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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3CD54 it is the complementary color #2C32AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3CD54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D3CD54: #D8CD4F, #E9DF62, #FAF175, #FFFF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3CD54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D3CD54: #D3CD54, #C2BB41, #B1A92E, #A0971B and #8F8508

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 60 / 17

HEX #D3CD54

RGB 211 205 84

HSL 57.17, 0.59%, 0.58%

LAB 80.82, -12.92, 59.32

 

Complementary color

CMYK 74 / 71 / 0 / 33

HEX #2C32AB

RGB 44 50 171

HSL 237.17, 0.59%, 0.42%

LAB 28.79, 39.22, -64.98

 

CMYK 0 / 5 / 63 / 15

HEX #D8CD4F

RGB 216 205 79

HSL 55.18, 0.64%, 0.58%

LAB 81.2, -11.16, 61.96

 

CMYK 0 / 4 / 58 / 9

HEX #E9DF62

RGB 233 223 98

HSL 55.56, 0.75%, 0.65%

LAB 87.48, -11.93, 61.09

 

CMYK 0 / 4 / 53 / 2

HEX #FAF175

RGB 250 241 117

HSL 55.94, 0.93%, 0.72%

LAB 93.68, -12.58, 60.06

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 3 / 60 / 17

HEX #D3CD54

RGB 211 205 84

HSL 57.17, 0.59%, 0.58%

LAB 80.82, -12.92, 59.32

 

CMYK 0 / 4 / 66 / 24

HEX #C2BB41

RGB 194 187 65

HSL 56.74, 0.51%, 0.51%

LAB 74.44, -12.12, 60.07

 

CMYK 0 / 5 / 74 / 31

HEX #B1A92E

RGB 177 169 46

HSL 56.34, 0.59%, 0.44%

LAB 67.96, -11.15, 60.39

 

CMYK 0 / 6 / 83 / 37

HEX #A0971B

RGB 160 151 27

HSL 55.94, 0.71%, 0.37%

LAB 61.38, -9.96, 59.9

 

CMYK 0 / 7 / 94 / 44

HEX #8F8508

RGB 143 133 8

HSL 55.56, 0.89%, 0.3%

LAB 54.69, -8.51, 57.95

 

CMYK 0 / 3 / 60 / 17

HEX #D3CD54

RGB 211 205 84

HSL 57.17, 0.59%, 0.58%

LAB 80.82, -12.92, 59.32

 

CMYK 7 / 0 / 60 / 17

HEX #C4D354

RGB 196 211 84

HSL 67.09, 0.59%, 0.58%

LAB 81.27, -22.05, 59.48

 

CMYK 17 / 0 / 60 / 17

HEX #AFD354

RGB 175 211 84

HSL 77.01, 0.59%, 0.58%

LAB 79.81, -30.4, 57.45

 

CMYK 27 / 0 / 60 / 17

HEX #9AD354

RGB 154 211 84

HSL 86.93, 0.59%, 0.58%

LAB 78.52, -38.36, 55.66

 

CMYK 37 / 0 / 60 / 17

HEX #85D354

RGB 133 211 84

HSL 96.85, 0.59%, 0.58%

LAB 77.41, -45.73, 54.11

 

CMYK 0 / 3 / 60 / 17

HEX #D3CD54

RGB 211 205 84

HSL 57.17, 0.59%, 0.58%

LAB 80.82, -12.92, 59.32

 

CMYK 0 / 0 / 57 / 97

HEX #070703

RGB 7 7 3

HSL 60, 0.4%, 0.02%

LAB 1.84, -0.56, 1.51

 

CMYK 0 / 3 / 60 / 77

HEX #3A3817

RGB 58 56 23

HSL 56.57, 0.43%, 0.16%

LAB 22.96, -4.61, 20.69

 

CMYK 0 / 3 / 61 / 57

HEX #6D6A2B

RGB 109 106 43

HSL 57.27, 0.43%, 0.3%

LAB 43.85, -7.86, 35.03

 

CMYK 0 / 3 / 60 / 37

HEX #A09B40

RGB 160 155 64

HSL 56.88, 0.43%, 0.44%

LAB 62.75, -10.17, 47.2

 

CMYK 0 / 3 / 60 / 17

HEX #D3CD54

RGB 211 205 84

HSL 57.17, 0.59%, 0.58%

LAB 80.82, -12.92, 59.32

 

CMYK 60 / 0 / 51 / 17

HEX #54D367

RGB 84 211 103

HSL 128.98, 0.59%, 0.58%

LAB 75.73, -57.25, 42.92

 

CMYK 27 / 60 / 0 / 17

HEX #9A54D3

RGB 154 84 211

HSL 273.07, 0.59%, 0.58%

LAB 49.39, 51.84, -54.44

 

CMYK 0 / 3 / 60 / 17

HEX #D3CD54

RGB 211 205 84

HSL 57.17, 0.59%, 0.58%

LAB 80.82, -12.92, 59.32

 

CMYK 60 / 0 / 3 / 17

HEX #54D3CC

RGB 84 211 204

HSL 176.69, 0.59%, 0.58%

LAB 77.78, -36.35, -7

 

CMYK 3 / 60 / 0 / 17

HEX #CC54D3

RGB 204 84 211

HSL 296.69, 0.59%, 0.58%

LAB 55.97, 63.95, -43.57

 

CMYK 0 / 3 / 60 / 17

HEX #D3CD54

RGB 211 205 84

HSL 57.17, 0.59%, 0.58%

LAB 80.82, -12.92, 59.32

 

CMYK 60 / 0 / 51 / 17

HEX #54D367

RGB 84 211 103

HSL 128.98, 0.59%, 0.58%

LAB 75.73, -57.25, 42.92

 

CMYK 60 / 57 / 0 / 17

HEX #545BD3

RGB 84 91 211

HSL 236.69, 0.59%, 0.58%

LAB 44.33, 33.09, -62.93

 

CMYK 0 / 60 / 9 / 17

HEX #D354C0

RGB 211 84 192

HSL 308.98, 0.59%, 0.58%

LAB 56.08, 62.58, -32.47

 

CMYK 0 / 3 / 60 / 17

HEX #D3CD54

RGB 211 205 84

HSL 57.17, 0.59%, 0.58%

LAB 80.82, -12.92, 59.32

 

CMYK 60 / 0 / 33 / 17

HEX #54D38D

RGB 84 211 141

HSL 146.93, 0.59%, 0.58%

LAB 76.31, -50.94, 24.47

 

CMYK 60 / 57 / 0 / 17

HEX #545BD3

RGB 84 91 211

HSL 236.69, 0.59%, 0.58%

LAB 44.33, 33.09, -62.93

 

CMYK 0 / 60 / 27 / 17

HEX #D3549A

RGB 211 84 154

HSL 326.93, 0.59%, 0.58%

LAB 54.58, 57.11, -12.7

 

Description

Color code: HEX #D3CD54 | qconv.com Color code: HEX #D3CD54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 205 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 205 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 60 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 60% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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