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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D477F5 it is the complementary color #2B880A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D477F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D477F5: #D977F0, #EA89FF, #FB9BFF, #FFADFF and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D477F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D477F5: #D477F5, #C365E2, #B253CF, #A141BC and #902FA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 51 / 0 / 4

HEX #D477F5

RGB 212 119 245

HSL 284.29, 0.86%, 0.71%

LAB 64.79, 56.01, -48.58

 

Complementary color

CMYK 68 / 0 / 93 / 47

HEX #2B880A

RGB 43 136 10

HSL 104.29, 0.86%, 0.29%

LAB 49.67, -48.16, 51.06

 

CMYK 10 / 50 / 0 / 6

HEX #D977F0

RGB 217 119 240

HSL 288.6, 0.8%, 0.7%

LAB 65.15, 56.36, -45.22

 

CMYK 8 / 46 / 0 / 0

HEX #EA89FF

RGB 234 137 255

HSL 289.32, 1%, 0.77%

LAB 71.29, 54.89, -43.67

 

CMYK 2 / 39 / 0 / 0

HEX #FB9BFF

RGB 251 155 255

HSL 297.6, 1%, 0.8%

LAB 76.78, 50.65, -34.96

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 13 / 51 / 0 / 4

HEX #D477F5

RGB 212 119 245

HSL 284.29, 0.86%, 0.71%

LAB 64.79, 56.01, -48.58

 

CMYK 14 / 55 / 0 / 11

HEX #C365E2

RGB 195 101 226

HSL 285.12, 0.68%, 0.64%

LAB 58.42, 56.69, -48.24

 

CMYK 14 / 60 / 0 / 19

HEX #B253CF

RGB 178 83 207

HSL 285.97, 0.56%, 0.57%

LAB 52.01, 57.25, -47.79

 

CMYK 14 / 65 / 0 / 26

HEX #A141BC

RGB 161 65 188

HSL 286.83, 0.49%, 0.5%

LAB 45.62, 57.58, -47.15

 

CMYK 15 / 72 / 0 / 34

HEX #902FA9

RGB 144 47 169

HSL 287.7, 0.56%, 0.42%

LAB 39.29, 57.49, -46.21

 

CMYK 13 / 51 / 0 / 4

HEX #D477F5

RGB 212 119 245

HSL 284.29, 0.86%, 0.71%

LAB 64.79, 56.01, -48.58

 

CMYK 5 / 52 / 0 / 4

HEX #E775F4

RGB 231 117 244

HSL 293.86, 0.85%, 0.71%

LAB 66.71, 61.79, -44.86

 

CMYK 0 / 52 / 3 / 4

HEX #F475EC

RGB 244 117 236

HSL 303.78, 0.85%, 0.71%

LAB 68.03, 63.87, -38.26

 

CMYK 0 / 52 / 12 / 4

HEX #F475D6

RGB 244 117 214

HSL 314.17, 0.85%, 0.71%

LAB 67.13, 60.35, -27.44

 

CMYK 0 / 52 / 21 / 4

HEX #F475C1

RGB 244 117 193

HSL 324.09, 0.85%, 0.71%

LAB 66.37, 57.26, -16.83

 

CMYK 13 / 51 / 0 / 4

HEX #D477F5

RGB 212 119 245

HSL 284.29, 0.86%, 0.71%

LAB 64.79, 56.01, -48.58

 

CMYK 15 / 51 / 0 / 84

HEX #231429

RGB 35 20 41

HSL 282.86, 0.34%, 0.12%

LAB 9.14, 12.54, -11.32

 

CMYK 13 / 51 / 0 / 64

HEX #502D5C

RGB 80 45 92

HSL 284.68, 0.34%, 0.27%

LAB 24.81, 25.13, -21.76

 

CMYK 13 / 52 / 0 / 44

HEX #7C458F

RGB 124 69 143

HSL 284.59, 0.35%, 0.42%

LAB 38.77, 36.5, -31.54

 

CMYK 13 / 52 / 0 / 24

HEX #A85EC2

RGB 168 94 194

HSL 284.4, 0.45%, 0.56%

LAB 52.09, 46.52, -40.29

 

CMYK 13 / 51 / 0 / 4

HEX #D477F5

RGB 212 119 245

HSL 284.29, 0.86%, 0.71%

LAB 64.79, 56.01, -48.58

 

CMYK 0 / 52 / 49 / 4

HEX #F4757D

RGB 244 117 125

HSL 356.22, 0.85%, 0.71%

LAB 64.51, 49.39, 19.09

 

CMYK 52 / 0 / 35 / 4

HEX #75F49F

RGB 117 244 159

HSL 139.84, 0.85%, 0.71%

LAB 87.48, -53.62, 30.46

 

CMYK 13 / 51 / 0 / 4

HEX #D477F5

RGB 212 119 245

HSL 284.29, 0.86%, 0.71%

LAB 64.79, 56.01, -48.58

 

CMYK 0 / 14 / 52 / 4

HEX #F4D275

RGB 244 210 117

HSL 43.94, 0.85%, 0.71%

LAB 85.31, 0.58, 50.05

 

CMYK 52 / 0 / 14 / 4

HEX #75F4D2

RGB 117 244 210

HSL 163.94, 0.85%, 0.71%

LAB 88.51, -43.34, 5.64

 

CMYK 13 / 51 / 0 / 4

HEX #D477F5

RGB 212 119 245

HSL 284.29, 0.86%, 0.71%

LAB 64.79, 56.01, -48.58

 

CMYK 0 / 52 / 49 / 4

HEX #F4757D

RGB 244 117 125

HSL 356.22, 0.85%, 0.71%

LAB 64.51, 49.39, 19.09

 

CMYK 38 / 0 / 52 / 4

HEX #97F475

RGB 151 244 117

HSL 103.94, 0.85%, 0.71%

LAB 88.24, -50.24, 52.1

 

CMYK 52 / 0 / 3 / 4

HEX #75F4EC

RGB 117 244 236

HSL 176.22, 0.85%, 0.71%

LAB 89.18, -37.13, -6.95

 

CMYK 13 / 51 / 0 / 4

HEX #D477F5

RGB 212 119 245

HSL 284.29, 0.86%, 0.71%

LAB 64.79, 56.01, -48.58

 

CMYK 0 / 40 / 52 / 4

HEX #F49375

RGB 244 147 117

HSL 14.17, 0.85%, 0.71%

LAB 70.44, 33.57, 31.45

 

CMYK 38 / 0 / 52 / 4

HEX #97F475

RGB 151 244 117

HSL 103.94, 0.85%, 0.71%

LAB 88.24, -50.24, 52.1

 

CMYK 52 / 12 / 0 / 4

HEX #75D6F4

RGB 117 214 244

HSL 194.17, 0.85%, 0.71%

LAB 80.96, -20.58, -23.49

 

Description

Color code: HEX #D477F5 | qconv.com Color code: HEX #D477F5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 119 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 119 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 51 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 51% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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