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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4716F it is the complementary color #2B8E90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4716F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D4716F: #D9716A, #EA837D, #FB9590, #FFA7A3 and #FFB9B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4716F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D4716F: #D4716F, #C35F5C, #B24D49, #A13B36 and #902923

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 48 / 17

HEX #D4716F

RGB 212 113 111

HSL 1.19, 0.54%, 0.63%

LAB 58.93, 38.53, 18.72

 

Complementary color

CMYK 70 / 1 / 0 / 44

HEX #2B8E90

RGB 43 142 144

HSL 181.19, 0.54%, 0.37%

LAB 53.89, -26.9, -9.32

 

CMYK 0 / 48 / 51 / 15

HEX #D9716A

RGB 217 113 106

HSL 3.78, 0.59%, 0.63%

LAB 59.53, 39.93, 22.51

 

CMYK 0 / 44 / 47 / 8

HEX #EA837D

RGB 234 131 125

HSL 3.3, 0.72%, 0.7%

LAB 65.91, 38.8, 20.77

 

CMYK 0 / 41 / 43 / 2

HEX #FB9590

RGB 251 149 144

HSL 2.8, 0.93%, 0.77%

LAB 72.24, 37.73, 19.23

 

CMYK 0 / 35 / 36 / 0

HEX #FFA7A3

RGB 255 167 163

HSL 2.61, 1%, 0.82%

LAB 77.01, 31.97, 15.52

 

CMYK 0 / 27 / 29 / 0

HEX #FFB9B6

RGB 255 185 182

HSL 2.47, 1%, 0.86%

LAB 81.48, 24.91, 11.55

 

CMYK 0 / 47 / 48 / 17

HEX #D4716F

RGB 212 113 111

HSL 1.19, 0.54%, 0.63%

LAB 58.93, 38.53, 18.72

 

CMYK 0 / 51 / 53 / 24

HEX #C35F5C

RGB 195 95 92

HSL 1.75, 0.46%, 0.56%

LAB 52.46, 39.68, 20.61

 

CMYK 0 / 57 / 59 / 30

HEX #B24D49

RGB 178 77 73

HSL 2.29, 0.42%, 0.49%

LAB 45.98, 40.84, 22.83

 

CMYK 0 / 63 / 66 / 37

HEX #A13B36

RGB 161 59 54

HSL 2.8, 0.5%, 0.42%

LAB 39.53, 41.95, 25.51

 

CMYK 0 / 72 / 76 / 44

HEX #902923

RGB 144 41 35

HSL 3.3, 0.61%, 0.35%

LAB 33.21, 42.8, 28.77

 

CMYK 0 / 47 / 48 / 17

HEX #D4716F

RGB 212 113 111

HSL 1.19, 0.54%, 0.63%

LAB 58.93, 38.53, 18.72

 

CMYK 0 / 39 / 48 / 17

HEX #D3806D

RGB 211 128 109

HSL 11.18, 0.54%, 0.63%

LAB 61.99, 30.04, 23.96

 

CMYK 0 / 31 / 48 / 17

HEX #D3916D

RGB 211 145 109

HSL 21.18, 0.54%, 0.63%

LAB 65.91, 20.86, 29.13

 

CMYK 0 / 23 / 48 / 17

HEX #D3A26D

RGB 211 162 109

HSL 31.18, 0.54%, 0.63%

LAB 70.03, 11.65, 34.45

 

CMYK 0 / 15 / 48 / 17

HEX #D3B36D

RGB 211 179 109

HSL 41.18, 0.54%, 0.63%

LAB 74.31, 2.55, 39.85

 

CMYK 0 / 47 / 48 / 17

HEX #D4716F

RGB 212 113 111

HSL 1.19, 0.54%, 0.63%

LAB 58.93, 38.53, 18.72

 

CMYK 0 / 50 / 50 / 97

HEX #080404

RGB 8 4 4

HSL 0, 0.33%, 0.02%

LAB 1.33, 1.05, 0.37

 

CMYK 0 / 47 / 47 / 77

HEX #3B1F1F

RGB 59 31 31

HSL 0, 0.31%, 0.18%

LAB 15.53, 13.59, 5.89

 

CMYK 0 / 46 / 47 / 57

HEX #6E3B3A

RGB 110 59 58

HSL 1.15, 0.31%, 0.33%

LAB 31.23, 22.27, 10.56

 

CMYK 0 / 47 / 48 / 37

HEX #A15654

RGB 161 86 84

HSL 1.56, 0.31%, 0.48%

LAB 45.46, 30.62, 15.06

 

CMYK 0 / 47 / 48 / 17

HEX #D4716F

RGB 212 113 111

HSL 1.19, 0.54%, 0.63%

LAB 58.93, 38.53, 18.72

 

CMYK 10 / 0 / 48 / 17

HEX #BDD36D

RGB 189 211 109

HSL 72.94, 0.54%, 0.63%

LAB 81.02, -22.7, 47.68

 

CMYK 48 / 30 / 0 / 17

HEX #6D94D3

RGB 109 148 211

HSL 217.06, 0.54%, 0.63%

LAB 60.9, 3.8, -36.45

 

CMYK 0 / 47 / 48 / 17

HEX #D4716F

RGB 212 113 111

HSL 1.19, 0.54%, 0.63%

LAB 58.93, 38.53, 18.72

 

CMYK 48 / 0 / 47 / 17

HEX #6DD36F

RGB 109 211 111

HSL 121.18, 0.54%, 0.63%

LAB 76.67, -49.91, 40.38

 

CMYK 47 / 48 / 0 / 17

HEX #6F6DD3

RGB 111 109 211

HSL 241.18, 0.54%, 0.63%

LAB 50.71, 27.52, -52.56

 

CMYK 0 / 47 / 48 / 17

HEX #D4716F

RGB 212 113 111

HSL 1.19, 0.54%, 0.63%

LAB 58.93, 38.53, 18.72

 

CMYK 10 / 0 / 48 / 17

HEX #BDD36D

RGB 189 211 109

HSL 72.94, 0.54%, 0.63%

LAB 81.02, -22.7, 47.68

 

CMYK 48 / 1 / 0 / 17

HEX #6DD1D3

RGB 109 209 211

HSL 181.18, 0.54%, 0.63%

LAB 78.2, -28.67, -10.04

 

CMYK 38 / 48 / 0 / 17

HEX #836DD3

RGB 131 109 211

HSL 252.94, 0.54%, 0.63%

LAB 52.36, 32.34, -49.83

 

CMYK 0 / 47 / 48 / 17

HEX #D4716F

RGB 212 113 111

HSL 1.19, 0.54%, 0.63%

LAB 58.93, 38.53, 18.72

 

CMYK 25 / 0 / 48 / 17

HEX #9ED36D

RGB 158 211 109

HSL 91.18, 0.54%, 0.63%

LAB 79.02, -34.39, 44.78

 

CMYK 48 / 1 / 0 / 17

HEX #6DD1D3

RGB 109 209 211

HSL 181.18, 0.54%, 0.63%

LAB 78.2, -28.67, -10.04

 

CMYK 23 / 48 / 0 / 17

HEX #A26DD3

RGB 162 109 211

HSL 271.18, 0.54%, 0.63%

LAB 55.4, 40.53, -44.81

 

Description

Color code: HEX #D4716F | qconv.com Color code: HEX #D4716F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 113 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 113 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 48 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 48% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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