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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D47565 it is the complementary color #2B8A9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D47565. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D47565: #D97560, #EA8773, #FB9986, #FFAB99 and #FFBDAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D47565. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D47565: #D47565, #C36352, #B2513F, #A13F2C and #902D19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 52 / 17

HEX #D47565

RGB 212 117 101

HSL 8.65, 0.56%, 0.61%

LAB 59.58, 35.53, 25.3

 

Complementary color

CMYK 72 / 10 / 0 / 40

HEX #2B8A9A

RGB 43 138 154

HSL 188.65, 0.56%, 0.39%

LAB 52.98, -21.71, -16.48

 

CMYK 0 / 46 / 56 / 15

HEX #D97560

RGB 217 117 96

HSL 10.41, 0.61%, 0.61%

LAB 60.18, 37.03, 29.02

 

CMYK 0 / 42 / 51 / 8

HEX #EA8773

RGB 234 135 115

HSL 10.08, 0.74%, 0.68%

LAB 66.56, 35.8, 27.22

 

CMYK 0 / 39 / 47 / 2

HEX #FB9986

RGB 251 153 134

HSL 9.74, 0.94%, 0.75%

LAB 72.9, 34.67, 25.61

 

CMYK 0 / 33 / 40 / 0

HEX #FFAB99

RGB 255 171 153

HSL 10.59, 1%, 0.8%

LAB 77.69, 28.75, 21.89

 

CMYK 0 / 26 / 33 / 0

HEX #FFBDAC

RGB 255 189 172

HSL 12.29, 1%, 0.84%

LAB 82.18, 21.54, 17.91

 

CMYK 0 / 45 / 52 / 17

HEX #D47565

RGB 212 117 101

HSL 8.65, 0.56%, 0.61%

LAB 59.58, 35.53, 25.3

 

CMYK 0 / 49 / 58 / 24

HEX #C36352

RGB 195 99 82

HSL 9.03, 0.48%, 0.54%

LAB 53.1, 36.79, 27.24

 

CMYK 0 / 54 / 65 / 30

HEX #B2513F

RGB 178 81 63

HSL 9.39, 0.48%, 0.47%

LAB 46.59, 38.14, 29.49

 

CMYK 0 / 61 / 73 / 37

HEX #A13F2C

RGB 161 63 44

HSL 9.74, 0.57%, 0.4%

LAB 40.1, 39.5, 32.1

 

CMYK 0 / 69 / 83 / 44

HEX #902D19

RGB 144 45 25

HSL 10.08, 0.7%, 0.33%

LAB 33.72, 40.72, 35.02

 

CMYK 0 / 45 / 52 / 17

HEX #D47565

RGB 212 117 101

HSL 8.65, 0.56%, 0.61%

LAB 59.58, 35.53, 25.3

 

CMYK 0 / 37 / 53 / 17

HEX #D38563

RGB 211 133 99

HSL 18.21, 0.56%, 0.61%

LAB 62.95, 26.44, 30.77

 

CMYK 0 / 28 / 53 / 17

HEX #D39763

RGB 211 151 99

HSL 27.86, 0.56%, 0.61%

LAB 67.19, 16.69, 36.15

 

CMYK 0 / 19 / 53 / 17

HEX #D3AA63

RGB 211 170 99

HSL 38.04, 0.56%, 0.61%

LAB 71.89, 6.44, 41.96

 

CMYK 0 / 11 / 53 / 17

HEX #D3BC63

RGB 211 188 99

HSL 47.68, 0.56%, 0.61%

LAB 76.51, -3.07, 47.51

 

CMYK 0 / 45 / 52 / 17

HEX #D47565

RGB 212 117 101

HSL 8.65, 0.56%, 0.61%

LAB 59.58, 35.53, 25.3

 

CMYK 0 / 50 / 50 / 97

HEX #080404

RGB 8 4 4

HSL 0, 0.33%, 0.02%

LAB 1.33, 1.05, 0.37

 

CMYK 0 / 44 / 53 / 77

HEX #3B211C

RGB 59 33 28

HSL 9.68, 0.36%, 0.17%

LAB 16.01, 11.84, 8.68

 

CMYK 0 / 45 / 53 / 57

HEX #6E3D34

RGB 110 61 52

HSL 9.31, 0.36%, 0.32%

LAB 31.58, 20.42, 14.88

 

CMYK 0 / 45 / 52 / 37

HEX #A1594D

RGB 161 89 77

HSL 8.57, 0.35%, 0.47%

LAB 45.99, 28.27, 19.97

 

CMYK 0 / 45 / 52 / 17

HEX #D47565

RGB 212 117 101

HSL 8.65, 0.56%, 0.61%

LAB 59.58, 35.53, 25.3

 

CMYK 18 / 0 / 53 / 17

HEX #AED363

RGB 174 211 99

HSL 79.82, 0.56%, 0.61%

LAB 79.89, -29.48, 50.81

 

CMYK 53 / 39 / 0 / 17

HEX #6381D3

RGB 99 129 211

HSL 223.93, 0.56%, 0.61%

LAB 55.13, 12.71, -45.57

 

CMYK 0 / 45 / 52 / 17

HEX #D47565

RGB 212 117 101

HSL 8.65, 0.56%, 0.61%

LAB 59.58, 35.53, 25.3

 

CMYK 53 / 0 / 46 / 17

HEX #63D372

RGB 99 211 114

HSL 128.04, 0.56%, 0.61%

LAB 76.35, -52.12, 38.41

 

CMYK 46 / 53 / 0 / 17

HEX #7263D3

RGB 114 99 211

HSL 248.04, 0.56%, 0.61%

LAB 48.52, 34.21, -56.06

 

CMYK 0 / 45 / 52 / 17

HEX #D47565

RGB 212 117 101

HSL 8.65, 0.56%, 0.61%

LAB 59.58, 35.53, 25.3

 

CMYK 18 / 0 / 53 / 17

HEX #AED363

RGB 174 211 99

HSL 79.82, 0.56%, 0.61%

LAB 79.89, -29.48, 50.81

 

CMYK 53 / 7 / 0 / 17

HEX #63C4D3

RGB 99 196 211

HSL 188.04, 0.56%, 0.61%

LAB 74.08, -24.39, -16.25

 

CMYK 36 / 53 / 0 / 17

HEX #8863D3

RGB 136 99 211

HSL 259.82, 0.56%, 0.61%

LAB 50.52, 39.38, -52.73

 

CMYK 0 / 45 / 52 / 17

HEX #D47565

RGB 212 117 101

HSL 8.65, 0.56%, 0.61%

LAB 59.58, 35.53, 25.3

 

CMYK 34 / 0 / 53 / 17

HEX #8CD363

RGB 140 211 99

HSL 98.04, 0.56%, 0.61%

LAB 77.91, -41.83, 47.98

 

CMYK 53 / 7 / 0 / 17

HEX #63C4D3

RGB 99 196 211

HSL 188.04, 0.56%, 0.61%

LAB 74.08, -24.39, -16.25

 

CMYK 19 / 53 / 0 / 17

HEX #AA63D3

RGB 170 99 211

HSL 278.04, 0.56%, 0.61%

LAB 54.21, 48.07, -46.64

 

Description

Color code: HEX #D47565 | qconv.com Color code: HEX #D47565 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 117 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 117 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 52 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 52% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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