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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D54E33 it is the complementary color #2AB1CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D54E33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D54E33: #DA4E2E, #EB6041, #FC7254, #FF8467 and #FF967A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D54E33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D54E33: #D54E33, #C43C20, #B32A0D, #A21800 and #910600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 76 / 16

HEX #D54E33

RGB 213 78 51

HSL 10, 0.66%, 0.52%

LAB 51.65, 51.7, 43.43

 

Complementary color

CMYK 79 / 13 / 0 / 20

HEX #2AB1CC

RGB 42 177 204

HSL 190, 0.66%, 0.48%

LAB 66.75, -25.66, -23.71

 

CMYK 0 / 64 / 79 / 15

HEX #DA4E2E

RGB 218 78 46

HSL 11.16, 0.7%, 0.52%

LAB 52.46, 53.24, 47.09

 

CMYK 0 / 59 / 72 / 8

HEX #EB6041

RGB 235 96 65

HSL 10.94, 0.81%, 0.59%

LAB 58.42, 52.01, 44.47

 

CMYK 0 / 55 / 67 / 1

HEX #FC7254

RGB 252 114 84

HSL 10.71, 0.97%, 0.66%

LAB 64.46, 50.71, 42.01

 

CMYK 0 / 48 / 60 / 0

HEX #FF8467

RGB 255 132 103

HSL 11.45, 1%, 0.7%

LAB 68.56, 44.28, 36.91

 

CMYK 0 / 41 / 52 / 0

HEX #FF967A

RGB 255 150 122

HSL 12.63, 1%, 0.74%

LAB 72.55, 36.65, 31.75

 

CMYK 0 / 63 / 76 / 16

HEX #D54E33

RGB 213 78 51

HSL 10, 0.66%, 0.52%

LAB 51.65, 51.7, 43.43

 

CMYK 0 / 69 / 84 / 23

HEX #C43C20

RGB 196 60 32

HSL 10.24, 0.72%, 0.45%

LAB 45.73, 52.73, 46.18

 

CMYK 0 / 77 / 93 / 30

HEX #B32A0D

RGB 179 42 13

HSL 10.48, 0.86%, 0.38%

LAB 40.03, 53.34, 48.36

 

CMYK 0 / 85 / 100 / 36

HEX #A21800

RGB 162 24 0

HSL 8.89, 1%, 0.32%

LAB 34.67, 53.15, 48.25

 

CMYK 0 / 96 / 100 / 43

HEX #910600

RGB 145 6 0

HSL 2.48, 1%, 0.28%

LAB 29.79, 51.66, 43.23

 

CMYK 0 / 63 / 76 / 16

HEX #D54E33

RGB 213 78 51

HSL 10, 0.66%, 0.52%

LAB 51.65, 51.7, 43.43

 

CMYK 0 / 51 / 76 / 16

HEX #D56933

RGB 213 105 51

HSL 20, 0.66%, 0.52%

LAB 56.57, 38.92, 48.54

 

CMYK 0 / 38 / 76 / 16

HEX #D58433

RGB 213 132 51

HSL 30, 0.66%, 0.52%

LAB 62.41, 24.74, 54.39

 

CMYK 0 / 25 / 76 / 16

HEX #D59F33

RGB 213 159 51

HSL 40, 0.66%, 0.52%

LAB 68.88, 10.18, 60.66

 

CMYK 0 / 13 / 76 / 16

HEX #D5BA33

RGB 213 186 51

HSL 50, 0.66%, 0.52%

LAB 75.76, -4.12, 67.13

 

CMYK 0 / 63 / 76 / 16

HEX #D54E33

RGB 213 78 51

HSL 10, 0.66%, 0.52%

LAB 51.65, 51.7, 43.43

 

CMYK 0 / 67 / 78 / 96

HEX #090302

RGB 9 3 2

HSL 8.57, 0.64%, 0.02%

LAB 1.15, 1.43, 0.93

 

CMYK 0 / 63 / 77 / 76

HEX #3C160E

RGB 60 22 14

HSL 10.43, 0.62%, 0.15%

LAB 13.02, 18.03, 13.87

 

CMYK 0 / 63 / 76 / 56

HEX #6F291B

RGB 111 41 27

HSL 10, 0.61%, 0.27%

LAB 26.86, 30.15, 24.78

 

CMYK 0 / 64 / 76 / 36

HEX #A23B27

RGB 162 59 39

HSL 9.76, 0.61%, 0.39%

LAB 39.51, 41.52, 34.32

 

CMYK 0 / 63 / 76 / 16

HEX #D54E33

RGB 213 78 51

HSL 10, 0.66%, 0.52%

LAB 51.65, 51.7, 43.43

 

CMYK 28 / 0 / 76 / 16

HEX #9AD533

RGB 154 213 51

HSL 81.85, 0.66%, 0.52%

LAB 78.87, -41.48, 68.48

 

CMYK 76 / 58 / 0 / 16

HEX #3359D5

RGB 51 89 213

HSL 225.93, 0.66%, 0.52%

LAB 42.24, 30.41, -67.56

 

CMYK 0 / 63 / 76 / 16

HEX #D54E33

RGB 213 78 51

HSL 10, 0.66%, 0.52%

LAB 51.65, 51.7, 43.43

 

CMYK 76 / 0 / 63 / 16

HEX #33D54E

RGB 51 213 78

HSL 130, 0.66%, 0.52%

LAB 75.35, -66.98, 53.67

 

CMYK 63 / 76 / 0 / 16

HEX #4E33D5

RGB 78 51 213

HSL 250, 0.66%, 0.52%

LAB 35.58, 55.67, -78.42

 

CMYK 0 / 63 / 76 / 16

HEX #D54E33

RGB 213 78 51

HSL 10, 0.66%, 0.52%

LAB 51.65, 51.7, 43.43

 

CMYK 28 / 0 / 76 / 16

HEX #9AD533

RGB 154 213 51

HSL 81.85, 0.66%, 0.52%

LAB 78.87, -41.48, 68.48

 

CMYK 76 / 13 / 0 / 16

HEX #33BAD5

RGB 51 186 213

HSL 190, 0.66%, 0.52%

LAB 69.91, -26.38, -23.8

 

CMYK 48 / 76 / 0 / 16

HEX #6F33D5

RGB 111 51 213

HSL 262.22, 0.66%, 0.52%

LAB 38.81, 59.88, -72.98

 

CMYK 0 / 63 / 76 / 16

HEX #D54E33

RGB 213 78 51

HSL 10, 0.66%, 0.52%

LAB 51.65, 51.7, 43.43

 

CMYK 51 / 0 / 76 / 16

HEX #69D533

RGB 105 213 51

HSL 100, 0.66%, 0.52%

LAB 76.58, -57.78, 65.49

 

CMYK 76 / 13 / 0 / 16

HEX #33BAD5

RGB 51 186 213

HSL 190, 0.66%, 0.52%

LAB 69.91, -26.38, -23.8

 

CMYK 25 / 76 / 0 / 16

HEX #9F33D5

RGB 159 51 213

HSL 280, 0.66%, 0.52%

LAB 45, 67.73, -62.63

 

Description

Color code: HEX #D54E33 | qconv.com Color code: HEX #D54E33 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 78 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 78 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 76 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 76% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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