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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D47981 it is the complementary color #2B867E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D47981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D47981 shade: #D9797C, #EA8B8F, #FB9DA2, #FFAFB5 and #FFC1C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D47981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D47981 shade: #D47981, #C3676E, #B2555B, #A14348 and #903135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D47981 shade: #D37880 and #D37878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D47981 shade: #D37880, #D37899, #D378B1, #D378CA and #C478D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D47981 shade matches the following richer shades: #D37880, #E26A74, #F05B68 and #FF4D5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D47981 shade: #D37880, #C5878C, #B69598, #A8A4A4 and #9AB2B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D47981 shade: #D378B2, #D3789A, #D37881, #D38778 and #D3A078

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D47981 shade: #BC3D48, #C95963, #D37880, #DD979E and #E7B7BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D47981 shade: #D47981, #CAD378 and #78A6D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D47981 shade: #D47981, #81D378 and #7881D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D47981 shade: #D47981, #CAD378, #78D3CA and #8178D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D47981 shade: #D47981, #AFD378, #78D3CA and #9D78D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 39 / 17

HEX #D47981

RGB 212 121 129

HSL 354.73, 0.51%, 0.65%

LAB 61.01, 36.26, 11.27

 

Complementary color

CMYK 68 / 0 / 6 / 47

HEX #2B867E

RGB 43 134 126

HSL 174.73, 0.51%, 0.35%

LAB 50.77, -28.3, -3.51

 

CMYK 0 / 44 / 43 / 15

HEX #D9797C

RGB 217 121 124

HSL 358.13, 0.56%, 0.66%

LAB 61.55, 37.56, 14.99

 

CMYK 0 / 41 / 39 / 8

HEX #EA8B8F

RGB 234 139 143

HSL 357.47, 0.69%, 0.73%

LAB 67.98, 36.54, 13.54

 

CMYK 0 / 37 / 35 / 2

HEX #FB9DA2

RGB 251 157 162

HSL 356.81, 0.92%, 0.8%

LAB 74.34, 35.59, 12.25

 

CMYK 0 / 31 / 29 / 0

HEX #FFAFB5

RGB 255 175 181

HSL 355.5, 1%, 0.84%

LAB 79.19, 30.02, 8.84

 

CMYK 0 / 24 / 22 / 0

HEX #FFC1C8

RGB 255 193 200

HSL 353.23, 1%, 0.88%

LAB 83.74, 23.19, 5.15

 

CMYK 0 / 43 / 39 / 17

HEX #D47981

RGB 212 121 129

HSL 354.73, 0.51%, 0.65%

LAB 61.01, 36.26, 11.27

 

CMYK 0 / 47 / 44 / 24

HEX #C3676E

RGB 195 103 110

HSL 355.43, 0.43%, 0.58%

LAB 54.48, 37.29, 12.79

 

CMYK 0 / 52 / 49 / 30

HEX #B2555B

RGB 178 85 91

HSL 356.13, 0.38%, 0.52%

LAB 47.9, 38.37, 14.59

 

CMYK 0 / 58 / 55 / 37

HEX #A14348

RGB 161 67 72

HSL 356.81, 0.41%, 0.45%

LAB 41.31, 39.44, 16.77

 

CMYK 0 / 66 / 63 / 44

HEX #903135

RGB 144 49 53

HSL 357.47, 0.49%, 0.38%

LAB 34.77, 40.38, 19.48

 

CMYK 0 / 43 / 39 / 17

HEX #D37880

RGB 211 120 128

HSL 354.73, 0.51%, 0.65%

LAB 60.64, 36.3, 11.3

 

CMYK 0 / 43 / 43 / 17

HEX #D37878

RGB 211 120 120

HSL 0, 0.51%, 0.65%

LAB 60.46, 35.41, 15.64

 

CMYK 0 / 43 / 39 / 17

HEX #D37880

RGB 211 120 128

HSL 354.73, 0.51%, 0.65%

LAB 60.64, 36.3, 11.3

 

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

CMYK 0 / 43 / 16 / 17

HEX #D378B1

RGB 211 120 177

HSL 322.42, 0.51%, 0.65%

LAB 62.05, 42.97, -14.73

 

CMYK 0 / 43 / 4 / 17

HEX #D378CA

RGB 211 120 202

HSL 305.93, 0.51%, 0.65%

LAB 62.97, 47.12, -27.49

 

CMYK 7 / 43 / 0 / 17

HEX #C478D3

RGB 196 120 211

HSL 290.11, 0.51%, 0.65%

LAB 61.54, 44.29, -34.9

 

CMYK 0 / 43 / 39 / 17

HEX #D37880

RGB 211 120 128

HSL 354.73, 0.51%, 0.65%

LAB 60.64, 36.3, 11.3

 

CMYK 0 / 53 / 49 / 11

HEX #E26A74

RGB 226 106 116

HSL 355, 0.67%, 0.65%

LAB 59.65, 47.58, 17.15

 

CMYK 0 / 62 / 57 / 6

HEX #F05B68

RGB 240 91 104

HSL 354.77, 0.83%, 0.65%

LAB 58.98, 58.17, 23.55

 

CMYK 0 / 70 / 64 / 0

HEX #FF4D5D

RGB 255 77 93

HSL 354.61, 1%, 0.65%

LAB 59.3, 67.6, 30.8

 

CMYK 0 / 43 / 39 / 17

HEX #D37880

RGB 211 120 128

HSL 354.73, 0.51%, 0.65%

LAB 60.64, 36.3, 11.3

 

CMYK 0 / 31 / 29 / 23

HEX #C5878C

RGB 197 135 140

HSL 355.16, 0.35%, 0.65%

LAB 62.58, 24.45, 6.97

 

CMYK 0 / 18 / 16 / 29

HEX #B69598

RGB 182 149 152

HSL 354.55, 0.18%, 0.65%

LAB 64.73, 12.81, 3.06

 

CMYK 0 / 2 / 2 / 34

HEX #A8A4A4

RGB 168 164 164

HSL 0, 0.02%, 0.65%

LAB 67.69, 1.44, 0.5

 

CMYK 13 / 0 / 1 / 30

HEX #9AB2B0

RGB 154 178 176

HSL 175, 0.13%, 0.65%

LAB 70.76, -8.63, -1.77

 

CMYK 0 / 43 / 16 / 17

HEX #D378B2

RGB 211 120 178

HSL 321.76, 0.51%, 0.65%

LAB 62.08, 43.12, -15.25

 

CMYK 0 / 43 / 27 / 17

HEX #D3789A

RGB 211 120 154

HSL 337.58, 0.51%, 0.65%

LAB 61.32, 39.57, -2.65

 

CMYK 0 / 43 / 39 / 17

HEX #D37881

RGB 211 120 129

HSL 354.07, 0.51%, 0.65%

LAB 60.66, 36.41, 10.76

 

CMYK 0 / 36 / 43 / 17

HEX #D38778

RGB 211 135 120

HSL 9.89, 0.51%, 0.65%

LAB 63.78, 27.4, 20.2

 

CMYK 0 / 24 / 43 / 17

HEX #D3A078

RGB 211 160 120

HSL 26.37, 0.51%, 0.65%

LAB 69.72, 13.85, 28.16

 

CMYK 0 / 68 / 62 / 26

HEX #BC3D48

RGB 188 61 72

HSL 354.8, 0.51%, 0.49%

LAB 44.94, 51.5, 22.41

 

CMYK 0 / 56 / 51 / 21

HEX #C95963

RGB 201 89 99

HSL 354.64, 0.51%, 0.57%

LAB 52.36, 45.46, 16.49

 

CMYK 0 / 43 / 39 / 17

HEX #D37880

RGB 211 120 128

HSL 354.73, 0.51%, 0.65%

LAB 60.64, 36.3, 11.3

 

CMYK 0 / 32 / 29 / 13

HEX #DD979E

RGB 221 151 158

HSL 354, 0.51%, 0.73%

LAB 69.45, 27.22, 7.03

 

CMYK 0 / 21 / 19 / 9

HEX #E7B7BB

RGB 231 183 187

HSL 355, 0.5%, 0.81%

LAB 78.72, 17.9, 4.59

 

CMYK 0 / 43 / 39 / 17

HEX #D47981

RGB 212 121 129

HSL 354.73, 0.51%, 0.65%

LAB 61.01, 36.26, 11.27

 

CMYK 4 / 0 / 43 / 17

HEX #CAD378

RGB 202 211 120

HSL 65.93, 0.51%, 0.65%

LAB 82.11, -16.48, 43.88

 

CMYK 43 / 21 / 0 / 17

HEX #78A6D3

RGB 120 166 211

HSL 209.67, 0.51%, 0.65%

LAB 66.5, -3.67, -27.73

 

CMYK 0 / 43 / 39 / 17

HEX #D47981

RGB 212 121 129

HSL 354.73, 0.51%, 0.65%

LAB 61.01, 36.26, 11.27

 

CMYK 39 / 0 / 43 / 17

HEX #81D378

RGB 129 211 120

HSL 114.07, 0.51%, 0.65%

LAB 77.65, -42.76, 37.31

 

CMYK 43 / 39 / 0 / 17

HEX #7881D3

RGB 120 129 211

HSL 234.07, 0.51%, 0.65%

LAB 56.48, 17.69, -43.34

 

CMYK 0 / 43 / 39 / 17

HEX #D47981

RGB 212 121 129

HSL 354.73, 0.51%, 0.65%

LAB 61.01, 36.26, 11.27

 

CMYK 4 / 0 / 43 / 17

HEX #CAD378

RGB 202 211 120

HSL 65.93, 0.51%, 0.65%

LAB 82.11, -16.48, 43.88

 

CMYK 43 / 0 / 4 / 17

HEX #78D3CA

RGB 120 211 202

HSL 174.07, 0.51%, 0.65%

LAB 78.95, -29.35, -4.05

 

CMYK 39 / 43 / 0 / 17

HEX #8178D3

RGB 129 120 211

HSL 245.93, 0.51%, 0.65%

LAB 54.87, 25.34, -45.85

 

CMYK 0 / 43 / 39 / 17

HEX #D47981

RGB 212 121 129

HSL 354.73, 0.51%, 0.65%

LAB 61.01, 36.26, 11.27

 

CMYK 17 / 0 / 43 / 17

HEX #AFD378

RGB 175 211 120

HSL 83.74, 0.51%, 0.65%

LAB 80.21, -26.86, 41.1

 

CMYK 43 / 0 / 4 / 17

HEX #78D3CA

RGB 120 211 202

HSL 174.07, 0.51%, 0.65%

LAB 78.95, -29.35, -4.05

 

CMYK 26 / 43 / 0 / 17

HEX #9D78D3

RGB 157 120 211

HSL 264.4, 0.51%, 0.65%

LAB 57.37, 32.95, -41.73

 

Description

Color code: HEX #D47981 | qconv.com Color code: HEX #D47981 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 121 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 121 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 39 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 39% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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