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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D45B76 it is the complementary color #2BA489. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D45B76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D45B76: #D95B71, #EA6D84, #FB7F97, #FF91AA and #FFA3BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D45B76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D45B76: #D45B76, #C34963, #B23750, #A1253D and #90132A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 44 / 17

HEX #D45B76

RGB 212 91 118

HSL 346.61, 0.58%, 0.59%

LAB 54.85, 50.1, 8.97

 

Complementary color

CMYK 74 / 0 / 16 / 36

HEX #2BA489

RGB 43 164 137

HSL 166.61, 0.58%, 0.41%

LAB 60.67, -39.21, 4.63

 

CMYK 0 / 58 / 48 / 15

HEX #D95B71

RGB 217 91 113

HSL 349.52, 0.62%, 0.6%

LAB 55.51, 51.3, 12.95

 

CMYK 0 / 53 / 44 / 8

HEX #EA6D84

RGB 234 109 132

HSL 348.96, 0.75%, 0.67%

LAB 61.74, 50.44, 11

 

CMYK 0 / 49 / 40 / 2

HEX #FB7F97

RGB 251 127 151

HSL 348.39, 0.94%, 0.74%

LAB 67.96, 49.53, 9.34

 

CMYK 0 / 43 / 33 / 0

HEX #FF91AA

RGB 255 145 170

HSL 346.36, 1%, 0.78%

LAB 72.5, 44.13, 5.28

 

CMYK 0 / 36 / 26 / 0

HEX #FFA3BD

RGB 255 163 189

HSL 343.04, 1%, 0.82%

LAB 76.76, 37.34, 0.97

 

CMYK 0 / 57 / 44 / 17

HEX #D45B76

RGB 212 91 118

HSL 346.61, 0.58%, 0.59%

LAB 54.85, 50.1, 8.97

 

CMYK 0 / 63 / 49 / 24

HEX #C34963

RGB 195 73 99

HSL 347.21, 0.5%, 0.53%

LAB 48.6, 50.82, 11.14

 

CMYK 0 / 69 / 55 / 30

HEX #B23750

RGB 178 55 80

HSL 347.8, 0.53%, 0.46%

LAB 42.42, 51.27, 13.81

 

CMYK 0 / 77 / 62 / 37

HEX #A1253D

RGB 161 37 61

HSL 348.39, 0.63%, 0.39%

LAB 36.44, 51.21, 17.18

 

CMYK 0 / 87 / 71 / 44

HEX #90132A

RGB 144 19 42

HSL 348.96, 0.77%, 0.32%

LAB 30.79, 50.21, 21.52

 

CMYK 0 / 57 / 44 / 17

HEX #D45B76

RGB 212 91 118

HSL 346.61, 0.58%, 0.59%

LAB 54.85, 50.1, 8.97

 

CMYK 0 / 58 / 54 / 17

HEX #D35961

RGB 211 89 97

HSL 356.07, 0.58%, 0.59%

LAB 53.87, 48.79, 19.99

 

CMYK 0 / 52 / 58 / 17

HEX #D36559

RGB 211 101 89

HSL 5.9, 0.58%, 0.59%

LAB 55.96, 42.36, 27.39

 

CMYK 0 / 42 / 58 / 17

HEX #D37A59

RGB 211 122 89

HSL 16.23, 0.58%, 0.59%

LAB 60.33, 31.51, 32.94

 

CMYK 0 / 33 / 58 / 17

HEX #D38E59

RGB 211 142 89

HSL 26.07, 0.58%, 0.59%

LAB 64.9, 20.75, 38.59

 

CMYK 0 / 57 / 44 / 17

HEX #D45B76

RGB 212 91 118

HSL 346.61, 0.58%, 0.59%

LAB 54.85, 50.1, 8.97

 

CMYK 0 / 63 / 50 / 97

HEX #080304

RGB 8 3 4

HSL 348, 0.45%, 0.02%

LAB 1.13, 1.45, 0.08

 

CMYK 0 / 58 / 44 / 77

HEX #3B1921

RGB 59 25 33

HSL 345.88, 0.4%, 0.16%

LAB 14.03, 17.77, 2.32

 

CMYK 0 / 57 / 45 / 57

HEX #6E2F3D

RGB 110 47 61

HSL 346.67, 0.4%, 0.31%

LAB 28.6, 29.48, 4.92

 

CMYK 0 / 57 / 44 / 37

HEX #A1455A

RGB 161 69 90

HSL 346.3, 0.4%, 0.45%

LAB 42.11, 40.18, 6.72

 

CMYK 0 / 57 / 44 / 17

HEX #D45B76

RGB 212 91 118

HSL 346.61, 0.58%, 0.59%

LAB 54.85, 50.1, 8.97

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 58 / 21 / 0 / 17

HEX #59A6D3

RGB 89 166 211

HSL 202.13, 0.58%, 0.59%

LAB 65.04, -10.73, -30.09

 

CMYK 0 / 57 / 44 / 17

HEX #D45B76

RGB 212 91 118

HSL 346.61, 0.58%, 0.59%

LAB 54.85, 50.1, 8.97

 

CMYK 44 / 0 / 58 / 17

HEX #76D359

RGB 118 211 89

HSL 105.74, 0.58%, 0.59%

LAB 76.78, -50.02, 50.99

 

CMYK 58 / 44 / 0 / 17

HEX #5976D3

RGB 89 118 211

HSL 225.74, 0.58%, 0.59%

LAB 51.59, 17.3, -51.23

 

CMYK 0 / 57 / 44 / 17

HEX #D45B76

RGB 212 91 118

HSL 346.61, 0.58%, 0.59%

LAB 54.85, 50.1, 8.97

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 58 / 0 / 14 / 17

HEX #59D3B6

RGB 89 211 182

HSL 165.74, 0.58%, 0.59%

LAB 77.33, -41.02, 4.17

 

CMYK 58 / 56 / 0 / 17

HEX #595DD3

RGB 89 93 211

HSL 238.03, 0.58%, 0.59%

LAB 45.16, 32.74, -61.57

 

CMYK 0 / 57 / 44 / 17

HEX #D45B76

RGB 212 91 118

HSL 346.61, 0.58%, 0.59%

LAB 54.85, 50.1, 8.97

 

CMYK 16 / 0 / 58 / 17

HEX #B2D359

RGB 178 211 89

HSL 76.23, 0.58%, 0.59%

LAB 80.05, -28.83, 55.6

 

CMYK 58 / 0 / 14 / 17

HEX #59D3B6

RGB 89 211 182

HSL 165.74, 0.58%, 0.59%

LAB 77.33, -41.02, 4.17

 

CMYK 42 / 58 / 0 / 17

HEX #7A59D3

RGB 122 89 211

HSL 256.23, 0.58%, 0.59%

LAB 46.96, 41.82, -58.54

 

Description

Color code: HEX #D45B76 | qconv.com Color code: HEX #D45B76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 91 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 91 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 44 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 44% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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