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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4478B it is the complementary color #2BB874. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4478B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4478B shade: #D94786, #EA5999, #FB6BAC, #FF7DBF and #FF8FD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4478B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4478B shade: #D4478B, #C33578, #B22365, #A11152 and #90003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4478B shade: #D3458A, #D34563 and #D34545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4478B shade: #D3458A, #D345B0, #D045D3, #AA45D3 and #8445D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4478B shade matches the following richer shades: #D3458A, #E63389 and #F92088

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4478B shade: #D3458A, #C1588A, #AE6A8B, #9C7D8C and #898F8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4478B shade: #D145D3, #D345B0, #D3458A, #D34564 and #D34C45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4478B shade: #A02661, #C22D75, #D3458A, #DB679F and #E388B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4478B shade: #D4478B, #D3AB45 and #45C3D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4478B shade: #D4478B, #8AD345 and #458AD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4478B shade: #D4478B, #D3AB45, #45D38F and #456DD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4478B shade: #D4478B, #D1D345, #45D38F and #4745D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 34 / 17

HEX #D4478B

RGB 212 71 139

HSL 331.06, 0.62%, 0.55%

LAB 52.25, 60.98, -7.29

 

Complementary color

CMYK 77 / 0 / 37 / 28

HEX #2BB874

RGB 43 184 116

HSL 151.06, 0.62%, 0.45%

LAB 66.56, -52.22, 24.35

 

CMYK 0 / 67 / 38 / 15

HEX #D94786

RGB 217 71 134

HSL 334.11, 0.66%, 0.56%

LAB 52.93, 61.87, -3.22

 

CMYK 0 / 62 / 35 / 8

HEX #EA5999

RGB 234 89 153

HSL 333.52, 0.78%, 0.63%

LAB 58.92, 61.68, -5.25

 

CMYK 0 / 57 / 31 / 2

HEX #FB6BAC

RGB 251 107 172

HSL 332.92, 0.95%, 0.7%

LAB 64.97, 61.23, -6.94

 

CMYK 0 / 51 / 25 / 0

HEX #FF7DBF

RGB 255 125 191

HSL 329.54, 1%, 0.75%

LAB 69.25, 56.6, -11.23

 

CMYK 0 / 44 / 18 / 0

HEX #FF8FD2

RGB 255 143 210

HSL 324.11, 1%, 0.78%

LAB 73.26, 50.51, -15.76

 

CMYK 0 / 67 / 34 / 17

HEX #D4478B

RGB 212 71 139

HSL 331.06, 0.62%, 0.55%

LAB 52.25, 60.98, -7.29

 

CMYK 0 / 73 / 38 / 24

HEX #C33578

RGB 195 53 120

HSL 331.69, 0.57%, 0.49%

LAB 46.32, 60.76, -4.96

 

CMYK 0 / 80 / 43 / 30

HEX #B22365

RGB 178 35 101

HSL 332.31, 0.67%, 0.42%

LAB 40.58, 59.86, -2

 

CMYK 0 / 89 / 49 / 37

HEX #A11152

RGB 161 17 82

HSL 332.92, 0.81%, 0.35%

LAB 35.18, 57.89, 1.85

 

CMYK 0 / 100 / 56 / 44

HEX #90003F

RGB 144 0 63

HSL 333.75, 1%, 0.28%

LAB 30.13, 54.75, 6.68

 

CMYK 0 / 67 / 35 / 17

HEX #D3458A

RGB 211 69 138

HSL 330.85, 0.62%, 0.55%

LAB 51.77, 61.36, -7.43

 

CMYK 0 / 67 / 53 / 17

HEX #D34563

RGB 211 69 99

HSL 347.32, 0.62%, 0.55%

LAB 50.69, 57.6, 14.46

 

CMYK 0 / 67 / 67 / 17

HEX #D34545

RGB 211 69 69

HSL 0, 0.62%, 0.55%

LAB 50.14, 55.6, 31.6

 

CMYK 0 / 67 / 35 / 17

HEX #D3458A

RGB 211 69 138

HSL 330.85, 0.62%, 0.55%

LAB 51.77, 61.36, -7.43

 

CMYK 0 / 67 / 17 / 17

HEX #D345B0

RGB 211 69 176

HSL 314.79, 0.62%, 0.55%

LAB 53.21, 66.2, -27.67

 

CMYK 1 / 67 / 0 / 17

HEX #D045D3

RGB 208 69 211

HSL 298.73, 0.62%, 0.55%

LAB 54.42, 70.86, -45.99

 

CMYK 19 / 67 / 0 / 17

HEX #AA45D3

RGB 170 69 211

HSL 282.68, 0.62%, 0.55%

LAB 48.89, 62.48, -55.13

 

CMYK 37 / 67 / 0 / 17

HEX #8445D3

RGB 132 69 211

HSL 266.62, 0.62%, 0.55%

LAB 44.04, 54.59, -63.2

 

CMYK 0 / 67 / 35 / 17

HEX #D3458A

RGB 211 69 138

HSL 330.85, 0.62%, 0.55%

LAB 51.77, 61.36, -7.43

 

CMYK 0 / 78 / 40 / 10

HEX #E63389

RGB 230 51 137

HSL 331.17, 0.78%, 0.55%

LAB 52.95, 72.23, -4.73

 

CMYK 0 / 87 / 45 / 2

HEX #F92088

RGB 249 32 136

HSL 331.24, 0.95%, 0.55%

LAB 55.02, 80.74, -0.67

 

CMYK 0 / 67 / 35 / 17

HEX #D3458A

RGB 211 69 138

HSL 330.85, 0.62%, 0.55%

LAB 51.77, 61.36, -7.43

 

CMYK 0 / 54 / 28 / 24

HEX #C1588A

RGB 193 88 138

HSL 331.43, 0.46%, 0.55%

LAB 52.01, 47.56, -7.38

 

CMYK 0 / 39 / 20 / 32

HEX #AE6A8B

RGB 174 106 139

HSL 330.88, 0.3%, 0.55%

LAB 53.14, 31.78, -6.57

 

CMYK 0 / 20 / 10 / 39

HEX #9C7D8C

RGB 156 125 140

HSL 330.97, 0.14%, 0.55%

LAB 55.71, 14.53, -3.56

 

CMYK 4 / 0 / 2 / 44

HEX #898F8C

RGB 137 143 140

HSL 150, 0.03%, 0.55%

LAB 58.84, -2.78, 0.83

 

CMYK 1 / 67 / 0 / 17

HEX #D145D3

RGB 209 69 211

HSL 299.15, 0.62%, 0.55%

LAB 54.57, 71.08, -45.74

 

CMYK 0 / 67 / 17 / 17

HEX #D345B0

RGB 211 69 176

HSL 314.79, 0.62%, 0.55%

LAB 53.21, 66.2, -27.67

 

CMYK 0 / 67 / 35 / 17

HEX #D3458A

RGB 211 69 138

HSL 330.85, 0.62%, 0.55%

LAB 51.77, 61.36, -7.43

 

CMYK 0 / 67 / 53 / 17

HEX #D34564

RGB 211 69 100

HSL 346.9, 0.62%, 0.55%

LAB 50.72, 57.68, 13.89

 

CMYK 0 / 64 / 67 / 17

HEX #D34C45

RGB 211 76 69

HSL 2.96, 0.62%, 0.55%

LAB 51.21, 52.71, 32.9

 

CMYK 0 / 76 / 39 / 37

HEX #A02661

RGB 160 38 97

HSL 330.98, 0.62%, 0.39%

LAB 37.34, 53.71, -4.64

 

CMYK 0 / 77 / 40 / 24

HEX #C22D75

RGB 194 45 117

HSL 331.01, 0.62%, 0.47%

LAB 45.12, 62.76, -4.91

 

CMYK 0 / 67 / 35 / 17

HEX #D3458A

RGB 211 69 138

HSL 330.85, 0.62%, 0.55%

LAB 51.77, 61.36, -7.43

 

CMYK 0 / 53 / 27 / 14

HEX #DB679F

RGB 219 103 159

HSL 331.03, 0.62%, 0.63%

LAB 59.22, 51.48, -8.53

 

CMYK 0 / 40 / 21 / 11

HEX #E388B4

RGB 227 136 180

HSL 330.99, 0.62%, 0.71%

LAB 67.45, 40.45, -8.12

 

CMYK 0 / 67 / 34 / 17

HEX #D4478B

RGB 212 71 139

HSL 331.06, 0.62%, 0.55%

LAB 52.25, 60.98, -7.29

 

CMYK 0 / 19 / 67 / 17

HEX #D3AB45

RGB 211 171 69

HSL 43.1, 0.62%, 0.55%

LAB 71.83, 3.78, 56.16

 

CMYK 67 / 8 / 0 / 17

HEX #45C3D3

RGB 69 195 211

HSL 186.76, 0.62%, 0.55%

LAB 72.89, -29.17, -18.14

 

CMYK 0 / 67 / 34 / 17

HEX #D4478B

RGB 212 71 139

HSL 331.06, 0.62%, 0.55%

LAB 52.25, 60.98, -7.29

 

CMYK 35 / 0 / 67 / 17

HEX #8AD345

RGB 138 211 69

HSL 90.85, 0.62%, 0.55%

LAB 77.53, -45.29, 60.53

 

CMYK 67 / 35 / 0 / 17

HEX #458AD3

RGB 69 138 211

HSL 210.85, 0.62%, 0.55%

LAB 56.23, 1.58, -43.91

 

CMYK 0 / 67 / 34 / 17

HEX #D4478B

RGB 212 71 139

HSL 331.06, 0.62%, 0.55%

LAB 52.25, 60.98, -7.29

 

CMYK 0 / 19 / 67 / 17

HEX #D3AB45

RGB 211 171 69

HSL 43.1, 0.62%, 0.55%

LAB 71.83, 3.78, 56.16

 

CMYK 67 / 0 / 32 / 17

HEX #45D38F

RGB 69 211 143

HSL 151.27, 0.62%, 0.55%

LAB 75.97, -53.33, 22.9

 

CMYK 67 / 48 / 0 / 17

HEX #456DD3

RGB 69 109 211

HSL 223.1, 0.62%, 0.55%

LAB 48.14, 19.33, -56.82

 

CMYK 0 / 67 / 34 / 17

HEX #D4478B

RGB 212 71 139

HSL 331.06, 0.62%, 0.55%

LAB 52.25, 60.98, -7.29

 

CMYK 1 / 0 / 67 / 17

HEX #D1D345

RGB 209 211 69

HSL 60.85, 0.62%, 0.55%

LAB 82.15, -17.65, 66.73

 

CMYK 67 / 0 / 32 / 17

HEX #45D38F

RGB 69 211 143

HSL 151.27, 0.62%, 0.55%

LAB 75.97, -53.33, 22.9

 

CMYK 66 / 67 / 0 / 17

HEX #4745D3

RGB 71 69 211

HSL 240.85, 0.62%, 0.55%

LAB 38.37, 44.47, -72.69

 

Description

Color code: HEX #D4478B | qconv.com Color code: HEX #D4478B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 71 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 71 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 34 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 34% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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