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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 26 / 0 / 38 / 1 it is the complementary color CMYK 31 / 97 / 0 / 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 26 / 0 / 38 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 26 / 0 / 38 / 1: CMYK 24 / 0 / 40 / 1, CMYK 18 / 0 / 33 / 0, CMYK 11 / 0 / 25 / 0, CMYK 5 / 0 / 18 / 0 and CMYK 0 / 0 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 26 / 0 / 38 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 26 / 0 / 38 / 1: CMYK 26 / 0 / 38 / 1, CMYK 27 / 0 / 41 / 8, CMYK 29 / 0 / 45 / 15, CMYK 31 / 0 / 49 / 22 and CMYK 34 / 0 / 55 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 38 / 1

HEX #BBFC9D

RGB 187 252 157

HSL 101.05, 0.94%, 0.8%

LAB 92.85, -36.97, 39.13

 

Complementary color

CMYK 31 / 97 / 0 / 62

HEX #440362

RGB 68 3 98

HSL 281.05, 0.94%, 0.2%

LAB 16.38, 42.9, -39.33

 

CMYK 24 / 0 / 40 / 1

HEX #C0FC98

RGB 192 252 152

HSL 96, 0.94%, 0.79%

LAB 93.06, -35.93, 41.9

 

CMYK 18 / 0 / 33 / 0

HEX #D1FFAB

RGB 209 255 171

HSL 92.86, 1%, 0.84%

LAB 95.17, -28.92, 35.48

 

CMYK 11 / 0 / 25 / 0

HEX #E2FFBE

RGB 226 255 190

HSL 86.77, 1%, 0.87%

LAB 96.58, -20.31, 28.03

 

CMYK 5 / 0 / 18 / 0

HEX #F3FFD1

RGB 243 255 209

HSL 75.65, 1%, 0.91%

LAB 98.1, -11.57, 20.69

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 26 / 0 / 38 / 1

HEX #BBFC9D

RGB 187 252 157

HSL 101.05, 0.94%, 0.8%

LAB 92.85, -36.97, 39.13

 

CMYK 27 / 0 / 41 / 8

HEX #AAEA8A

RGB 170 234 138

HSL 100, 0.7%, 0.73%

LAB 86.62, -37.11, 40.26

 

CMYK 29 / 0 / 45 / 15

HEX #99D877

RGB 153 216 119

HSL 98.97, 0.55%, 0.66%

LAB 80.3, -37.23, 41.43

 

CMYK 31 / 0 / 49 / 22

HEX #88C664

RGB 136 198 100

HSL 97.96, 0.46%, 0.58%

LAB 73.9, -37.32, 42.61

 

CMYK 34 / 0 / 55 / 29

HEX #77B451

RGB 119 180 81

HSL 96.97, 0.4%, 0.51%

LAB 67.4, -37.35, 43.77

 

CMYK 26 / 0 / 38 / 1

HEX #BBFC9D

RGB 187 252 157

HSL 101.05, 0.94%, 0.8%

LAB 92.85, -36.97, 39.13

 

CMYK 32 / 0 / 38 / 2

HEX #AAFB9C

RGB 170 251 156

HSL 111.16, 0.92%, 0.8%

LAB 91.66, -42.21, 37.9

 

CMYK 38 / 0 / 37 / 2

HEX #9CFB9D

RGB 156 251 157

HSL 120.63, 0.92%, 0.8%

LAB 91.01, -46.37, 36.42

 

CMYK 38 / 0 / 31 / 2

HEX #9CFBAD

RGB 156 251 173

HSL 130.74, 0.92%, 0.8%

LAB 91.27, -43.83, 28.76

 

CMYK 38 / 0 / 25 / 2

HEX #9CFBBD

RGB 156 251 189

HSL 140.84, 0.92%, 0.8%

LAB 91.57, -41.04, 21.03

 

CMYK 26 / 0 / 38 / 1

HEX #BBFC9D

RGB 187 252 157

HSL 101.05, 0.94%, 0.8%

LAB 92.85, -36.97, 39.13

 

CMYK 25 / 0 / 38 / 81

HEX #24301E

RGB 36 48 30

HSL 100, 0.23%, 0.15%

LAB 18.29, -9.32, 9.92

 

CMYK 26 / 0 / 37 / 61

HEX #49633E

RGB 73 99 62

HSL 102.16, 0.23%, 0.32%

LAB 39.05, -17.44, 17.99

 

CMYK 26 / 0 / 38 / 41

HEX #6F965D

RGB 111 150 93

HSL 101.05, 0.23%, 0.48%

LAB 58.02, -24.47, 25.85

 

CMYK 26 / 0 / 38 / 21

HEX #95C97D

RGB 149 201 125

HSL 101.05, 0.41%, 0.64%

LAB 75.85, -30.88, 32.66

 

CMYK 26 / 0 / 38 / 1

HEX #BBFC9D

RGB 187 252 157

HSL 101.05, 0.94%, 0.8%

LAB 92.85, -36.97, 39.13

 

CMYK 38 / 0 / 4 / 2

HEX #9CFBF0

RGB 156 251 240

HSL 173.05, 0.92%, 0.8%

LAB 92.73, -30.57, -3.62

 

CMYK 0 / 38 / 11 / 2

HEX #FB9CE0

RGB 251 156 224

HSL 317.05, 0.92%, 0.8%

LAB 75.87, 44.83, -19.55

 

CMYK 26 / 0 / 38 / 1

HEX #BBFC9D

RGB 187 252 157

HSL 101.05, 0.94%, 0.8%

LAB 92.85, -36.97, 39.13

 

CMYK 38 / 26 / 0 / 2

HEX #9CBAFB

RGB 156 186 251

HSL 221.05, 0.92%, 0.8%

LAB 75.55, 5.46, -35.39

 

CMYK 0 / 38 / 26 / 2

HEX #FB9CBA

RGB 251 156 186

HSL 341.05, 0.92%, 0.8%

LAB 74.72, 39.16, -0.42

 

CMYK 26 / 0 / 38 / 1

HEX #BBFC9D

RGB 187 252 157

HSL 101.05, 0.94%, 0.8%

LAB 92.85, -36.97, 39.13

 

CMYK 38 / 0 / 4 / 2

HEX #9CFBF0

RGB 156 251 240

HSL 173.05, 0.92%, 0.8%

LAB 92.73, -30.57, -3.62

 

CMYK 12 / 38 / 0 / 2

HEX #DD9CFB

RGB 221 156 251

HSL 281.05, 0.92%, 0.8%

LAB 73.62, 40.52, -37.96

 

CMYK 0 / 38 / 33 / 2

HEX #FB9CA7

RGB 251 156 167

HSL 353.05, 0.92%, 0.8%

LAB 74.24, 36.71, 9.36

 

CMYK 26 / 0 / 38 / 1

HEX #BBFC9D

RGB 187 252 157

HSL 101.05, 0.94%, 0.8%

LAB 92.85, -36.97, 39.13

 

CMYK 38 / 7 / 0 / 2

HEX #9CEAFB

RGB 156 234 251

HSL 190.74, 0.92%, 0.8%

LAB 88.39, -19.74, -15.8

 

CMYK 12 / 38 / 0 / 2

HEX #DD9CFB

RGB 221 156 251

HSL 281.05, 0.92%, 0.8%

LAB 73.62, 40.52, -37.96

 

CMYK 0 / 31 / 38 / 2

HEX #FBAD9C

RGB 251 173 156

HSL 10.74, 0.92%, 0.8%

LAB 77.75, 26.53, 20.29

 

Description

Color code: CMYK 26 / 0 / 38 / 1 | qconv.com Color code: CMYK 26 / 0 / 38 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 252 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 252 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 38 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 38% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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