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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D48D37 it is the complementary color #2B72C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D48D37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D48D37 shade: #D98D32, #EA9F45, #FBB158, #FFC36B and #FFD57E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D48D37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D48D37 shade: #D48D37, #C37B24, #B26911, #A15700 and #904500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D48D37 shade: #D48C35, #D46135, #D43635 and #D43535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D48D37 shade: #D48C35, #D4B735, #C6D435, #9BD435 and #70D435

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D48D37 shade matches the following richer shades: #D48C35, #E88E21 and #FC900D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D48D37 shade: #D48C35, #C08A49, #AD885D, #998770 and #858584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D48D37 shade: #D43535, #D45F35, #D48A35, #D4B435 and #CAD435

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D48D37 shade: #976120, #B97727, #D48C35, #DBA057 and #E3B379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D48D37 shade: #D48D37, #5FD435 and #4A35D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D48D37 shade: #D48D37, #35D48A and #8A35D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D48D37 shade: #D48D37, #5FD435, #357FD4 and #AA35D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D48D37 shade: #D48D37, #35D43A, #357FD4 and #D435CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 74 / 17

HEX #D48D37

RGB 212 141 55

HSL 32.87, 0.65%, 0.52%

LAB 64.42, 19.64, 54.62

 

Complementary color

CMYK 79 / 43 / 0 / 22

HEX #2B72C8

RGB 43 114 200

HSL 212.87, 0.65%, 0.48%

LAB 47.9, 8.67, -50.97

 

CMYK 0 / 35 / 77 / 15

HEX #D98D32

RGB 217 141 50

HSL 32.69, 0.69%, 0.52%

LAB 64.99, 21.56, 57.48

 

CMYK 0 / 32 / 71 / 8

HEX #EA9F45

RGB 234 159 69

HSL 32.73, 0.8%, 0.59%

LAB 71.36, 19.95, 56.43

 

CMYK 0 / 29 / 65 / 2

HEX #FBB158

RGB 251 177 88

HSL 32.76, 0.95%, 0.66%

LAB 77.67, 18.54, 55.14

 

CMYK 0 / 24 / 58 / 0

HEX #FFC36B

RGB 255 195 107

HSL 35.68, 1%, 0.71%

LAB 82.57, 12.03, 51.86

 

CMYK 0 / 16 / 51 / 0

HEX #FFD57E

RGB 255 213 126

HSL 40.47, 1%, 0.75%

LAB 87.17, 4.24, 48.18

 

CMYK 0 / 33 / 74 / 17

HEX #D48D37

RGB 212 141 55

HSL 32.87, 0.65%, 0.52%

LAB 64.42, 19.64, 54.62

 

CMYK 0 / 37 / 82 / 24

HEX #C37B24

RGB 195 123 36

HSL 32.83, 0.69%, 0.45%

LAB 57.94, 21.38, 55.43

 

CMYK 0 / 41 / 90 / 30

HEX #B26911

RGB 178 105 17

HSL 32.8, 0.83%, 0.38%

LAB 51.39, 23.39, 55.28

 

CMYK 0 / 46 / 100 / 37

HEX #A15700

RGB 161 87 0

HSL 32.42, 1%, 0.32%

LAB 44.79, 25.66, 53.64

 

CMYK 0 / 52 / 100 / 44

HEX #904500

RGB 144 69 0

HSL 28.75, 1%, 0.28%

LAB 38.17, 28.2, 48.31

 

CMYK 0 / 34 / 75 / 17

HEX #D48C35

RGB 212 140 53

HSL 32.83, 0.65%, 0.52%

LAB 64.17, 20.09, 55.23

 

CMYK 0 / 54 / 75 / 17

HEX #D46135

RGB 212 97 53

HSL 16.6, 0.65%, 0.52%

LAB 54.87, 42.61, 45.75

 

CMYK 0 / 75 / 75 / 17

HEX #D43635

RGB 212 54 53

HSL 0.38, 0.65%, 0.52%

LAB 48.12, 60.65, 38.49

 

CMYK 0 / 75 / 75 / 17

HEX #D43535

RGB 212 53 53

HSL 0, 0.65%, 0.52%

LAB 48.01, 60.97, 38.36

 

CMYK 0 / 34 / 75 / 17

HEX #D48C35

RGB 212 140 53

HSL 32.83, 0.65%, 0.52%

LAB 64.17, 20.09, 55.23

 

CMYK 0 / 14 / 75 / 17

HEX #D4B735

RGB 212 183 53

HSL 49.06, 0.65%, 0.52%

LAB 74.9, -2.91, 65.6

 

CMYK 7 / 0 / 75 / 17

HEX #C6D435

RGB 198 212 53

HSL 65.28, 0.65%, 0.52%

LAB 81.48, -23.47, 71.34

 

CMYK 27 / 0 / 75 / 17

HEX #9BD435

RGB 155 212 53

HSL 81.51, 0.65%, 0.52%

LAB 78.64, -40.56, 67.65

 

CMYK 47 / 0 / 75 / 17

HEX #70D435

RGB 112 212 53

HSL 97.74, 0.65%, 0.52%

LAB 76.55, -55.24, 64.91

 

CMYK 0 / 34 / 75 / 17

HEX #D48C35

RGB 212 140 53

HSL 32.83, 0.65%, 0.52%

LAB 64.17, 20.09, 55.23

 

CMYK 0 / 39 / 86 / 9

HEX #E88E21

RGB 232 142 33

HSL 32.86, 0.81%, 0.52%

LAB 66.98, 26.82, 66.02

 

CMYK 0 / 43 / 95 / 1

HEX #FC900D

RGB 252 144 13

HSL 32.89, 0.98%, 0.52%

LAB 69.94, 33.69, 73.87

 

CMYK 0 / 34 / 75 / 17

HEX #D48C35

RGB 212 140 53

HSL 32.83, 0.65%, 0.52%

LAB 64.17, 20.09, 55.23

 

CMYK 0 / 28 / 62 / 25

HEX #C08A49

RGB 192 138 73

HSL 32.77, 0.49%, 0.52%

LAB 61.54, 13.73, 42.32

 

CMYK 0 / 21 / 46 / 32

HEX #AD885D

RGB 173 136 93

HSL 32.25, 0.33%, 0.52%

LAB 59.24, 8.46, 28.42

 

CMYK 0 / 12 / 27 / 40

HEX #998770

RGB 153 135 112

HSL 33.66, 0.17%, 0.52%

LAB 57.34, 3.07, 14.87

 

CMYK 0 / 0 / 1 / 48

HEX #858584

RGB 133 133 132

HSL 60, 0%, 0.52%

LAB 55.51, -0.19, 0.53

 

CMYK 0 / 75 / 75 / 17

HEX #D43535

RGB 212 53 53

HSL 0, 0.65%, 0.52%

LAB 48.01, 60.97, 38.36

 

CMYK 0 / 55 / 75 / 17

HEX #D45F35

RGB 212 95 53

HSL 15.85, 0.65%, 0.52%

LAB 54.49, 43.59, 45.35

 

CMYK 0 / 35 / 75 / 17

HEX #D48A35

RGB 212 138 53

HSL 32.08, 0.65%, 0.52%

LAB 63.7, 21.17, 54.76

 

CMYK 0 / 15 / 75 / 17

HEX #D4B435

RGB 212 180 53

HSL 47.92, 0.65%, 0.52%

LAB 74.12, -1.34, 64.87

 

CMYK 5 / 0 / 75 / 17

HEX #CAD435

RGB 202 212 53

HSL 63.77, 0.65%, 0.52%

LAB 81.78, -21.81, 71.72

 

CMYK 0 / 36 / 79 / 41

HEX #976120

RGB 151 97 32

HSL 32.77, 0.65%, 0.36%

LAB 45.95, 16.32, 43.86

 

CMYK 0 / 36 / 79 / 27

HEX #B97727

RGB 185 119 39

HSL 32.88, 0.65%, 0.44%

LAB 55.74, 19.34, 51.77

 

CMYK 0 / 34 / 75 / 17

HEX #D48C35

RGB 212 140 53

HSL 32.83, 0.65%, 0.52%

LAB 64.17, 20.09, 55.23

 

CMYK 0 / 27 / 60 / 14

HEX #DBA057

RGB 219 160 87

HSL 33.18, 0.65%, 0.6%

LAB 70.1, 14.22, 46.04

 

CMYK 0 / 21 / 47 / 11

HEX #E3B379

RGB 227 179 121

HSL 32.83, 0.65%, 0.68%

LAB 76.04, 10.24, 36.17

 

CMYK 0 / 33 / 74 / 17

HEX #D48D37

RGB 212 141 55

HSL 32.87, 0.65%, 0.52%

LAB 64.42, 19.64, 54.62

 

CMYK 55 / 0 / 75 / 17

HEX #5FD435

RGB 95 212 53

HSL 104.15, 0.65%, 0.52%

LAB 75.93, -60.02, 64.1

 

CMYK 65 / 75 / 0 / 17

HEX #4A35D4

RGB 74 53 212

HSL 247.92, 0.65%, 0.52%

LAB 35.51, 53.94, -77.97

 

CMYK 0 / 33 / 74 / 17

HEX #D48D37

RGB 212 141 55

HSL 32.87, 0.65%, 0.52%

LAB 64.42, 19.64, 54.62

 

CMYK 75 / 0 / 35 / 17

HEX #35D48A

RGB 53 212 138

HSL 152.08, 0.65%, 0.52%

LAB 75.87, -57.09, 25.33

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 0 / 33 / 74 / 17

HEX #D48D37

RGB 212 141 55

HSL 32.87, 0.65%, 0.52%

LAB 64.42, 19.64, 54.62

 

CMYK 55 / 0 / 75 / 17

HEX #5FD435

RGB 95 212 53

HSL 104.15, 0.65%, 0.52%

LAB 75.93, -60.02, 64.1

 

CMYK 75 / 40 / 0 / 17

HEX #357FD4

RGB 53 127 212

HSL 212.08, 0.65%, 0.52%

LAB 52.61, 6.27, -50.27

 

CMYK 20 / 75 / 0 / 17

HEX #AA35D4

RGB 170 53 212

HSL 284.15, 0.65%, 0.52%

LAB 46.77, 68.86, -59.11

 

CMYK 0 / 33 / 74 / 17

HEX #D48D37

RGB 212 141 55

HSL 32.87, 0.65%, 0.52%

LAB 64.42, 19.64, 54.62

 

CMYK 75 / 0 / 73 / 17

HEX #35D43A

RGB 53 212 58

HSL 121.89, 0.65%, 0.52%

LAB 74.92, -68.25, 61.03

 

CMYK 75 / 40 / 0 / 17

HEX #357FD4

RGB 53 127 212

HSL 212.08, 0.65%, 0.52%

LAB 52.61, 6.27, -50.27

 

CMYK 0 / 75 / 2 / 17

HEX #D435CF

RGB 212 53 207

HSL 301.89, 0.65%, 0.52%

LAB 53, 76.29, -45.91

 

Description

Color code: HEX #D48D37 | qconv.com Color code: HEX #D48D37 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 141 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 141 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 74 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 74% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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