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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1A187 it is the complementary color #5E5E78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1A187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1A187 shade: #A6A182, #B7B395, #C8C5A8, #D9D7BB and #EAE9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1A187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1A187 shade: #A1A187, #908F74, #7F7D61, #6E6B4E and #5D593B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1A187 shade: #A1A187, #A19A87, #A19387, #A18C87 and #A18787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1A187 shade: #A1A187, #9AA187, #93A187, #8CA187 and #87A189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1A187 shade matches the following richer shades: #A1A187, #B2B276, #C3C364, #D5D553 and #E6E642

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1A187 shade: #A1A187, #8F8F98, #7E7EAA, #6D6DBB and #5B5BCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1A187 shade: #A19387, #A19A87, #A1A187, #9AA187 and #93A187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1A187 shade: #77775E, #8F8F70, #A1A187, #B3B39E and #C5C5B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1A187 shade: #A1A187, #87A18C and #9687A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1A187 shade: #A1A187, #87A1A1 and #A187A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1A187 shade: #A1A187, #87A18C, #8787A1 and #A1879C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1A187 shade: #A1A187, #87A194, #8787A1 and #A18794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 16 / 37

HEX #A1A187

RGB 161 161 135

HSL 60, 0.12%, 0.58%

LAB 65.61, -4.58, 13.57

 

Complementary color

CMYK 22 / 22 / 0 / 53

HEX #5E5E78

RGB 94 94 120

HSL 240, 0.12%, 0.42%

LAB 40.8, 6.06, -14.61

 

CMYK 0 / 3 / 22 / 35

HEX #A6A182

RGB 166 161 130

HSL 51.67, 0.17%, 0.58%

LAB 65.91, -3.43, 16.82

 

CMYK 0 / 2 / 19 / 28

HEX #B7B395

RGB 183 179 149

HSL 52.94, 0.19%, 0.65%

LAB 72.55, -3.65, 15.85

 

CMYK 0 / 1 / 16 / 22

HEX #C8C5A8

RGB 200 197 168

HSL 54.38, 0.23%, 0.72%

LAB 79.06, -3.85, 14.94

 

CMYK 0 / 1 / 14 / 15

HEX #D9D7BB

RGB 217 215 187

HSL 56, 0.28%, 0.79%

LAB 85.47, -4.02, 14.08

 

CMYK 0 / 0 / 12 / 8

HEX #EAE9CE

RGB 234 233 206

HSL 57.86, 0.4%, 0.86%

LAB 91.79, -4.18, 13.25

 

CMYK 0 / 0 / 16 / 37

HEX #A1A187

RGB 161 161 135

HSL 60, 0.12%, 0.58%

LAB 65.61, -4.58, 13.57

 

CMYK 0 / 1 / 19 / 44

HEX #908F74

RGB 144 143 116

HSL 57.86, 0.11%, 0.51%

LAB 58.82, -4.4, 14.54

 

CMYK 0 / 2 / 24 / 50

HEX #7F7D61

RGB 127 125 97

HSL 56, 0.13%, 0.44%

LAB 51.89, -4.19, 15.58

 

CMYK 0 / 3 / 29 / 57

HEX #6E6B4E

RGB 110 107 78

HSL 54.38, 0.17%, 0.37%

LAB 44.77, -3.92, 16.72

 

CMYK 0 / 4 / 37 / 64

HEX #5D593B

RGB 93 89 59

HSL 52.94, 0.22%, 0.3%

LAB 37.46, -3.58, 17.97

 

CMYK 0 / 0 / 16 / 37

HEX #A1A187

RGB 161 161 135

HSL 60, 0.12%, 0.58%

LAB 65.61, -4.58, 13.57

 

CMYK 0 / 4 / 16 / 37

HEX #A19A87

RGB 161 154 135

HSL 43.85, 0.12%, 0.58%

LAB 63.7, -0.76, 10.89

 

CMYK 0 / 9 / 16 / 37

HEX #A19387

RGB 161 147 135

HSL 27.69, 0.12%, 0.58%

LAB 61.82, 3.11, 8.22

 

CMYK 0 / 13 / 16 / 37

HEX #A18C87

RGB 161 140 135

HSL 11.54, 0.12%, 0.58%

LAB 59.96, 7.03, 5.56

 

CMYK 0 / 16 / 16 / 37

HEX #A18787

RGB 161 135 135

HSL 0, 0.12%, 0.58%

LAB 58.65, 9.86, 3.68

 

CMYK 0 / 0 / 16 / 37

HEX #A1A187

RGB 161 161 135

HSL 60, 0.12%, 0.58%

LAB 65.61, -4.58, 13.57

 

CMYK 4 / 0 / 16 / 37

HEX #9AA187

RGB 154 161 135

HSL 76.15, 0.12%, 0.58%

LAB 65.05, -7.24, 12.71

 

CMYK 9 / 0 / 16 / 37

HEX #93A187

RGB 147 161 135

HSL 92.31, 0.12%, 0.58%

LAB 64.52, -9.87, 11.88

 

CMYK 13 / 0 / 16 / 37

HEX #8CA187

RGB 140 161 135

HSL 108.46, 0.12%, 0.58%

LAB 64.01, -12.44, 11.09

 

CMYK 16 / 0 / 15 / 37

HEX #87A189

RGB 135 161 137

HSL 124.62, 0.12%, 0.58%

LAB 63.71, -13.88, 9.51

 

CMYK 0 / 0 / 16 / 37

HEX #A1A187

RGB 161 161 135

HSL 60, 0.12%, 0.58%

LAB 65.61, -4.58, 13.57

 

CMYK 0 / 0 / 34 / 30

HEX #B2B276

RGB 178 178 118

HSL 60, 0.28%, 0.58%

LAB 71.29, -9.37, 30.73

 

CMYK 0 / 0 / 49 / 24

HEX #C3C364

RGB 195 195 100

HSL 60, 0.44%, 0.58%

LAB 77.01, -13.19, 47.3

 

CMYK 0 / 0 / 61 / 16

HEX #D5D553

RGB 213 213 83

HSL 60, 0.61%, 0.58%

LAB 83.1, -16.16, 62.26

 

CMYK 0 / 0 / 71 / 10

HEX #E6E642

RGB 230 230 66

HSL 60, 0.77%, 0.58%

LAB 88.83, -18.44, 74.9

 

CMYK 0 / 0 / 16 / 37

HEX #A1A187

RGB 161 161 135

HSL 60, 0.12%, 0.58%

LAB 65.61, -4.58, 13.57

 

CMYK 6 / 6 / 0 / 40

HEX #8F8F98

RGB 143 143 152

HSL 240, 0.04%, 0.58%

LAB 59.66, 1.81, -4.76

 

CMYK 26 / 26 / 0 / 33

HEX #7E7EAA

RGB 126 126 170

HSL 240, 0.21%, 0.58%

LAB 54.3, 10, -23.33

 

CMYK 42 / 42 / 0 / 27

HEX #6D6DBB

RGB 109 109 187

HSL 240, 0.36%, 0.58%

LAB 49.22, 19.91, -41.18

 

CMYK 55 / 55 / 0 / 20

HEX #5B5BCC

RGB 91 91 204

HSL 240, 0.53%, 0.58%

LAB 44.33, 32.09, -58.89

 

CMYK 0 / 9 / 16 / 37

HEX #A19387

RGB 161 147 135

HSL 27.69, 0.12%, 0.58%

LAB 61.82, 3.11, 8.22

 

CMYK 0 / 4 / 16 / 37

HEX #A19A87

RGB 161 154 135

HSL 43.85, 0.12%, 0.58%

LAB 63.7, -0.76, 10.89

 

CMYK 0 / 0 / 16 / 37

HEX #A1A187

RGB 161 161 135

HSL 60, 0.12%, 0.58%

LAB 65.61, -4.58, 13.57

 

CMYK 4 / 0 / 16 / 37

HEX #9AA187

RGB 154 161 135

HSL 76.15, 0.12%, 0.58%

LAB 65.05, -7.24, 12.71

 

CMYK 9 / 0 / 16 / 37

HEX #93A187

RGB 147 161 135

HSL 92.31, 0.12%, 0.58%

LAB 64.52, -9.87, 11.88

 

CMYK 0 / 0 / 21 / 53

HEX #77775E

RGB 119 119 94

HSL 60, 0.12%, 0.42%

LAB 49.4, -4.55, 13.79

 

CMYK 0 / 0 / 22 / 44

HEX #8F8F70

RGB 143 143 112

HSL 60, 0.12%, 0.5%

LAB 58.65, -5.42, 16.55

 

CMYK 0 / 0 / 16 / 37

HEX #A1A187

RGB 161 161 135

HSL 60, 0.12%, 0.58%

LAB 65.61, -4.58, 13.57

 

CMYK 0 / 0 / 12 / 30

HEX #B3B39E

RGB 179 179 158

HSL 60, 0.12%, 0.66%

LAB 72.42, -3.71, 10.73

 

CMYK 0 / 0 / 8 / 23

HEX #C5C5B5

RGB 197 197 181

HSL 60, 0.12%, 0.74%

LAB 79.12, -2.82, 8.02

 

Description

Color code: HEX #A1A187 | qconv.com Color code: HEX #A1A187 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 161 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 161 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 16 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 16% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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