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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5999 it is the complementary color #15A666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5999 shade: #EF5994, #FF6BA7, #FF7DBA, #FF8FCD and #FFA1E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5999 shade: #EA5999, #D94786, #C83573, #B72360 and #A6114D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5999 shade: #EA5798, #EA5770 and #EA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5999 shade: #EA5798, #EA57C0, #EA57E7, #C557EA and #9E57EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5999 shade matches the following richer shades: #EA5798 and #FA4896

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5999 shade: #EA5798, #DB669A, #CC769C, #BC859D and #AD949F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5999 shade: #EA57E8, #EA57C1, #EA5799, #EA5772 and #EA6357

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5999 shade: #D51A6C, #E63281, #EA5798, #EF7CAF and #F3A0C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5999 shade: #EA5999, #EAC557 and #57D4EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5999 shade: #EA5999, #99EA57 and #5799EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5999 shade: #EA5999, #EAC557, #57EAA8 and #577CEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5999 shade: #EA5999, #E3EA57, #57EAA8 and #5E57EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 35 / 8

HEX #EA5999

RGB 234 89 153

HSL 333.52, 0.78%, 0.63%

LAB 58.92, 61.68, -5.25

 

Complementary color

CMYK 87 / 0 / 39 / 35

HEX #15A666

RGB 21 166 102

HSL 153.52, 0.78%, 0.37%

LAB 60.24, -50.58, 23.36

 

CMYK 0 / 63 / 38 / 6

HEX #EF5994

RGB 239 89 148

HSL 336.4, 0.82%, 0.64%

LAB 59.56, 62.62, -1.31

 

CMYK 0 / 58 / 35 / 0

HEX #FF6BA7

RGB 255 107 167

HSL 335.68, 1%, 0.71%

LAB 65.41, 61.86, -3.37

 

CMYK 0 / 51 / 27 / 0

HEX #FF7DBA

RGB 255 125 186

HSL 331.85, 1%, 0.75%

LAB 69.09, 55.94, -8.66

 

CMYK 0 / 44 / 20 / 0

HEX #FF8FCD

RGB 255 143 205

HSL 326.79, 1%, 0.78%

LAB 73.1, 49.78, -13.25

 

CMYK 0 / 37 / 12 / 0

HEX #FFA1E0

RGB 255 161 224

HSL 319.79, 1%, 0.82%

LAB 77.36, 43.55, -17.24

 

CMYK 0 / 62 / 35 / 8

HEX #EA5999

RGB 234 89 153

HSL 333.52, 0.78%, 0.63%

LAB 58.92, 61.68, -5.25

 

CMYK 0 / 67 / 38 / 15

HEX #D94786

RGB 217 71 134

HSL 334.11, 0.66%, 0.56%

LAB 52.93, 61.87, -3.22

 

CMYK 0 / 74 / 43 / 22

HEX #C83573

RGB 200 53 115

HSL 334.69, 0.58%, 0.5%

LAB 47.06, 61.63, -0.71

 

CMYK 0 / 81 / 48 / 28

HEX #B72360

RGB 183 35 96

HSL 335.27, 0.68%, 0.43%

LAB 41.4, 60.71, 2.46

 

CMYK 0 / 90 / 54 / 35

HEX #A6114D

RGB 166 17 77

HSL 335.84, 0.81%, 0.36%

LAB 36.07, 58.74, 6.51

 

CMYK 0 / 63 / 35 / 8

HEX #EA5798

RGB 234 87 152

HSL 333.47, 0.78%, 0.63%

LAB 58.58, 62.39, -5.17

 

CMYK 0 / 63 / 52 / 8

HEX #EA5770

RGB 234 87 112

HSL 349.8, 0.78%, 0.63%

LAB 57.54, 58.54, 16.77

 

CMYK 0 / 63 / 63 / 8

HEX #EA5757

RGB 234 87 87

HSL 0, 0.78%, 0.63%

LAB 57.07, 56.77, 30.68

 

CMYK 0 / 63 / 35 / 8

HEX #EA5798

RGB 234 87 152

HSL 333.47, 0.78%, 0.63%

LAB 58.58, 62.39, -5.17

 

CMYK 0 / 63 / 18 / 8

HEX #EA57C0

RGB 234 87 192

HSL 317.14, 0.78%, 0.63%

LAB 59.99, 67.43, -26.13

 

CMYK 0 / 63 / 1 / 8

HEX #EA57E7

RGB 234 87 231

HSL 301.22, 0.78%, 0.63%

LAB 61.72, 73.31, -45.47

 

CMYK 16 / 63 / 0 / 8

HEX #C557EA

RGB 197 87 234

HSL 284.9, 0.78%, 0.63%

LAB 56.71, 65.26, -55.42

 

CMYK 32 / 63 / 0 / 8

HEX #9E57EA

RGB 158 87 234

HSL 268.98, 0.78%, 0.63%

LAB 51.87, 56.61, -63.46

 

CMYK 0 / 63 / 35 / 8

HEX #EA5798

RGB 234 87 152

HSL 333.47, 0.78%, 0.63%

LAB 58.58, 62.39, -5.17

 

CMYK 0 / 71 / 40 / 2

HEX #FA4896

RGB 250 72 150

HSL 333.71, 0.95%, 0.63%

LAB 59.12, 72.27, -2.9

 

CMYK 0 / 63 / 35 / 8

HEX #EA5798

RGB 234 87 152

HSL 333.47, 0.78%, 0.63%

LAB 58.58, 62.39, -5.17

 

CMYK 0 / 53 / 30 / 14

HEX #DB669A

RGB 219 102 154

HSL 333.33, 0.62%, 0.63%

LAB 58.88, 51.31, -6.14

 

CMYK 0 / 42 / 24 / 20

HEX #CC769C

RGB 204 118 156

HSL 333.49, 0.46%, 0.63%

LAB 60.06, 38.47, -5.76

 

CMYK 0 / 29 / 16 / 26

HEX #BC859D

RGB 188 133 157

HSL 333.82, 0.29%, 0.63%

LAB 61.57, 24.76, -4.32

 

CMYK 0 / 14 / 8 / 32

HEX #AD949F

RGB 173 148 159

HSL 333.6, 0.13%, 0.63%

LAB 63.81, 11.22, -2.33

 

CMYK 0 / 63 / 1 / 8

HEX #EA57E8

RGB 234 87 232

HSL 300.82, 0.78%, 0.63%

LAB 61.77, 73.47, -45.95

 

CMYK 0 / 63 / 18 / 8

HEX #EA57C1

RGB 234 87 193

HSL 316.73, 0.78%, 0.63%

LAB 60.03, 67.57, -26.64

 

CMYK 0 / 63 / 35 / 8

HEX #EA5799

RGB 234 87 153

HSL 333.06, 0.78%, 0.63%

LAB 58.61, 62.51, -5.71

 

CMYK 0 / 63 / 51 / 8

HEX #EA5772

RGB 234 87 114

HSL 348.98, 0.78%, 0.63%

LAB 57.58, 58.7, 15.66

 

CMYK 0 / 58 / 63 / 8

HEX #EA6357

RGB 234 99 87

HSL 4.9, 0.78%, 0.63%

LAB 59.07, 51.47, 33.19

 

CMYK 0 / 88 / 49 / 16

HEX #D51A6C

RGB 213 26 108

HSL 333.69, 0.78%, 0.47%

LAB 46.93, 71.12, 3.71

 

CMYK 0 / 78 / 44 / 10

HEX #E63281

RGB 230 50 129

HSL 333.67, 0.78%, 0.55%

LAB 52.61, 71.77, -0.43

 

CMYK 0 / 63 / 35 / 8

HEX #EA5798

RGB 234 87 152

HSL 333.47, 0.78%, 0.63%

LAB 58.58, 62.39, -5.17

 

CMYK 0 / 48 / 27 / 6

HEX #EF7CAF

RGB 239 124 175

HSL 333.39, 0.78%, 0.71%

LAB 66.41, 49.85, -6.68

 

CMYK 0 / 34 / 19 / 5

HEX #F3A0C5

RGB 243 160 197

HSL 333.25, 0.78%, 0.79%

LAB 74.97, 35.88, -6.2

 

CMYK 0 / 62 / 35 / 8

HEX #EA5999

RGB 234 89 153

HSL 333.52, 0.78%, 0.63%

LAB 58.92, 61.68, -5.25

 

CMYK 0 / 16 / 63 / 8

HEX #EAC557

RGB 234 197 87

HSL 44.9, 0.78%, 0.63%

LAB 80.8, 0.96, 58.57

 

CMYK 63 / 9 / 0 / 8

HEX #57D4EA

RGB 87 212 234

HSL 188.98, 0.78%, 0.63%

LAB 79.07, -27.98, -21.13

 

CMYK 0 / 62 / 35 / 8

HEX #EA5999

RGB 234 89 153

HSL 333.52, 0.78%, 0.63%

LAB 58.92, 61.68, -5.25

 

CMYK 35 / 0 / 63 / 8

HEX #99EA57

RGB 153 234 87

HSL 93.06, 0.78%, 0.63%

LAB 85.15, -48.39, 61.7

 

CMYK 63 / 35 / 0 / 8

HEX #5799EA

RGB 87 153 234

HSL 213.06, 0.78%, 0.63%

LAB 62.3, 3.61, -47.11

 

CMYK 0 / 62 / 35 / 8

HEX #EA5999

RGB 234 89 153

HSL 333.52, 0.78%, 0.63%

LAB 58.92, 61.68, -5.25

 

CMYK 0 / 16 / 63 / 8

HEX #EAC557

RGB 234 197 87

HSL 44.9, 0.78%, 0.63%

LAB 80.8, 0.96, 58.57

 

CMYK 63 / 0 / 28 / 8

HEX #57EAA8

RGB 87 234 168

HSL 153.06, 0.78%, 0.63%

LAB 83.81, -54.21, 20.71

 

CMYK 63 / 47 / 0 / 8

HEX #577CEA

RGB 87 124 234

HSL 224.9, 0.78%, 0.63%

LAB 54.43, 20.95, -59.63

 

CMYK 0 / 62 / 35 / 8

HEX #EA5999

RGB 234 89 153

HSL 333.52, 0.78%, 0.63%

LAB 58.92, 61.68, -5.25

 

CMYK 3 / 0 / 63 / 8

HEX #E3EA57

RGB 227 234 87

HSL 62.86, 0.78%, 0.63%

LAB 89.8, -20.48, 68.06

 

CMYK 63 / 0 / 28 / 8

HEX #57EAA8

RGB 87 234 168

HSL 153.06, 0.78%, 0.63%

LAB 83.81, -54.21, 20.71

 

CMYK 60 / 63 / 0 / 8

HEX #5E57EA

RGB 94 87 234

HSL 242.86, 0.78%, 0.63%

LAB 45.82, 44.55, -73.55

 

Description

Color code: HEX #EA5999 | qconv.com Color code: HEX #EA5999 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 89 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 89 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 35 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 35% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Obsessive : lingerie...
Link: http://www.acces-secret.fr

49% - Body ouvert Musca Ob...
Link: http://www.acces-secret.fr

69% - Bas Fantaisie & ...
Link: http://www.acces-secret.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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