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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D56B83 it is the complementary color #2A947C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D56B83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D56B83: #DA6B7E, #EB7D91, #FC8FA4, #FFA1B7 and #FFB3CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D56B83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D56B83: #D56B83, #C45970, #B3475D, #A2354A and #912337

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 38 / 16

HEX #D56B83

RGB 213 107 131

HSL 346.42, 0.56%, 0.63%

LAB 58.32, 44.06, 6.31

 

Complementary color

CMYK 72 / 0 / 16 / 42

HEX #2A947C

RGB 42 148 124

HSL 166.42, 0.56%, 0.37%

LAB 55.2, -35.62, 4.12

 

CMYK 0 / 51 / 42 / 15

HEX #DA6B7E

RGB 218 107 126

HSL 349.73, 0.6%, 0.64%

LAB 58.91, 45.26, 10.15

 

CMYK 0 / 47 / 38 / 8

HEX #EB7D91

RGB 235 125 145

HSL 349.09, 0.73%, 0.71%

LAB 65.26, 44.31, 8.58

 

CMYK 0 / 43 / 35 / 1

HEX #FC8FA4

RGB 252 143 164

HSL 348.44, 0.95%, 0.77%

LAB 71.57, 43.37, 7.22

 

CMYK 0 / 37 / 28 / 0

HEX #FFA1B7

RGB 255 161 183

HSL 345.96, 1%, 0.82%

LAB 76.17, 37.57, 3.41

 

CMYK 0 / 30 / 21 / 0

HEX #FFB3CA

RGB 255 179 202

HSL 341.84, 1%, 0.85%

LAB 80.61, 30.82, -0.48

 

CMYK 0 / 50 / 38 / 16

HEX #D56B83

RGB 213 107 131

HSL 346.42, 0.56%, 0.63%

LAB 58.32, 44.06, 6.31

 

CMYK 0 / 55 / 43 / 23

HEX #C45970

RGB 196 89 112

HSL 347.1, 0.48%, 0.56%

LAB 51.89, 44.97, 7.99

 

CMYK 0 / 60 / 48 / 30

HEX #B3475D

RGB 179 71 93

HSL 347.78, 0.43%, 0.49%

LAB 45.47, 45.8, 10.03

 

CMYK 0 / 67 / 54 / 36

HEX #A2354A

RGB 162 53 74

HSL 348.44, 0.51%, 0.42%

LAB 39.11, 46.42, 12.56

 

CMYK 0 / 76 / 62 / 43

HEX #912337

RGB 145 35 55

HSL 349.09, 0.61%, 0.35%

LAB 32.91, 46.57, 15.82

 

CMYK 0 / 50 / 38 / 16

HEX #D56B83

RGB 213 107 131

HSL 346.42, 0.56%, 0.63%

LAB 58.32, 44.06, 6.31

 

CMYK 0 / 50 / 46 / 16

HEX #D56B72

RGB 213 107 114

HSL 356.04, 0.56%, 0.63%

LAB 57.92, 42.26, 15.63

 

CMYK 0 / 45 / 50 / 16

HEX #D5766B

RGB 213 118 107

HSL 6.23, 0.56%, 0.63%

LAB 60.04, 35.93, 22.53

 

CMYK 0 / 37 / 50 / 16

HEX #D5876B

RGB 213 135 107

HSL 15.85, 0.56%, 0.63%

LAB 63.78, 26.88, 27.49

 

CMYK 0 / 28 / 50 / 16

HEX #D5996B

RGB 213 153 107

HSL 26.04, 0.56%, 0.63%

LAB 68.01, 17.15, 32.98

 

CMYK 0 / 50 / 38 / 16

HEX #D56B83

RGB 213 107 131

HSL 346.42, 0.56%, 0.63%

LAB 58.32, 44.06, 6.31

 

CMYK 0 / 44 / 33 / 96

HEX #090506

RGB 9 5 6

HSL 345, 0.29%, 0.03%

LAB 1.62, 1.19, -0.01

 

CMYK 0 / 50 / 38 / 76

HEX #3C1E25

RGB 60 30 37

HSL 346, 0.33%, 0.18%

LAB 15.61, 15.6, 1.72

 

CMYK 0 / 50 / 39 / 56

HEX #6F3844

RGB 111 56 68

HSL 346.91, 0.33%, 0.33%

LAB 30.94, 25.69, 3.68

 

CMYK 0 / 50 / 38 / 36

HEX #A25164

RGB 162 81 100

HSL 345.93, 0.33%, 0.48%

LAB 44.92, 35.51, 4.6

 

CMYK 0 / 50 / 38 / 16

HEX #D56B83

RGB 213 107 131

HSL 346.42, 0.56%, 0.63%

LAB 58.32, 44.06, 6.31

 

CMYK 0 / 2 / 50 / 16

HEX #D5D16B

RGB 213 209 107

HSL 57.74, 0.56%, 0.63%

LAB 82.28, -12.33, 50.57

 

CMYK 50 / 18 / 0 / 16

HEX #6BAED5

RGB 107 174 213

HSL 202.08, 0.56%, 0.63%

LAB 68.17, -10.63, -26.31

 

CMYK 0 / 50 / 38 / 16

HEX #D56B83

RGB 213 107 131

HSL 346.42, 0.56%, 0.63%

LAB 58.32, 44.06, 6.31

 

CMYK 38 / 0 / 50 / 16

HEX #84D56B

RGB 132 213 107

HSL 105.85, 0.56%, 0.63%

LAB 78.2, -44.4, 44.44

 

CMYK 50 / 38 / 0 / 16

HEX #6B84D5

RGB 107 132 213

HSL 225.85, 0.56%, 0.63%

LAB 56.52, 13.34, -44.47

 

CMYK 0 / 50 / 38 / 16

HEX #D56B83

RGB 213 107 131

HSL 346.42, 0.56%, 0.63%

LAB 58.32, 44.06, 6.31

 

CMYK 0 / 2 / 50 / 16

HEX #D5D16B

RGB 213 209 107

HSL 57.74, 0.56%, 0.63%

LAB 82.28, -12.33, 50.57

 

CMYK 50 / 0 / 12 / 16

HEX #6BD5BC

RGB 107 213 188

HSL 165.85, 0.56%, 0.63%

LAB 78.66, -36.69, 2.96

 

CMYK 50 / 48 / 0 / 16

HEX #6B6FD5

RGB 107 111 213

HSL 237.74, 0.56%, 0.63%

LAB 51.03, 26.02, -53.19

 

CMYK 0 / 50 / 38 / 16

HEX #D56B83

RGB 213 107 131

HSL 346.42, 0.56%, 0.63%

LAB 58.32, 44.06, 6.31

 

CMYK 13 / 0 / 50 / 16

HEX #B9D56B

RGB 185 213 107

HSL 75.85, 0.56%, 0.63%

LAB 81.27, -25.42, 48.87

 

CMYK 50 / 0 / 12 / 16

HEX #6BD5BC

RGB 107 213 188

HSL 165.85, 0.56%, 0.63%

LAB 78.66, -36.69, 2.96

 

CMYK 37 / 50 / 0 / 16

HEX #876BD5

RGB 135 107 213

HSL 255.85, 0.56%, 0.63%

LAB 52.36, 35.06, -50.93

 

Description

Color code: HEX #D56B83 | qconv.com Color code: HEX #D56B83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 107 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 107 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 38 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 38% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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