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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7188D6 it is the complementary color #8E7729. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7188D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7188D6 shade: #7688D1, #879AE4, #98ACF7, #A9BEFF and #BAD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7188D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7188D6 shade: #7188D6, #6076C3, #4F64B0, #3E529D and #2D408A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7188D6 shade: #7188D6, #7571D6, #9071D6, #AB71D6 and #C771D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7188D6 shade: #7188D6 and #7171D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7188D6 shade matches the following richer shades: #7188D6, #6280E5 and #5378F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7188D6 shade: #7188D6, #8090C7, #8E98B8, #9DA0A9 and #ACA89A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7188D6 shade: #71BED6, #71A3D6, #7188D6, #7471D6 and #8F71D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7188D6 shade: #3755BD, #516DCC, #7188D6, #91A3DF and #B1BDE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7188D6 shade: #7188D6, #D271D6 and #B1D671

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7188D6 shade: #7188D6, #D67188 and #88D671

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7188D6 shade: #7188D6, #D271D6, #D6BE71 and #74D671

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7188D6 shade: #7188D6, #D671BB, #D6BE71 and #71D68C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

Complementary color

CMYK 0 / 16 / 71 / 44

HEX #8E7729

RGB 142 119 41

HSL 46.34, 0.55%, 0.36%

LAB 50.81, -0.03, 44.4

 

CMYK 44 / 35 / 0 / 18

HEX #7688D1

RGB 118 136 209

HSL 228.13, 0.5%, 0.64%

LAB 58.1, 12.45, -39.68

 

CMYK 41 / 32 / 0 / 11

HEX #879AE4

RGB 135 154 228

HSL 227.74, 0.63%, 0.71%

LAB 64.85, 11.74, -39.6

 

CMYK 38 / 30 / 0 / 3

HEX #98ACF7

RGB 152 172 247

HSL 227.37, 0.86%, 0.78%

LAB 71.48, 11.13, -39.56

 

CMYK 34 / 25 / 0 / 0

HEX #A9BEFF

RGB 169 190 255

HSL 225.35, 1%, 0.83%

LAB 77.57, 7.78, -34.34

 

CMYK 27 / 18 / 0 / 0

HEX #BAD0FF

RGB 186 208 255

HSL 220.87, 1%, 0.86%

LAB 83.32, 2.84, -25.41

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 51 / 39 / 0 / 24

HEX #6076C3

RGB 96 118 195

HSL 226.67, 0.45%, 0.57%

LAB 51.13, 13.63, -42.81

 

CMYK 55 / 43 / 0 / 31

HEX #4F64B0

RGB 79 100 176

HSL 227.01, 0.38%, 0.5%

LAB 44.11, 14.79, -43.03

 

CMYK 61 / 48 / 0 / 38

HEX #3E529D

RGB 62 82 157

HSL 227.37, 0.43%, 0.43%

LAB 36.92, 16.23, -43.31

 

CMYK 67 / 54 / 0 / 46

HEX #2D408A

RGB 45 64 138

HSL 227.74, 0.51%, 0.36%

LAB 29.56, 18.1, -43.62

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 45 / 47 / 0 / 16

HEX #7571D6

RGB 117 113 214

HSL 242.38, 0.55%, 0.64%

LAB 52.34, 27.4, -51.63

 

CMYK 33 / 47 / 0 / 16

HEX #9071D6

RGB 144 113 214

HSL 258.42, 0.55%, 0.64%

LAB 54.65, 34.16, -47.81

 

CMYK 20 / 47 / 0 / 16

HEX #AB71D6

RGB 171 113 214

HSL 274.46, 0.55%, 0.64%

LAB 57.39, 41.49, -43.3

 

CMYK 7 / 47 / 0 / 16

HEX #C771D6

RGB 199 113 214

HSL 291.09, 0.55%, 0.64%

LAB 60.61, 49.39, -38.01

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 47 / 47 / 0 / 16

HEX #7171D6

RGB 113 113 214

HSL 240, 0.55%, 0.64%

LAB 52.04, 26.47, -52.13

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 57 / 44 / 0 / 10

HEX #6280E5

RGB 98 128 229

HSL 226.26, 0.72%, 0.64%

LAB 55.78, 18.88, -54.65

 

CMYK 66 / 51 / 0 / 5

HEX #5378F3

RGB 83 120 243

HSL 226.13, 0.87%, 0.64%

LAB 53.75, 25.82, -65.75

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 36 / 28 / 0 / 22

HEX #8090C7

RGB 128 144 199

HSL 226.48, 0.39%, 0.64%

LAB 60.48, 7.66, -30.29

 

CMYK 23 / 17 / 0 / 28

HEX #8E98B8

RGB 142 152 184

HSL 225.71, 0.23%, 0.64%

LAB 63.07, 3.5, -17.8

 

CMYK 7 / 5 / 0 / 34

HEX #9DA0A9

RGB 157 160 169

HSL 225, 0.07%, 0.64%

LAB 65.88, 0.72, -5.04

 

CMYK 0 / 2 / 10 / 33

HEX #ACA89A

RGB 172 168 154

HSL 46.67, 0.1%, 0.64%

LAB 68.83, -1.06, 7.73

 

CMYK 47 / 11 / 0 / 16

HEX #71BED6

RGB 113 190 214

HSL 194.26, 0.55%, 0.64%

LAB 73.02, -17.43, -19.44

 

CMYK 47 / 24 / 0 / 16

HEX #71A3D6

RGB 113 163 214

HSL 210.3, 0.55%, 0.64%

LAB 65.4, -2.88, -31.1

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 46 / 47 / 0 / 16

HEX #7471D6

RGB 116 113 214

HSL 241.78, 0.55%, 0.64%

LAB 52.26, 27.17, -51.76

 

CMYK 33 / 47 / 0 / 16

HEX #8F71D6

RGB 143 113 214

HSL 257.82, 0.55%, 0.64%

LAB 54.56, 33.9, -47.96

 

CMYK 71 / 55 / 0 / 26

HEX #3755BD

RGB 55 85 189

HSL 226.57, 0.55%, 0.48%

LAB 39.55, 24.67, -58.03

 

CMYK 60 / 47 / 0 / 20

HEX #516DCC

RGB 81 109 204

HSL 226.34, 0.55%, 0.56%

LAB 48.32, 18.97, -52.5

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 35 / 27 / 0 / 13

HEX #91A3DF

RGB 145 163 223

HSL 226.15, 0.55%, 0.72%

LAB 67.68, 7.95, -32.39

 

CMYK 24 / 19 / 0 / 9

HEX #B1BDE8

RGB 177 189 232

HSL 226.91, 0.54%, 0.8%

LAB 77.02, 5.06, -22.77

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 2 / 47 / 0 / 16

HEX #D271D6

RGB 210 113 214

HSL 297.62, 0.55%, 0.64%

LAB 61.97, 52.53, -35.79

 

CMYK 17 / 0 / 47 / 16

HEX #B1D671

RGB 177 214 113

HSL 81.98, 0.55%, 0.64%

LAB 81.09, -28.33, 45.65

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 0 / 47 / 36 / 16

HEX #D67188

RGB 214 113 136

HSL 346.34, 0.55%, 0.64%

LAB 59.78, 41.95, 5.53

 

CMYK 36 / 0 / 47 / 16

HEX #88D671

RGB 136 214 113

HSL 106.34, 0.55%, 0.64%

LAB 78.76, -42.79, 42.26

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 2 / 47 / 0 / 16

HEX #D271D6

RGB 210 113 214

HSL 297.62, 0.55%, 0.64%

LAB 61.97, 52.53, -35.79

 

CMYK 0 / 11 / 47 / 16

HEX #D6BE71

RGB 214 190 113

HSL 45.74, 0.55%, 0.64%

LAB 77.47, -1.62, 41.82

 

CMYK 46 / 0 / 47 / 16

HEX #74D671

RGB 116 214 113

HSL 118.22, 0.55%, 0.64%

LAB 77.87, -48.9, 40.96

 

CMYK 47 / 36 / 0 / 16

HEX #7188D6

RGB 113 136 214

HSL 226.34, 0.55%, 0.64%

LAB 58.01, 12.69, -42.65

 

CMYK 0 / 47 / 13 / 16

HEX #D671BB

RGB 214 113 187

HSL 316.04, 0.55%, 0.64%

LAB 61.39, 49.09, -21.38

 

CMYK 0 / 11 / 47 / 16

HEX #D6BE71

RGB 214 190 113

HSL 45.74, 0.55%, 0.64%

LAB 77.47, -1.62, 41.82

 

CMYK 47 / 0 / 35 / 16

HEX #71D68C

RGB 113 214 140

HSL 136.04, 0.55%, 0.64%

LAB 78.17, -45.51, 27.66

 

Description

Color code: HEX #7188D6 | qconv.com Color code: HEX #7188D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 136 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 136 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 36 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 36% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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