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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D53C7C it is the complementary color #2AC383. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D53C7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D53C7C shade: #DA3C77, #EB4E8A, #FC609D, #FF72B0 and #FF84C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D53C7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D53C7C shade: #D53C7C, #C42A69, #B31856, #A20643 and #910030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D53C7C shade: #D63D7D, #D63D54 and #D63D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D53C7C shade: #D63D7D, #D63DA6, #D63DCF, #B33DD6 and #8A3DD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D53C7C shade matches the following richer shades: #D63D7D, #E92A7A and #FC1777

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D53C7C shade: #D63D7D, #C35080, #B06383, #9D7687 and #8A898A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D53C7C shade: #D63DD1, #D63DA8, #D63D80, #D63D57 and #D64D3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D53C7C shade: #9F2256, #C12969, #D63D7D, #DD5F94 and #E482AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D53C7C shade: #D53C7C, #D6B23D and #3DBDD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D53C7C shade: #D53C7C, #80D63D and #3D80D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D53C7C shade: #D53C7C, #D6B23D, #3DD694 and #3D61D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D53C7C shade: #D53C7C, #CCD63D, #3DD694 and #483DD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 42 / 16

HEX #D53C7C

RGB 213 60 124

HSL 334.9, 0.65%, 0.54%

LAB 50.49, 63.73, -0.88

 

Complementary color

CMYK 78 / 0 / 33 / 24

HEX #2AC383

RGB 42 195 131

HSL 154.9, 0.65%, 0.46%

LAB 70.29, -53.44, 21.4

 

CMYK 0 / 72 / 45 / 15

HEX #DA3C77

RGB 218 60 119

HSL 337.59, 0.68%, 0.55%

LAB 51.23, 64.65, 3.33

 

CMYK 0 / 67 / 41 / 8

HEX #EB4E8A

RGB 235 78 138

HSL 337.07, 0.8%, 0.61%

LAB 57.02, 64.79, 0.77

 

CMYK 0 / 62 / 38 / 1

HEX #FC609D

RGB 252 96 157

HSL 336.54, 0.96%, 0.68%

LAB 62.92, 64.55, -1.35

 

CMYK 0 / 55 / 31 / 0

HEX #FF72B0

RGB 255 114 176

HSL 333.62, 1%, 0.72%

LAB 66.85, 59.8, -6.36

 

CMYK 0 / 48 / 24 / 0

HEX #FF84C3

RGB 255 132 195

HSL 329.27, 1%, 0.76%

LAB 70.67, 53.79, -11.34

 

CMYK 0 / 72 / 42 / 16

HEX #D53C7C

RGB 213 60 124

HSL 334.9, 0.65%, 0.54%

LAB 50.49, 63.73, -0.88

 

CMYK 0 / 79 / 46 / 23

HEX #C42A69

RGB 196 42 105

HSL 335.45, 0.65%, 0.47%

LAB 44.82, 63.02, 2.1

 

CMYK 0 / 87 / 52 / 30

HEX #B31856

RGB 179 24 86

HSL 336, 0.76%, 0.4%

LAB 39.43, 61.42, 5.86

 

CMYK 0 / 96 / 59 / 36

HEX #A20643

RGB 162 6 67

HSL 336.54, 0.93%, 0.33%

LAB 34.43, 58.58, 10.61

 

CMYK 0 / 100 / 67 / 43

HEX #910030

RGB 145 0 48

HSL 340.14, 1%, 0.28%

LAB 29.99, 54.04, 16.59

 

CMYK 0 / 71 / 42 / 16

HEX #D63D7D

RGB 214 61 125

HSL 334.9, 0.65%, 0.54%

LAB 50.82, 63.76, -0.98

 

CMYK 0 / 71 / 61 / 16

HEX #D63D54

RGB 214 61 84

HSL 350.98, 0.65%, 0.54%

LAB 49.83, 60.44, 22.42

 

CMYK 0 / 71 / 71 / 16

HEX #D63D3D

RGB 214 61 61

HSL 0, 0.65%, 0.54%

LAB 49.46, 59.19, 35.55

 

CMYK 0 / 71 / 42 / 16

HEX #D63D7D

RGB 214 61 125

HSL 334.9, 0.65%, 0.54%

LAB 50.82, 63.76, -0.98

 

CMYK 0 / 71 / 22 / 16

HEX #D63DA6

RGB 214 61 166

HSL 318.82, 0.65%, 0.54%

LAB 52.27, 68.43, -23.22

 

CMYK 0 / 71 / 3 / 16

HEX #D63DCF

RGB 214 61 207

HSL 302.75, 0.65%, 0.54%

LAB 54.17, 74.28, -44.03

 

CMYK 16 / 71 / 0 / 16

HEX #B33DD6

RGB 179 61 214

HSL 286.27, 0.65%, 0.54%

LAB 49.22, 68.13, -56.24

 

CMYK 36 / 71 / 0 / 16

HEX #8A3DD6

RGB 138 61 214

HSL 270.2, 0.65%, 0.54%

LAB 43.65, 60.19, -65.53

 

CMYK 0 / 71 / 42 / 16

HEX #D63D7D

RGB 214 61 125

HSL 334.9, 0.65%, 0.54%

LAB 50.82, 63.76, -0.98

 

CMYK 0 / 82 / 48 / 9

HEX #E92A7A

RGB 233 42 122

HSL 334.87, 0.81%, 0.54%

LAB 52.27, 73.9, 3.36

 

CMYK 0 / 91 / 53 / 1

HEX #FC1777

RGB 252 23 119

HSL 334.85, 0.97%, 0.54%

LAB 54.7, 81.41, 9.13

 

CMYK 0 / 71 / 42 / 16

HEX #D63D7D

RGB 214 61 125

HSL 334.9, 0.65%, 0.54%

LAB 50.82, 63.76, -0.98

 

CMYK 0 / 59 / 34 / 24

HEX #C35080

RGB 195 80 128

HSL 334.96, 0.49%, 0.54%

LAB 50.57, 50.72, -3.52

 

CMYK 0 / 44 / 26 / 31

HEX #B06383

RGB 176 99 131

HSL 335.06, 0.33%, 0.54%

LAB 51.6, 35.1, -4.09

 

CMYK 0 / 25 / 14 / 38

HEX #9D7687

RGB 157 118 135

HSL 333.85, 0.17%, 0.54%

LAB 53.89, 18.05, -3.32

 

CMYK 0 / 1 / 0 / 46

HEX #8A898A

RGB 138 137 138

HSL 300, 0%, 0.54%

LAB 57.2, 0.57, -0.41

 

CMYK 0 / 71 / 2 / 16

HEX #D63DD1

RGB 214 61 209

HSL 301.96, 0.65%, 0.54%

LAB 54.28, 74.59, -45.01

 

CMYK 0 / 71 / 21 / 16

HEX #D63DA8

RGB 214 61 168

HSL 318.04, 0.65%, 0.54%

LAB 52.35, 68.69, -24.27

 

CMYK 0 / 71 / 40 / 16

HEX #D63D80

RGB 214 61 128

HSL 333.73, 0.65%, 0.54%

LAB 50.91, 64.06, -2.65

 

CMYK 0 / 71 / 59 / 16

HEX #D63D57

RGB 214 61 87

HSL 349.8, 0.65%, 0.54%

LAB 49.88, 60.64, 20.69

 

CMYK 0 / 64 / 71 / 16

HEX #D64D3D

RGB 214 77 61

HSL 6.27, 0.65%, 0.54%

LAB 51.77, 52.9, 38.21

 

CMYK 0 / 79 / 46 / 38

HEX #9F2256

RGB 159 34 86

HSL 335.04, 0.65%, 0.38%

LAB 36.34, 53.59, 0.9

 

CMYK 0 / 79 / 46 / 24

HEX #C12969

RGB 193 41 105

HSL 334.74, 0.65%, 0.46%

LAB 44.15, 62.51, 1.06

 

CMYK 0 / 71 / 42 / 16

HEX #D63D7D

RGB 214 61 125

HSL 334.9, 0.65%, 0.54%

LAB 50.82, 63.76, -0.98

 

CMYK 0 / 57 / 33 / 13

HEX #DD5F94

RGB 221 95 148

HSL 334.76, 0.65%, 0.62%

LAB 57.75, 54.49, -4.29

 

CMYK 0 / 43 / 25 / 11

HEX #E482AB

RGB 228 130 171

HSL 334.9, 0.64%, 0.7%

LAB 66.06, 42.61, -5.1

 

CMYK 0 / 72 / 42 / 16

HEX #D53C7C

RGB 213 60 124

HSL 334.9, 0.65%, 0.54%

LAB 50.49, 63.73, -0.88

 

CMYK 0 / 17 / 71 / 16

HEX #D6B23D

RGB 214 178 61

HSL 45.88, 0.65%, 0.54%

LAB 73.85, 0.94, 61.66

 

CMYK 71 / 12 / 0 / 16

HEX #3DBDD6

RGB 61 189 214

HSL 189.8, 0.65%, 0.54%

LAB 71.04, -26.39, -22.61

 

CMYK 0 / 72 / 42 / 16

HEX #D53C7C

RGB 213 60 124

HSL 334.9, 0.65%, 0.54%

LAB 50.49, 63.73, -0.88

 

CMYK 40 / 0 / 71 / 16

HEX #80D63D

RGB 128 214 61

HSL 93.73, 0.65%, 0.54%

LAB 77.89, -50.48, 63.73

 

CMYK 71 / 40 / 0 / 16

HEX #3D80D6

RGB 61 128 214

HSL 213.73, 0.65%, 0.54%

LAB 53.26, 7.44, -50.34

 

CMYK 0 / 72 / 42 / 16

HEX #D53C7C

RGB 213 60 124

HSL 334.9, 0.65%, 0.54%

LAB 50.49, 63.73, -0.88

 

CMYK 0 / 17 / 71 / 16

HEX #D6B23D

RGB 214 178 61

HSL 45.88, 0.65%, 0.54%

LAB 73.85, 0.94, 61.66

 

CMYK 71 / 0 / 31 / 16

HEX #3DD694

RGB 61 214 148

HSL 154.12, 0.65%, 0.54%

LAB 76.81, -54.72, 21.4

 

CMYK 71 / 55 / 0 / 16

HEX #3D61D6

RGB 61 97 214

HSL 225.88, 0.65%, 0.54%

LAB 44.8, 26.86, -63.95

 

CMYK 0 / 72 / 42 / 16

HEX #D53C7C

RGB 213 60 124

HSL 334.9, 0.65%, 0.54%

LAB 50.49, 63.73, -0.88

 

CMYK 5 / 0 / 71 / 16

HEX #CCD63D

RGB 204 214 61

HSL 63.92, 0.65%, 0.54%

LAB 82.52, -21.6, 69.85

 

CMYK 71 / 0 / 31 / 16

HEX #3DD694

RGB 61 214 148

HSL 154.12, 0.65%, 0.54%

LAB 76.81, -54.72, 21.4

 

CMYK 66 / 71 / 0 / 16

HEX #483DD6

RGB 72 61 214

HSL 244.31, 0.65%, 0.54%

LAB 37.06, 50.1, -76.57

 

Description

Color code: HEX #D53C7C | qconv.com Color code: HEX #D53C7C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 60 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 60 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 42% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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