 18

HEX #C468D1

RGB 196 104 209

HSL 292.57, 0.53%, 0.61%

LAB 58.26, 52.15, -38.9

 

CMYK 6 / 55 / 0 / 25

HEX #B356BE

RGB 179 86 190

HSL 293.65, 0.44%, 0.54%

LAB 51.79, 52.77, -38.37

 

CMYK 5 / 60 / 0 / 33

HEX #A244AB

RGB 162 68 171

HSL 294.76, 0.43%, 0.47%

LAB 45.3, 53.2, -37.67

 

CMYK 5 / 67 / 0 / 40

HEX #913298

RGB 145 50 152

HSL 295.88, 0.5%, 0.4%

LAB 38.84, 53.3, -36.69

 

CMYK 7 / 46 / 0 / 11

HEX #D57AE4

RGB 213 122 228

HSL 291.51, 0.66%, 0.69%

LAB 64.7, 51.45, -39.32

 

CMYK 0 / 46 / 1 / 11

HEX #E47BE2

RGB 228 123 226

HSL 301.14, 0.66%, 0.69%

LAB 66.64, 54.85, -35.05

 

CMYK 0 / 46 / 9 / 11

HEX #E47BD0

RGB 228 123 208

HSL 311.43, 0.66%, 0.69%

LAB 65.91, 51.79, -26.14

 

CMYK 0 / 46 / 16 / 11

HEX #E47BBF

RGB 228 123 191

HSL 321.14, 0.66%, 0.69%

LAB 65.3, 49.09, -17.54

 

CMYK 0 / 46 / 24 / 11

HEX #E47BAE

RGB 228 123 174

HSL 330.86, 0.66%, 0.69%

LAB 64.74, 46.59, -8.76

 

CMYK 7 / 46 / 0 / 11

HEX #D57AE4

RGB 213 122 228

HSL 291.51, 0.66%, 0.69%

LAB 64.7, 51.45, -39.32

 

CMYK 8 / 46 / 0 / 91

HEX #160D18

RGB 22 13 24

HSL 289.09, 0.3%, 0.07%

LAB 4.74, 5.79, -5.16

 

CMYK 7 / 47 / 0 / 71

HEX #46284B

RGB 70 40 75

HSL 291.43, 0.3%, 0.23%

LAB 21.31, 20.79, -16.01

 

CMYK 6 / 47 / 0 / 51

HEX #76437E

RGB 118 67 126

HSL 291.86, 0.31%, 0.38%

LAB 36.69, 32.1, -24.43

 

CMYK 7 / 46 / 0 / 31

HEX #A55FB1

RGB 165 95 177

HSL 291.22, 0.34%, 0.53%

LAB 51.1, 41.64, -32.03

 

CMYK 7 / 46 / 0 / 11

HEX #D57AE4

RGB 213 122 228

HSL 291.51, 0.66%, 0.69%

LAB 64.7, 51.45, -39.32

 

CMYK 0 / 44 / 46 / 11

HEX #E4807B

RGB 228 128 123

HSL 2.86, 0.66%, 0.69%

LAB 64.45, 37.91, 19.78

 

CMYK 46 / 0 / 25 / 11

HEX #7BE4AA

RGB 123 228 170

HSL 146.86, 0.66%, 0.69%

LAB 83.23, -43.39, 19.05

 

CMYK 7 / 46 / 0 / 11

HEX #D57AE4

RGB 213 122 228

HSL 291.51, 0.66%, 0.69%

LAB 64.7, 51.45, -39.32

 

CMYK 0 / 7 / 46 / 11

HEX #E4D47B

RGB 228 212 123

HSL 50.86, 0.66%, 0.69%

LAB 84.49, -6.35, 45.82

 

CMYK 46 / 0 / 7 / 11

HEX #7BE4D4

RGB 123 228 212

HSL 170.86, 0.66%, 0.69%

LAB 84.2, -34.29, -1.65

 

CMYK 7 / 46 / 0 / 11

HEX #D57AE4

RGB 213 122 228

HSL 291.51, 0.66%, 0.69%

LAB 64.7, 51.45, -39.32

 

CMYK 0 / 44 / 46 / 11

HEX #E4807B

RGB 228 128 123

HSL 2.86, 0.66%, 0.69%

LAB 64.45, 37.91, 19.78

 

CMYK 39 / 0 / 46 / 11

HEX #8BE47B

RGB 139 228 123

HSL 110.86, 0.66%, 0.69%

LAB 83.13, -46.54, 42.87

 

CMYK 46 / 3 / 0 / 11

HEX #7BDEE4

RGB 123 222 228

HSL 183.43, 0.66%, 0.69%

LAB 82.94, -27.5, -11.98

 

CMYK 7 / 46 / 0 / 11

HEX #D57AE4

RGB 213 122 228

HSL 291.51, 0.66%, 0.69%

LAB 64.7, 51.45, -39.32

 

CMYK 0 / 30 / 46 / 11

HEX #E4A07B

RGB 228 160 123

HSL 21.14, 0.66%, 0.69%

LAB 71.6, 20.98, 29.36

 

CMYK 39 / 0 / 46 / 11

HEX #8BE47B

RGB 139 228 123

HSL 110.86, 0.66%, 0.69%

LAB 83.13, -46.54, 42.87

 

CMYK 46 / 16 / 0 / 11

HEX #7BBFE4

RGB 123 191 228

HSL 201.14, 0.66%, 0.69%

LAB 74.24, -11.77, -25.14

 

Description

Color code: HEX #D57AE4 | qconv.com Color code: HEX #D57AE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 122 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 122 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 46 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 46% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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