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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D56023 it is the complementary color #2A9FDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D56023. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D56023 shade: #DA601E, #EB7231, #FC8444, #FF9657 and #FFA86A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D56023. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D56023 shade: #D56023, #C44E10, #B33C00, #A22A00 and #911800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D56023 shade: #D76123, #D73023 and #D72323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D56023 shade: #D76123, #D79123, #D7C223, #BCD723 and #8BD723

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D56023 shade matches the following richer shades: #D76123 and #EB5A0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D56023 shade: #D76123, #C36737, #AE6D4B, #9A7460 and #867A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D56023 shade: #D72347, #D72F23, #D75F23, #D78F23 and #D7BF23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D56023 shade: #904117, #B3511D, #D76123, #E07943 and #E69266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D56023 shade: #D56023, #77D723 and #232FD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D56023 shade: #D56023, #23D75F and #5F23D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D56023 shade: #D56023, #77D723, #239BD7 and #8323D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D56023 shade: #D56023, #41D723, #239BD7 and #B923D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 84 / 16

HEX #D56023

RGB 213 96 35

HSL 20.56, 0.72%, 0.49%

LAB 54.69, 42.86, 53.9

 

Complementary color

CMYK 81 / 28 / 0 / 14

HEX #2A9FDC

RGB 42 159 220

HSL 200.56, 0.72%, 0.51%

LAB 62.05, -10.7, -39.85

 

CMYK 0 / 56 / 86 / 15

HEX #DA601E

RGB 218 96 30

HSL 21.06, 0.76%, 0.49%

LAB 55.45, 44.63, 56.8

 

CMYK 0 / 51 / 79 / 8

HEX #EB7231

RGB 235 114 49

HSL 20.97, 0.82%, 0.56%

LAB 61.58, 42.86, 55.49

 

CMYK 0 / 48 / 73 / 1

HEX #FC8444

RGB 252 132 68

HSL 20.87, 0.97%, 0.63%

LAB 67.74, 41.18, 53.77

 

CMYK 0 / 41 / 66 / 0

HEX #FF9657

RGB 255 150 87

HSL 22.5, 1%, 0.67%

LAB 72.07, 34.17, 49.42

 

CMYK 0 / 34 / 58 / 0

HEX #FFA86A

RGB 255 168 106

HSL 24.97, 1%, 0.71%

LAB 76.26, 26.06, 44.81

 

CMYK 0 / 55 / 84 / 16

HEX #D56023

RGB 213 96 35

HSL 20.56, 0.72%, 0.49%

LAB 54.69, 42.86, 53.9

 

CMYK 0 / 60 / 92 / 23

HEX #C44E10

RGB 196 78 16

HSL 20.67, 0.85%, 0.42%

LAB 48.54, 44.65, 54.69

 

CMYK 0 / 66 / 100 / 30

HEX #B33C00

RGB 179 60 0

HSL 20.11, 1%, 0.35%

LAB 42.48, 46.33, 53.88

 

CMYK 0 / 74 / 100 / 36

HEX #A22A00

RGB 162 42 0

HSL 15.56, 1%, 0.32%

LAB 36.63, 47.67, 49.23

 

CMYK 0 / 83 / 100 / 43

HEX #911800

RGB 145 24 0

HSL 9.93, 1%, 0.28%

LAB 31.05, 48.05, 44.16

 

CMYK 0 / 55 / 84 / 16

HEX #D76123

RGB 215 97 35

HSL 20.67, 0.72%, 0.49%

LAB 55.19, 43.14, 54.46

 

CMYK 0 / 78 / 84 / 16

HEX #D73023

RGB 215 48 35

HSL 4.33, 0.72%, 0.49%

LAB 47.86, 62.84, 47.99

 

CMYK 0 / 84 / 84 / 16

HEX #D72323

RGB 215 35 35

HSL 0, 0.72%, 0.49%

LAB 46.67, 66.19, 46.92

 

CMYK 0 / 55 / 84 / 16

HEX #D76123

RGB 215 97 35

HSL 20.67, 0.72%, 0.49%

LAB 55.19, 43.14, 54.46

 

CMYK 0 / 33 / 84 / 16

HEX #D79123

RGB 215 145 35

HSL 36.67, 0.72%, 0.49%

LAB 65.61, 18.04, 63.41

 

CMYK 0 / 10 / 84 / 16

HEX #D7C223

RGB 215 194 35

HSL 53, 0.72%, 0.49%

LAB 77.96, -7.9, 73.8

 

CMYK 13 / 0 / 84 / 16

HEX #BCD723

RGB 188 215 35

HSL 69, 0.72%, 0.49%

LAB 81.52, -29.65, 75.93

 

CMYK 35 / 0 / 84 / 16

HEX #8BD723

RGB 139 215 35

HSL 85.33, 0.72%, 0.49%

LAB 78.58, -48.45, 72.26

 

CMYK 0 / 55 / 84 / 16

HEX #D76123

RGB 215 97 35

HSL 20.67, 0.72%, 0.49%

LAB 55.19, 43.14, 54.46

 

CMYK 0 / 62 / 94 / 8

HEX #EB5A0F

RGB 235 90 15

HSL 20.45, 0.88%, 0.49%

LAB 57.08, 53.34, 63.8

 

CMYK 0 / 55 / 84 / 16

HEX #D76123

RGB 215 97 35

HSL 20.67, 0.72%, 0.49%

LAB 55.19, 43.14, 54.46

 

CMYK 0 / 47 / 72 / 24

HEX #C36737

RGB 195 103 55

HSL 20.57, 0.56%, 0.49%

LAB 53.58, 32.97, 42.6

 

CMYK 0 / 37 / 57 / 32

HEX #AE6D4B

RGB 174 109 75

HSL 20.61, 0.4%, 0.49%

LAB 52.34, 22.33, 29.65

 

CMYK 0 / 25 / 38 / 40

HEX #9A7460

RGB 154 116 96

HSL 20.69, 0.23%, 0.49%

LAB 52.07, 12.12, 16.84

 

CMYK 0 / 9 / 13 / 47

HEX #867A74

RGB 134 122 116

HSL 20, 0.07%, 0.49%

LAB 52.12, 3.51, 4.94

 

CMYK 0 / 84 / 67 / 16

HEX #D72347

RGB 215 35 71

HSL 348, 0.72%, 0.49%

LAB 47.11, 67.5, 26.82

 

CMYK 0 / 78 / 84 / 16

HEX #D72F23

RGB 215 47 35

HSL 4, 0.72%, 0.49%

LAB 47.75, 63.13, 47.89

 

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

CMYK 0 / 33 / 84 / 16

HEX #D78F23

RGB 215 143 35

HSL 36, 0.72%, 0.49%

LAB 65.13, 19.12, 63.01

 

CMYK 0 / 11 / 84 / 16

HEX #D7BF23

RGB 215 191 35

HSL 52, 0.72%, 0.49%

LAB 77.18, -6.36, 73.15

 

CMYK 0 / 55 / 84 / 44

HEX #904117

RGB 144 65 23

HSL 20.83, 0.72%, 0.33%

LAB 37.43, 30.88, 39.5

 

CMYK 0 / 55 / 84 / 30

HEX #B3511D

RGB 179 81 29

HSL 20.8, 0.72%, 0.41%

LAB 46.39, 36.93, 47.03

 

CMYK 0 / 55 / 84 / 16

HEX #D76123

RGB 215 97 35

HSL 20.67, 0.72%, 0.49%

LAB 55.19, 43.14, 54.46

 

CMYK 0 / 46 / 70 / 12

HEX #E07943

RGB 224 121 67

HSL 20.64, 0.72%, 0.57%

LAB 61.59, 35.8, 46.49

 

CMYK 0 / 37 / 56 / 10

HEX #E69266

RGB 230 146 102

HSL 20.63, 0.72%, 0.65%

LAB 68.27, 27.36, 36.38

 

CMYK 0 / 55 / 84 / 16

HEX #D56023

RGB 213 96 35

HSL 20.56, 0.72%, 0.49%

LAB 54.69, 42.86, 53.9

 

CMYK 45 / 0 / 84 / 16

HEX #77D723

RGB 119 215 35

HSL 92, 0.72%, 0.49%

LAB 77.66, -55.13, 71.09

 

CMYK 84 / 78 / 0 / 16

HEX #232FD7

RGB 35 47 215

HSL 236, 0.72%, 0.49%

LAB 32.47, 54.97, -84.8

 

CMYK 0 / 55 / 84 / 16

HEX #D56023

RGB 213 96 35

HSL 20.56, 0.72%, 0.49%

LAB 54.69, 42.86, 53.9

 

CMYK 84 / 0 / 56 / 16

HEX #23D75F

RGB 35 215 95

HSL 140, 0.72%, 0.49%

LAB 75.94, -67.36, 46.73

 

CMYK 56 / 84 / 0 / 16

HEX #5F23D7

RGB 95 35 215

HSL 260, 0.72%, 0.49%

LAB 35.09, 64.72, -80.33

 

CMYK 0 / 55 / 84 / 16

HEX #D56023

RGB 213 96 35

HSL 20.56, 0.72%, 0.49%

LAB 54.69, 42.86, 53.9

 

CMYK 45 / 0 / 84 / 16

HEX #77D723

RGB 119 215 35

HSL 92, 0.72%, 0.49%

LAB 77.66, -55.13, 71.09

 

CMYK 84 / 28 / 0 / 16

HEX #239BD7

RGB 35 155 215

HSL 200, 0.72%, 0.49%

LAB 60.52, -10.85, -39.46

 

CMYK 39 / 84 / 0 / 16

HEX #8323D7

RGB 131 35 215

HSL 272, 0.72%, 0.49%

LAB 39.47, 68.96, -72.96

 

CMYK 0 / 55 / 84 / 16

HEX #D56023

RGB 213 96 35

HSL 20.56, 0.72%, 0.49%

LAB 54.69, 42.86, 53.9

 

CMYK 70 / 0 / 84 / 16

HEX #41D723

RGB 65 215 35

HSL 110, 0.72%, 0.49%

LAB 75.97, -68.64, 68.95

 

CMYK 84 / 28 / 0 / 16

HEX #239BD7

RGB 35 155 215

HSL 200, 0.72%, 0.49%

LAB 60.52, -10.85, -39.46

 

CMYK 14 / 84 / 0 / 16

HEX #B923D7

RGB 185 35 215

HSL 290, 0.72%, 0.49%

LAB 47.52, 77.16, -59.5

 

Description

Color code: HEX #D56023 | qconv.com Color code: HEX #D56023 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 96 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 96 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 84 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 84% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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