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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3E9C9 it is the complementary color #2C1636. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3E9C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3E9C9 shade: #D8E9C4, #E9FBD7, #FAFFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3E9C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3E9C9 shade: #D3E9C9, #C2D7B6, #B1C5A3, #A0B390 and #8FA17D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3E9C9 shade: #D2E8C8, #DBE8C8, #E4E8C8, #E8E4C8 and #E8DCC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3E9C9 shade: #D2E8C8, #CAE8C8, #C8E8CF, #C8E8D8 and #C8E8E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3E9C9 shade matches the following richer shades: #D2E8C8, #D0EFC2, #CEF5BC and #CBFBB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3E9C9 shade: #D2E8C8, #D5E2CE, #D7DCD5, #D9D6DB and #DCD0E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3E9C9 shade: #E3E8C8, #DBE8C8, #D2E8C8, #CAE8C8 and #C8E8CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3E9C9 shade: #A2D08E, #BADCAB, #D2E8C8 and #EAF4E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3E9C9 shade: #D3E9C9, #C8E8E5 and #E8C8DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3E9C9 shade: #D3E9C9, #C8D2E8 and #E8C8D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3E9C9 shade: #D3E9C9, #C8E8E5, #DEC8E8 and #E8C8CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3E9C9 shade: #D3E9C9, #C8E2E8, #DEC8E8 and #E8CEC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 14 / 9

HEX #D3E9C9

RGB 211 233 201

HSL 101.25, 0.42%, 0.85%

LAB 90.02, -13, 13.11

 

Complementary color

CMYK 19 / 59 / 0 / 79

HEX #2C1636

RGB 44 22 54

HSL 281.25, 0.42%, 0.15%

LAB 11.79, 18.04, -16.57

 

CMYK 7 / 0 / 16 / 9

HEX #D8E9C4

RGB 216 233 196

HSL 87.57, 0.46%, 0.84%

LAB 90.26, -12.09, 16.1

 

CMYK 7 / 0 / 14 / 2

HEX #E9FBD7

RGB 233 251 215

HSL 90, 0.82%, 0.91%

LAB 96.5, -12.12, 15.27

 

CMYK 2 / 0 / 8 / 0

HEX #FAFFEA

RGB 250 255 234

HSL 74.29, 1%, 0.96%

LAB 99.14, -5.23, 9.45

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 9 / 0 / 14 / 9

HEX #D3E9C9

RGB 211 233 201

HSL 101.25, 0.42%, 0.85%

LAB 90.02, -13, 13.11

 

CMYK 10 / 0 / 15 / 16

HEX #C2D7B6

RGB 194 215 182

HSL 98.18, 0.29%, 0.78%

LAB 83.68, -13.01, 13.94

 

CMYK 10 / 0 / 17 / 23

HEX #B1C5A3

RGB 177 197 163

HSL 95.29, 0.23%, 0.71%

LAB 77.24, -13.02, 14.8

 

CMYK 11 / 0 / 20 / 30

HEX #A0B390

RGB 160 179 144

HSL 92.57, 0.19%, 0.63%

LAB 70.68, -13.04, 15.71

 

CMYK 11 / 0 / 22 / 37

HEX #8FA17D

RGB 143 161 125

HSL 90, 0.16%, 0.56%

LAB 64.01, -13.06, 16.68

 

CMYK 9 / 0 / 14 / 9

HEX #D2E8C8

RGB 210 232 200

HSL 101.25, 0.41%, 0.85%

LAB 89.67, -13.01, 13.13

 

CMYK 6 / 0 / 14 / 9

HEX #DBE8C8

RGB 219 232 200

HSL 84.38, 0.41%, 0.85%

LAB 90.3, -9.9, 14.11

 

CMYK 2 / 0 / 14 / 9

HEX #E4E8C8

RGB 228 232 200

HSL 67.5, 0.41%, 0.85%

LAB 90.95, -6.74, 15.13

 

CMYK 0 / 2 / 14 / 9

HEX #E8E4C8

RGB 232 228 200

HSL 52.5, 0.41%, 0.85%

LAB 90.24, -3.29, 14.16

 

CMYK 0 / 5 / 14 / 9

HEX #E8DCC8

RGB 232 220 200

HSL 37.5, 0.41%, 0.85%

LAB 88.21, 0.82, 11.29

 

CMYK 9 / 0 / 14 / 9

HEX #D2E8C8

RGB 210 232 200

HSL 101.25, 0.41%, 0.85%

LAB 89.67, -13.01, 13.13

 

CMYK 13 / 0 / 14 / 9

HEX #CAE8C8

RGB 202 232 200

HSL 116.25, 0.41%, 0.85%

LAB 89.13, -15.73, 12.29

 

CMYK 14 / 0 / 11 / 9

HEX #C8E8CF

RGB 200 232 207

HSL 133.13, 0.41%, 0.85%

LAB 89.16, -15.16, 8.66

 

CMYK 14 / 0 / 7 / 9

HEX #C8E8D8

RGB 200 232 216

HSL 150, 0.41%, 0.85%

LAB 89.37, -13.5, 4.26

 

CMYK 14 / 0 / 3 / 9

HEX #C8E8E1

RGB 200 232 225

HSL 166.88, 0.41%, 0.85%

LAB 89.59, -11.79, -0.13

 

CMYK 9 / 0 / 14 / 9

HEX #D2E8C8

RGB 210 232 200

HSL 101.25, 0.41%, 0.85%

LAB 89.67, -13.01, 13.13

 

CMYK 13 / 0 / 19 / 6

HEX #D0EFC2

RGB 208 239 194

HSL 101.33, 0.58%, 0.85%

LAB 91.25, -18.15, 18.45

 

CMYK 16 / 0 / 23 / 4

HEX #CEF5BC

RGB 206 245 188

HSL 101.05, 0.74%, 0.85%

LAB 92.6, -22.71, 23.39

 

CMYK 19 / 0 / 27 / 2

HEX #CBFBB6

RGB 203 251 182

HSL 101.74, 0.9%, 0.85%

LAB 93.91, -27.52, 28.21

 

CMYK 9 / 0 / 14 / 9

HEX #D2E8C8

RGB 210 232 200

HSL 101.25, 0.41%, 0.85%

LAB 89.67, -13.01, 13.13

 

CMYK 6 / 0 / 9 / 11

HEX #D5E2CE

RGB 213 226 206

HSL 99, 0.26%, 0.85%

LAB 88.45, -7.93, 8.28

 

CMYK 2 / 0 / 3 / 14

HEX #D7DCD5

RGB 215 220 213

HSL 102.86, 0.09%, 0.85%

LAB 87.21, -2.95, 2.83

 

CMYK 1 / 2 / 0 / 14

HEX #D9D6DB

RGB 217 214 219

HSL 276, 0.06%, 0.85%

LAB 85.99, 1.93, -2.11

 

CMYK 2 / 8 / 0 / 12

HEX #DCD0E1

RGB 220 208 225

HSL 282.35, 0.22%, 0.85%

LAB 84.88, 7.2, -6.9

 

CMYK 2 / 0 / 14 / 9

HEX #E3E8C8

RGB 227 232 200

HSL 69.38, 0.41%, 0.85%

LAB 90.88, -7.09, 15.01

 

CMYK 6 / 0 / 14 / 9

HEX #DBE8C8

RGB 219 232 200

HSL 84.38, 0.41%, 0.85%

LAB 90.3, -9.9, 14.11

 

CMYK 9 / 0 / 14 / 9

HEX #D2E8C8

RGB 210 232 200

HSL 101.25, 0.41%, 0.85%

LAB 89.67, -13.01, 13.13

 

CMYK 13 / 0 / 14 / 9

HEX #CAE8C8

RGB 202 232 200

HSL 116.25, 0.41%, 0.85%

LAB 89.13, -15.73, 12.29

 

CMYK 14 / 0 / 11 / 9

HEX #C8E8CF

RGB 200 232 207

HSL 133.13, 0.41%, 0.85%

LAB 89.16, -15.16, 8.66

 

CMYK 22 / 0 / 32 / 18

HEX #A2D08E

RGB 162 208 142

HSL 101.82, 0.41%, 0.69%

LAB 78.89, -27.17, 28.02

 

CMYK 15 / 0 / 22 / 14

HEX #BADCAB

RGB 186 220 171

HSL 101.63, 0.41%, 0.77%

LAB 84.26, -20.11, 20.45

 

CMYK 9 / 0 / 14 / 9

HEX #D2E8C8

RGB 210 232 200

HSL 101.25, 0.41%, 0.85%

LAB 89.67, -13.01, 13.13

 

CMYK 4 / 0 / 6 / 4

HEX #EAF4E5

RGB 234 244 229

HSL 100, 0.41%, 0.93%

LAB 95.1, -5.95, 6.07

 

CMYK 9 / 0 / 14 / 9

HEX #D3E9C9

RGB 211 233 201

HSL 101.25, 0.42%, 0.85%

LAB 90.02, -13, 13.11

 

CMYK 14 / 0 / 1 / 9

HEX #C8E8E5

RGB 200 232 229

HSL 174.38, 0.41%, 0.85%

LAB 89.7, -11, -2.07

 

CMYK 0 / 14 / 4 / 9

HEX #E8C8DF

RGB 232 200 223

HSL 316.88, 0.41%, 0.85%

LAB 83.86, 15.13, -7.23

 

CMYK 9 / 0 / 14 / 9

HEX #D3E9C9

RGB 211 233 201

HSL 101.25, 0.42%, 0.85%

LAB 90.02, -13, 13.11

 

CMYK 14 / 9 / 0 / 9

HEX #C8D2E8

RGB 200 210 232

HSL 221.25, 0.41%, 0.85%

LAB 84.07, 0.97, -11.98

 

CMYK 0 / 14 / 9 / 9

HEX #E8C8D2

RGB 232 200 210

HSL 341.25, 0.41%, 0.85%

LAB 83.5, 12.89, -0.81

 

CMYK 9 / 0 / 14 / 9

HEX #D3E9C9

RGB 211 233 201

HSL 101.25, 0.42%, 0.85%

LAB 90.02, -13, 13.11

 

CMYK 14 / 0 / 1 / 9

HEX #C8E8E5

RGB 200 232 229

HSL 174.38, 0.41%, 0.85%

LAB 89.7, -11, -2.07

 

CMYK 4 / 14 / 0 / 9

HEX #DEC8E8

RGB 222 200 232

HSL 281.25, 0.41%, 0.85%

LAB 83.27, 13.42, -13

 

CMYK 0 / 14 / 12 / 9

HEX #E8C8CC

RGB 232 200 204

HSL 352.5, 0.41%, 0.85%

LAB 83.35, 11.9, 2.17

 

CMYK 9 / 0 / 14 / 9

HEX #D3E9C9

RGB 211 233 201

HSL 101.25, 0.42%, 0.85%

LAB 90.02, -13, 13.11

 

CMYK 14 / 3 / 0 / 9

HEX #C8E2E8

RGB 200 226 232

HSL 191.25, 0.41%, 0.85%

LAB 88.21, -7.35, -5.83

 

CMYK 4 / 14 / 0 / 9

HEX #DEC8E8

RGB 222 200 232

HSL 281.25, 0.41%, 0.85%

LAB 83.27, 13.42, -13

 

CMYK 0 / 11 / 14 / 9

HEX #E8CEC8

RGB 232 206 200

HSL 11.25, 0.41%, 0.85%

LAB 84.72, 8.1, 6.29

 

Description

Color code: HEX #D3E9C9 | qconv.com Color code: HEX #D3E9C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 233 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 233 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 14 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 14% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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