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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4FC9ACE it is the complementary color #2B0365CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4FC9ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4FC9ACE shade: #D9FC95CE, #EAFFA8CE, #FBFFBBCE, #FFFFCECE and #FFFFE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4FC9ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4FC9ACE shade: #D4FC9ACE, #C3EA87CE, #B2D874CE, #A1C661CE and #90B44ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4FC9ACE shade: #D5FC9C, #EFFC9C, #FCEF9C, #FCD69C and #FCBC9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4FC9ACE shade: #D5FC9C, #BBFC9C, #A1FC9C, #9CFCB1 and #9CFCCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4FC9ACE shade matches the following richer shades: #D5FC9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4FC9ACE shade: #D5FC9C, #D3F4A4, #D2EBAD, #D0E3B5 and #CFDBBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4FC9ACE shade: #FCEF9C, #EFFC9C, #D6FC9C, #BCFC9C and #A2FC9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4FC9ACE shade: #B3F94C, #C4FB74, #D5FC9C, #E6FDC4 and #F7FEEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4FC9ACE shade: #D4FC9A, #9CFCD6 and #FC9CFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4FC9ACE shade: #D4FC9A, #9CD6FC and #FC9CD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4FC9ACE shade: #D4FC9A, #9CFCD6, #C29CFC and #FC9CC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4FC9ACE shade: #D4FC9A, #9CFCF2, #C29CFC and #FC9CA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 32 / 1

HEX #D4FC9ACE

RGBA 212 252 154 0.81

HSLA 84.49, 0.94%, 0.8%, 0.81

LABA 94.29, -28.65, 42.76, 0.81

 

Complementary color

CMYK 47 / 79 / 0 / 49

HEX #2B0365CE

RGBA 43 3 101 0.81

HSLA 264.49, 0.94%, 0.2%, 0.81

LABA 12.72, 40.58, -47.49, 0.81

 

CMYK 11 / 0 / 33 / 1

HEX #D9FC95CE

RGBA 217 252 149 0.81

HSLA 80.39, 0.94%, 0.79%, 0.81

LABA 94.54, -27.43, 45.57, 0.81

 

CMYK 7 / 0 / 28 / 0

HEX #EAFFA8CE

RGBA 234 255 168 0.81

HSLA 74.48, 1%, 0.83%, 0.81

LABA 96.75, -20.39, 39.36, 0.81

 

CMYK 1 / 0 / 22 / 0

HEX #FBFFBBCE

RGBA 251 255 187 0.81

HSLA 63.53, 1%, 0.87%, 0.81

LABA 98.28, -11.78, 32.15, 0.81

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFCECE

RGBA 255 255 206 0.81

HSLA 60, 1%, 0.9%, 0.81

LABA 98.92, -7.77, 23.48, 0.81

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE1CE

RGBA 255 255 225 0.81

HSLA 60, 1%, 0.94%, 0.81

LABA 99.31, -4.95, 14.35, 0.81

 

CMYK 13 / 0 / 32 / 1

HEX #D4FC9ACE

RGBA 212 252 154 0.81

HSLA 84.49, 0.94%, 0.8%, 0.81

LABA 94.29, -28.65, 42.76, 0.81

 

CMYK 14 / 0 / 34 / 7

HEX #C3EA87CE

RGBA 195 234 135 0.81

HSLA 83.64, 0.7%, 0.72%, 0.81

LABA 88.06, -28.63, 43.88, 0.81

 

CMYK 14 / 0 / 38 / 12

HEX #B2D874CE

RGBA 178 216 116 0.81

HSLA 82.8, 0.56%, 0.65%, 0.81

LABA 81.75, -28.58, 45.02, 0.81

 

CMYK 15 / 0 / 41 / 18

HEX #A1C661CE

RGBA 161 198 97 0.81

HSLA 81.98, 0.47%, 0.58%, 0.81

LABA 75.34, -28.48, 46.16, 0.81

 

CMYK 16 / 0 / 46 / 24

HEX #90B44ECE

RGBA 144 180 78 0.81

HSLA 81.18, 0.4%, 0.51%, 0.81

LABA 68.84, -28.32, 47.24, 0.81

 

CMYK 15 / 0 / 38 / 1

HEX #D5FC9C

RGB 213 252 156

HSL 84.38, 0.94%, 0.8%

LAB 94.38, -28.05, 41.91

 

CMYK 5 / 0 / 38 / 1

HEX #EFFC9C

RGB 239 252 156

HSL 68.13, 0.94%, 0.8%

LAB 96.15, -18.5, 44.53

 

CMYK 0 / 5 / 38 / 1

HEX #FCEF9C

RGB 252 239 156

HSL 51.88, 0.94%, 0.8%

LAB 93.81, -7.18, 41.72

 

CMYK 0 / 15 / 38 / 1

HEX #FCD69C

RGB 252 214 156

HSL 36.25, 0.94%, 0.8%

LAB 87.58, 5.5, 33.58

 

CMYK 0 / 25 / 38 / 1

HEX #FCBC9C

RGB 252 188 156

HSL 20, 0.94%, 0.8%

LAB 81.33, 19.03, 25.2

 

CMYK 15 / 0 / 38 / 1

HEX #D5FC9C

RGB 213 252 156

HSL 84.38, 0.94%, 0.8%

LAB 94.38, -28.05, 41.91

 

CMYK 26 / 0 / 38 / 1

HEX #BBFC9C

RGB 187 252 156

HSL 100.63, 0.94%, 0.8%

LAB 92.83, -37.1, 39.6

 

CMYK 36 / 0 / 38 / 1

HEX #A1FC9C

RGB 161 252 156

HSL 116.88, 0.94%, 0.8%

LAB 91.5, -45.44, 37.61

 

CMYK 38 / 0 / 30 / 1

HEX #9CFCB1

RGB 156 252 177

HSL 133.13, 0.94%, 0.8%

LAB 91.62, -43.59, 27.21

 

CMYK 38 / 0 / 19 / 1

HEX #9CFCCB

RGB 156 252 203

HSL 149.38, 0.94%, 0.8%

LAB 92.13, -38.84, 14.64

 

CMYK 15 / 0 / 38 / 1

HEX #D5FC9C

RGB 213 252 156

HSL 84.38, 0.94%, 0.8%

LAB 94.38, -28.05, 41.91

 

CMYK 15 / 0 / 38 / 1

HEX #D5FC9C

RGB 213 252 156

HSL 84.38, 0.94%, 0.8%

LAB 94.38, -28.05, 41.91

 

CMYK 14 / 0 / 33 / 4

HEX #D3F4A4

RGB 211 244 164

HSL 84.75, 0.78%, 0.8%

LAB 92.23, -23.95, 35.11

 

CMYK 11 / 0 / 26 / 8

HEX #D2EBAD

RGB 210 235 173

HSL 84.19, 0.61%, 0.8%

LAB 89.92, -18.71, 27.44

 

CMYK 8 / 0 / 20 / 11

HEX #D0E3B5

RGB 208 227 181

HSL 84.78, 0.45%, 0.8%

LAB 87.82, -14.27, 20.4

 

CMYK 5 / 0 / 14 / 14

HEX #CFDBBD

RGB 207 219 189

HSL 84, 0.29%, 0.8%

LAB 85.81, -9.31, 13.39

 

CMYK 0 / 5 / 38 / 1

HEX #FCEF9C

RGB 252 239 156

HSL 51.88, 0.94%, 0.8%

LAB 93.81, -7.18, 41.72

 

CMYK 5 / 0 / 38 / 1

HEX #EFFC9C

RGB 239 252 156

HSL 68.13, 0.94%, 0.8%

LAB 96.15, -18.5, 44.53

 

CMYK 15 / 0 / 38 / 1

HEX #D6FC9C

RGB 214 252 156

HSL 83.75, 0.94%, 0.8%

LAB 94.45, -27.69, 42

 

CMYK 25 / 0 / 38 / 1

HEX #BCFC9C

RGB 188 252 156

HSL 100, 0.94%, 0.8%

LAB 92.89, -36.77, 39.68

 

CMYK 36 / 0 / 38 / 1

HEX #A2FC9C

RGB 162 252 156

HSL 116.25, 0.94%, 0.8%

LAB 91.55, -45.14, 37.68

 

CMYK 28 / 0 / 69 / 2

HEX #B3F94C

RGB 179 249 76

HSL 84.28, 0.94%, 0.64%

LAB 90.71, -46.45, 72.17

 

CMYK 22 / 0 / 54 / 2

HEX #C4FB74

RGB 196 251 116

HSL 84.44, 0.94%, 0.72%

LAB 92.57, -38.07, 58.27

 

CMYK 15 / 0 / 38 / 1

HEX #D5FC9C

RGB 213 252 156

HSL 84.38, 0.94%, 0.8%

LAB 94.38, -28.05, 41.91

 

CMYK 9 / 0 / 23 / 1

HEX #E6FDC4

RGB 230 253 196

HSL 84.21, 0.93%, 0.88%

LAB 96.43, -17.07, 24.84

 

CMYK 3 / 0 / 7 / 0

HEX #F7FEEC

RGB 247 254 236

HSL 83.33, 0.9%, 0.96%

LAB 98.72, -5.41, 7.8

 

CMYK 16 / 0 / 39 / 1

HEX #D4FC9A

RGB 212 252 154

HSL 84.49, 0.94%, 0.8%

LAB 94.29, -28.65, 42.76

 

CMYK 38 / 0 / 15 / 1

HEX #9CFCD6

RGB 156 252 214

HSL 156.25, 0.94%, 0.8%

LAB 92.37, -36.64, 9.31

 

CMYK 0 / 38 / 0 / 1

HEX #FC9CFC

RGB 252 156 252

HSL 300, 0.94%, 0.8%

LAB 76.98, 49.9, -33.03

 

CMYK 16 / 0 / 39 / 1

HEX #D4FC9A

RGB 212 252 154

HSL 84.49, 0.94%, 0.8%

LAB 94.29, -28.65, 42.76

 

CMYK 38 / 15 / 0 / 1

HEX #9CD6FC

RGB 156 214 252

HSL 203.75, 0.94%, 0.8%

LAB 83.01, -9.3, -24.46

 

CMYK 0 / 38 / 15 / 1

HEX #FC9CD6

RGB 252 156 214

HSL 323.75, 0.94%, 0.8%

LAB 75.65, 43.57, -14.39

 

CMYK 16 / 0 / 39 / 1

HEX #D4FC9A

RGB 212 252 154

HSL 84.49, 0.94%, 0.8%

LAB 94.29, -28.65, 42.76

 

CMYK 38 / 0 / 15 / 1

HEX #9CFCD6

RGB 156 252 214

HSL 156.25, 0.94%, 0.8%

LAB 92.37, -36.64, 9.31

 

CMYK 23 / 38 / 0 / 1

HEX #C29CFC

RGB 194 156 252

HSL 263.75, 0.94%, 0.8%

LAB 71.06, 32.91, -42.69

 

CMYK 0 / 38 / 23 / 1

HEX #FC9CC2

RGB 252 156 194

HSL 336.25, 0.94%, 0.8%

LAB 75.06, 40.61, -4.31

 

CMYK 16 / 0 / 39 / 1

HEX #D4FC9A

RGB 212 252 154

HSL 84.49, 0.94%, 0.8%

LAB 94.29, -28.65, 42.76

 

CMYK 38 / 0 / 4 / 1

HEX #9CFCF2

RGB 156 252 242

HSL 173.75, 0.94%, 0.8%

LAB 93.06, -30.59, -4.17

 

CMYK 23 / 38 / 0 / 1

HEX #C29CFC

RGB 194 156 252

HSL 263.75, 0.94%, 0.8%

LAB 71.06, 32.91, -42.69

 

CMYK 0 / 38 / 34 / 1

HEX #FC9CA6

RGB 252 156 166

HSL 353.75, 0.94%, 0.8%

LAB 74.33, 36.95, 10.06

 

Description

Color code: HEX #D4FC9ACE | qconv.com Color code: HEX #D4FC9ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 252 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 252 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 32 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 32% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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