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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D56F86 it is the complementary color #2A9079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D56F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D56F86 shade: #DA6F81, #EB8194, #FC93A7, #FFA5BA and #FFB7CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D56F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D56F86 shade: #D56F86, #C45D73, #B34B60, #A2394D and #91273A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D56F86 shade: #D67187 and #D67171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D56F86 shade: #D67187, #D671A3, #D671BE, #D271D6 and #B771D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D56F86 shade matches the following richer shades: #D67187, #E5627F and #F35377

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D56F86 shade: #D67187, #C78090, #B88E98, #A99DA0 and #9AACA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D56F86 shade: #D671BE, #D671A3, #D67188, #D67471 and #D68F71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D56F86 shade: #BD3755, #CC516D, #D67187, #DF91A2 and #E8B1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D56F86 shade: #D56F86, #D6D271 and #71B1D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D56F86 shade: #D56F86, #88D671 and #7188D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D56F86 shade: #D56F86, #D6D271, #71D6BE and #7174D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D56F86 shade: #D56F86, #BBD671, #71D6BE and #8C71D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 37 / 16

HEX #D56F86

RGB 213 111 134

HSL 346.47, 0.55%, 0.64%

LAB 59.19, 42.38, 5.82

 

Complementary color

CMYK 71 / 0 / 16 / 44

HEX #2A9079

RGB 42 144 121

HSL 166.47, 0.55%, 0.36%

LAB 53.83, -34.59, 3.86

 

CMYK 0 / 49 / 41 / 15

HEX #DA6F81

RGB 218 111 129

HSL 349.91, 0.59%, 0.65%

LAB 59.76, 43.59, 9.62

 

CMYK 0 / 45 / 37 / 8

HEX #EB8194

RGB 235 129 148

HSL 349.25, 0.73%, 0.71%

LAB 66.14, 42.63, 8.14

 

CMYK 0 / 42 / 34 / 1

HEX #FC93A7

RGB 252 147 167

HSL 348.57, 0.95%, 0.78%

LAB 72.46, 41.7, 6.84

 

CMYK 0 / 35 / 27 / 0

HEX #FFA5BA

RGB 255 165 186

HSL 346, 1%, 0.82%

LAB 77.11, 35.9, 3.12

 

CMYK 0 / 28 / 20 / 0

HEX #FFB7CD

RGB 255 183 205

HSL 341.67, 1%, 0.86%

LAB 81.58, 29.17, -0.67

 

CMYK 0 / 48 / 37 / 16

HEX #D56F86

RGB 213 111 134

HSL 346.47, 0.55%, 0.64%

LAB 59.19, 42.38, 5.82

 

CMYK 0 / 53 / 41 / 23

HEX #C45D73

RGB 196 93 115

HSL 347.18, 0.47%, 0.57%

LAB 52.73, 43.31, 7.4

 

CMYK 0 / 58 / 46 / 30

HEX #B34B60

RGB 179 75 96

HSL 347.88, 0.41%, 0.5%

LAB 46.26, 44.2, 9.3

 

CMYK 0 / 65 / 52 / 36

HEX #A2394D

RGB 162 57 77

HSL 348.57, 0.48%, 0.43%

LAB 39.82, 44.94, 11.65

 

CMYK 0 / 73 / 60 / 43

HEX #91273A

RGB 145 39 58

HSL 349.25, 0.58%, 0.36%

LAB 33.51, 45.29, 14.67

 

CMYK 0 / 47 / 37 / 16

HEX #D67187

RGB 214 113 135

HSL 346.93, 0.55%, 0.64%

LAB 59.76, 41.83, 6.07

 

CMYK 0 / 47 / 47 / 16

HEX #D67171

RGB 214 113 113

HSL 0, 0.55%, 0.64%

LAB 59.25, 39.47, 18.05

 

CMYK 0 / 47 / 37 / 16

HEX #D67187

RGB 214 113 135

HSL 346.93, 0.55%, 0.64%

LAB 59.76, 41.83, 6.07

 

CMYK 0 / 47 / 24 / 16

HEX #D671A3

RGB 214 113 163

HSL 330.3, 0.55%, 0.64%

LAB 60.56, 45.46, -8.91

 

CMYK 0 / 47 / 11 / 16

HEX #D671BE

RGB 214 113 190

HSL 314.26, 0.55%, 0.64%

LAB 61.5, 49.57, -22.92

 

CMYK 2 / 47 / 0 / 16

HEX #D271D6

RGB 210 113 214

HSL 297.62, 0.55%, 0.64%

LAB 61.97, 52.53, -35.79

 

CMYK 14 / 47 / 0 / 16

HEX #B771D6

RGB 183 113 214

HSL 281.58, 0.55%, 0.64%

LAB 58.73, 44.86, -41.1

 

CMYK 0 / 47 / 37 / 16

HEX #D67187

RGB 214 113 135

HSL 346.93, 0.55%, 0.64%

LAB 59.76, 41.83, 6.07

 

CMYK 0 / 57 / 45 / 10

HEX #E5627F

RGB 229 98 127

HSL 346.72, 0.72%, 0.64%

LAB 58.91, 53.42, 9.79

 

CMYK 0 / 66 / 51 / 5

HEX #F35377

RGB 243 83 119

HSL 346.5, 0.87%, 0.64%

LAB 58.58, 63.53, 14.34

 

CMYK 0 / 47 / 37 / 16

HEX #D67187

RGB 214 113 135

HSL 346.93, 0.55%, 0.64%

LAB 59.76, 41.83, 6.07

 

CMYK 0 / 36 / 28 / 22

HEX #C78090

RGB 199 128 144

HSL 346.48, 0.39%, 0.64%

LAB 61.3, 29.59, 2.87

 

CMYK 0 / 23 / 17 / 28

HEX #B88E98

RGB 184 142 152

HSL 345.71, 0.23%, 0.64%

LAB 63.18, 17.46, 0.84

 

CMYK 0 / 7 / 5 / 34

HEX #A99DA0

RGB 169 157 160

HSL 345, 0.07%, 0.64%

LAB 65.82, 4.92, 0.01

 

CMYK 10 / 0 / 2 / 33

HEX #9AACA8

RGB 154 172 168

HSL 166.67, 0.1%, 0.64%

LAB 68.9, -7.05, -0.09

 

CMYK 0 / 47 / 11 / 16

HEX #D671BE

RGB 214 113 190

HSL 314.26, 0.55%, 0.64%

LAB 61.5, 49.57, -22.92

 

CMYK 0 / 47 / 24 / 16

HEX #D671A3

RGB 214 113 163

HSL 330.3, 0.55%, 0.64%

LAB 60.56, 45.46, -8.91

 

CMYK 0 / 47 / 36 / 16

HEX #D67188

RGB 214 113 136

HSL 346.34, 0.55%, 0.64%

LAB 59.78, 41.95, 5.53

 

CMYK 0 / 46 / 47 / 16

HEX #D67471

RGB 214 116 113

HSL 1.78, 0.55%, 0.64%

LAB 59.87, 37.92, 18.9

 

CMYK 0 / 33 / 47 / 16

HEX #D68F71

RGB 214 143 113

HSL 17.82, 0.55%, 0.64%

LAB 65.85, 23.54, 26.93

 

CMYK 0 / 71 / 55 / 26

HEX #BD3755

RGB 189 55 85

HSL 346.57, 0.55%, 0.48%

LAB 44.53, 55.1, 13.91

 

CMYK 0 / 60 / 47 / 20

HEX #CC516D

RGB 204 81 109

HSL 346.34, 0.55%, 0.56%

LAB 51.64, 51.15, 9.6

 

CMYK 0 / 47 / 37 / 16

HEX #D67187

RGB 214 113 135

HSL 346.93, 0.55%, 0.64%

LAB 59.76, 41.83, 6.07

 

CMYK 0 / 35 / 27 / 13

HEX #DF91A2

RGB 223 145 162

HSL 346.92, 0.55%, 0.72%

LAB 68.42, 31.72, 3.35

 

CMYK 0 / 24 / 19 / 9

HEX #E8B1BD

RGB 232 177 189

HSL 346.91, 0.54%, 0.8%

LAB 77.44, 21.77, 1.67

 

CMYK 0 / 48 / 37 / 16

HEX #D56F86

RGB 213 111 134

HSL 346.47, 0.55%, 0.64%

LAB 59.19, 42.38, 5.82

 

CMYK 0 / 2 / 47 / 16

HEX #D6D271

RGB 214 210 113

HSL 57.62, 0.55%, 0.64%

LAB 82.69, -11.89, 48.22

 

CMYK 47 / 17 / 0 / 16

HEX #71B1D6

RGB 113 177 214

HSL 201.98, 0.55%, 0.64%

LAB 69.33, -10.57, -25.05

 

CMYK 0 / 48 / 37 / 16

HEX #D56F86

RGB 213 111 134

HSL 346.47, 0.55%, 0.64%

LAB 59.19, 42.38, 5.82

 

CMYK 36 / 0 / 47 / 16

HEX #88D671

RGB 136 214 113

HSL 106.34, 0.55%, 0.64%

LAB 78.76, -42.79, 42.26

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 0 / 48 / 37 / 16

HEX #D56F86

RGB 213 111 134

HSL 346.47, 0.55%, 0.64%

LAB 59.19, 42.38, 5.82

 

CMYK 0 / 2 / 47 / 16

HEX #D6D271

RGB 214 210 113

HSL 57.62, 0.55%, 0.64%

LAB 82.69, -11.89, 48.22

 

CMYK 47 / 0 / 11 / 16

HEX #71D6BE

RGB 113 214 190

HSL 165.74, 0.55%, 0.64%

LAB 79.23, -35.29, 2.73

 

CMYK 47 / 46 / 0 / 16

HEX #7174D6

RGB 113 116 214

HSL 238.22, 0.55%, 0.64%

LAB 52.79, 24.66, -50.92

 

CMYK 0 / 48 / 37 / 16

HEX #D56F86

RGB 213 111 134

HSL 346.47, 0.55%, 0.64%

LAB 59.19, 42.38, 5.82

 

CMYK 13 / 0 / 47 / 16

HEX #BBD671

RGB 187 214 113

HSL 76.04, 0.55%, 0.64%

LAB 81.76, -24.52, 46.62

 

CMYK 47 / 0 / 11 / 16

HEX #71D6BE

RGB 113 214 190

HSL 165.74, 0.55%, 0.64%

LAB 79.23, -35.29, 2.73

 

CMYK 35 / 47 / 0 / 16

HEX #8C71D6

RGB 140 113 214

HSL 256.04, 0.55%, 0.64%

LAB 54.28, 33.12, -48.42

 

Description

Color code: HEX #D56F86 | qconv.com Color code: HEX #D56F86 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 111 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 111 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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