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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3D554 it is the complementary color #2C2AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3D554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3D554 shade: #D8D54F, #E9E762, #FAF975, #FFFF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3D554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3D554 shade: #D3D554, #C2C341, #B1B12E, #A09F1B and #8F8D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3D554 shade: #D3D553, #D5B453, #D59153, #D56E53 and #D55353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3D554 shade: #D3D553, #B0D553, #8DD553, #6AD553 and #53D55F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3D554 shade matches the following richer shades: #D3D553, #E4E741 and #F5F830

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3D554 shade: #D3D553, #C2C464, #B2B375, #A1A187 and #909098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3D554 shade: #D59053, #D5B253, #D5D553, #B2D553 and #90D553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3D554 shade: #AAAC2A, #CACD32, #D3D553, #DCDD74 and #E4E595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3D554 shade: #D3D554, #53D56D and #A153D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3D554 shade: #D3D554, #53D5D5 and #D553D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3D554 shade: #D3D554, #53D56D, #5353D5 and #D553BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3D554 shade: #D3D554, #53D594, #5353D5 and #D55394

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 61 / 16

HEX #D3D554

RGB 211 213 84

HSL 60.93, 0.61%, 0.58%

LAB 82.95, -16.91, 61.63

 

Complementary color

CMYK 74 / 75 / 0 / 33

HEX #2C2AAB

RGB 44 42 171

HSL 240.93, 0.61%, 0.42%

LAB 27.11, 43.91, -67.75

 

CMYK 0 / 1 / 63 / 15

HEX #D8D54F

RGB 216 213 79

HSL 58.69, 0.64%, 0.58%

LAB 83.31, -15.17, 64.19

 

CMYK 0 / 1 / 58 / 9

HEX #E9E762

RGB 233 231 98

HSL 59.11, 0.75%, 0.65%

LAB 89.56, -15.88, 63.4

 

CMYK 0 / 0 / 53 / 2

HEX #FAF975

RGB 250 249 117

HSL 59.55, 0.93%, 0.72%

LAB 95.73, -16.48, 62.43

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 1 / 0 / 61 / 16

HEX #D3D554

RGB 211 213 84

HSL 60.93, 0.61%, 0.58%

LAB 82.95, -16.91, 61.63

 

CMYK 1 / 0 / 67 / 24

HEX #C2C341

RGB 194 195 65

HSL 60.46, 0.52%, 0.51%

LAB 76.61, -16.17, 62.28

 

CMYK 0 / 0 / 74 / 31

HEX #B1B12E

RGB 177 177 46

HSL 60, 0.59%, 0.44%

LAB 70.17, -15.28, 62.47

 

CMYK 0 / 1 / 83 / 37

HEX #A09F1B

RGB 160 159 27

HSL 59.55, 0.71%, 0.37%

LAB 63.63, -14.17, 61.81

 

CMYK 0 / 1 / 94 / 44

HEX #8F8D08

RGB 143 141 8

HSL 59.11, 0.89%, 0.3%

LAB 56.98, -12.82, 59.71

 

CMYK 1 / 0 / 61 / 16

HEX #D3D553

RGB 211 213 83

HSL 60.92, 0.61%, 0.58%

LAB 82.95, -16.98, 62.04

 

CMYK 0 / 15 / 61 / 16

HEX #D5B453

RGB 213 180 83

HSL 44.77, 0.61%, 0.58%

LAB 74.45, 0.74, 52.78

 

CMYK 0 / 32 / 61 / 16

HEX #D59153

RGB 213 145 83

HSL 28.62, 0.61%, 0.58%

LAB 65.77, 19.51, 42.79

 

CMYK 0 / 48 / 61 / 16

HEX #D56E53

RGB 213 110 83

HSL 12.46, 0.61%, 0.58%

LAB 57.96, 38.13, 33.36

 

CMYK 0 / 61 / 61 / 16

HEX #D55353

RGB 213 83 83

HSL 0, 0.61%, 0.58%

LAB 52.9, 51.19, 26.97

 

CMYK 1 / 0 / 61 / 16

HEX #D3D553

RGB 211 213 83

HSL 60.92, 0.61%, 0.58%

LAB 82.95, -16.98, 62.04

 

CMYK 17 / 0 / 61 / 16

HEX #B0D553

RGB 176 213 83

HSL 77.08, 0.61%, 0.58%

LAB 80.43, -31.03, 58.58

 

CMYK 34 / 0 / 61 / 16

HEX #8DD553

RGB 141 213 83

HSL 93.23, 0.61%, 0.58%

LAB 78.39, -43.95, 55.75

 

CMYK 50 / 0 / 61 / 16

HEX #6AD553

RGB 106 213 83

HSL 109.38, 0.61%, 0.58%

LAB 76.85, -54.92, 53.6

 

CMYK 61 / 0 / 55 / 16

HEX #53D55F

RGB 83 213 95

HSL 125.54, 0.61%, 0.58%

LAB 76.22, -59.27, 47.29

 

CMYK 1 / 0 / 61 / 16

HEX #D3D553

RGB 211 213 83

HSL 60.92, 0.61%, 0.58%

LAB 82.95, -16.98, 62.04

 

CMYK 1 / 0 / 72 / 9

HEX #E4E741

RGB 228 231 65

HSL 61.08, 0.78%, 0.58%

LAB 88.94, -19.79, 75.28

 

CMYK 1 / 0 / 81 / 3

HEX #F5F830

RGB 245 248 48

HSL 60.9, 0.93%, 0.58%

LAB 94.64, -21.6, 85.74

 

CMYK 1 / 0 / 61 / 16

HEX #D3D553

RGB 211 213 83

HSL 60.92, 0.61%, 0.58%

LAB 82.95, -16.98, 62.04

 

CMYK 1 / 0 / 49 / 23

HEX #C2C464

RGB 194 196 100

HSL 61.25, 0.45%, 0.58%

LAB 77.2, -14.1, 47.51

 

CMYK 1 / 0 / 35 / 30

HEX #B2B375

RGB 178 179 117

HSL 60.97, 0.29%, 0.58%

LAB 71.55, -10.02, 31.59

 

CMYK 0 / 0 / 16 / 37

HEX #A1A187

RGB 161 161 135

HSL 60, 0.12%, 0.58%

LAB 65.61, -4.58, 13.57

 

CMYK 5 / 5 / 0 / 40

HEX #909098

RGB 144 144 152

HSL 240, 0.04%, 0.58%

LAB 60.02, 1.6, -4.23

 

CMYK 0 / 32 / 61 / 16

HEX #D59053

RGB 213 144 83

HSL 28.15, 0.61%, 0.58%

LAB 65.53, 20.05, 42.51

 

CMYK 0 / 16 / 61 / 16

HEX #D5B253

RGB 213 178 83

HSL 43.85, 0.61%, 0.58%

LAB 73.94, 1.8, 52.21

 

CMYK 0 / 0 / 61 / 16

HEX #D5D553

RGB 213 213 83

HSL 60, 0.61%, 0.58%

LAB 83.1, -16.16, 62.26

 

CMYK 16 / 0 / 61 / 16

HEX #B2D553

RGB 178 213 83

HSL 76.15, 0.61%, 0.58%

LAB 80.56, -30.25, 58.76

 

CMYK 32 / 0 / 61 / 16

HEX #90D553

RGB 144 213 83

HSL 91.85, 0.61%, 0.58%

LAB 78.54, -42.91, 55.97

 

CMYK 1 / 0 / 76 / 33

HEX #AAAC2A

RGB 170 172 42

HSL 60.92, 0.61%, 0.42%

LAB 68.18, -15.93, 61.74

 

CMYK 1 / 0 / 76 / 20

HEX #CACD32

RGB 202 205 50

HSL 61.16, 0.61%, 0.5%

LAB 79.87, -18.5, 70.89

 

CMYK 1 / 0 / 61 / 16

HEX #D3D553

RGB 211 213 83

HSL 60.92, 0.61%, 0.58%

LAB 82.95, -16.98, 62.04

 

CMYK 0 / 0 / 48 / 13

HEX #DCDD74

RGB 220 221 116

HSL 60.57, 0.61%, 0.66%

LAB 86.1, -14.72, 51.01

 

CMYK 0 / 0 / 35 / 10

HEX #E4E595

RGB 228 229 149

HSL 60.75, 0.61%, 0.74%

LAB 89.25, -12.17, 38.95

 

CMYK 1 / 0 / 61 / 16

HEX #D3D554

RGB 211 213 84

HSL 60.93, 0.61%, 0.58%

LAB 82.95, -16.91, 61.63

 

CMYK 61 / 0 / 49 / 16

HEX #53D56D

RGB 83 213 109

HSL 132, 0.61%, 0.58%

LAB 76.39, -57.36, 40.82

 

CMYK 24 / 61 / 0 / 16

HEX #A153D5

RGB 161 83 213

HSL 276, 0.61%, 0.58%

LAB 50.18, 54.43, -54.27

 

CMYK 1 / 0 / 61 / 16

HEX #D3D554

RGB 211 213 84

HSL 60.93, 0.61%, 0.58%

LAB 82.95, -16.91, 61.63

 

CMYK 61 / 0 / 0 / 16

HEX #53D5D5

RGB 83 213 213

HSL 180, 0.61%, 0.58%

LAB 78.6, -35.02, -10.61

 

CMYK 0 / 61 / 0 / 16

HEX #D553D5

RGB 213 83 213

HSL 300, 0.61%, 0.58%

LAB 57.21, 66.92, -42.66

 

CMYK 1 / 0 / 61 / 16

HEX #D3D554

RGB 211 213 84

HSL 60.93, 0.61%, 0.58%

LAB 82.95, -16.91, 61.63

 

CMYK 61 / 0 / 49 / 16

HEX #53D56D

RGB 83 213 109

HSL 132, 0.61%, 0.58%

LAB 76.39, -57.36, 40.82

 

CMYK 61 / 61 / 0 / 16

HEX #5353D5

RGB 83 83 213

HSL 240, 0.61%, 0.58%

LAB 42.51, 38.48, -67.05

 

CMYK 0 / 61 / 12 / 16

HEX #D553BB

RGB 213 83 187

HSL 312, 0.61%, 0.58%

LAB 56.01, 62.76, -29.68

 

CMYK 1 / 0 / 61 / 16

HEX #D3D554

RGB 211 213 84

HSL 60.93, 0.61%, 0.58%

LAB 82.95, -16.91, 61.63

 

CMYK 61 / 0 / 31 / 16

HEX #53D594

RGB 83 213 148

HSL 150, 0.61%, 0.58%

LAB 77.02, -50.57, 21.77

 

CMYK 61 / 61 / 0 / 16

HEX #5353D5

RGB 83 83 213

HSL 240, 0.61%, 0.58%

LAB 42.51, 38.48, -67.05

 

CMYK 0 / 61 / 31 / 16

HEX #D55394

RGB 213 83 148

HSL 330, 0.61%, 0.58%

LAB 54.52, 57.38, -9.22

 

Description

Color code: HEX #D3D554 | qconv.com Color code: HEX #D3D554 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 213 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 213 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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