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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3A192 it is the complementary color #2C5E6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3A192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3A192 shade: #D8A18D, #E9B3A0, #FAC5B3, #FFD7C6 and #FFE9D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3A192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3A192 shade: #D3A192, #C28F7F, #B17D6C, #A06B59 and #8F5946

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3A192 shade: #D3A192 and #D39292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3A192 shade: #D3A192, #D3B392, #D3C492, #D0D392 and #BFD392

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3A192 shade matches the following richer shades: #D3A192, #DF9B86, #EB947A and #F88D6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3A192 shade: #D3A192, #C6A89F, #BAAFAB, #ADB5B8 and #A1BCC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3A192 shade: #D392A7, #D39296, #D3A092, #D3B192 and #D3C392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3A192 shade: #BB6F58, #C78875, #D3A192, #DFBAB0 and #EBD4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3A192 shade: #D3A192, #B8D392 and #929ED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3A192 shade: #D3A192, #92D3A0 and #A092D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3A192 shade: #D3A192, #B8D392, #92C5D3 and #AD92D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3A192 shade: #D3A192, #A5D392, #92C5D3 and #C092D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

Complementary color

CMYK 60 / 14 / 0 / 57

HEX #2C5E6D

RGB 44 94 109

HSL 193.85, 0.42%, 0.3%

LAB 37.2, -12, -13.64

 

CMYK 0 / 25 / 35 / 15

HEX #D8A18D

RGB 216 161 141

HSL 16, 0.49%, 0.7%

LAB 70.88, 17.72, 18.37

 

CMYK 0 / 23 / 31 / 9

HEX #E9B3A0

RGB 233 179 160

HSL 15.62, 0.62%, 0.77%

LAB 77.34, 17, 17.27

 

CMYK 0 / 21 / 28 / 2

HEX #FAC5B3

RGB 250 197 179

HSL 15.21, 0.88%, 0.84%

LAB 83.71, 16.37, 16.24

 

CMYK 0 / 16 / 22 / 0

HEX #FFD7C6

RGB 255 215 198

HSL 17.89, 1%, 0.89%

LAB 88.89, 11.41, 13.57

 

CMYK 0 / 9 / 15 / 0

HEX #FFE9D9

RGB 255 233 217

HSL 25.26, 1%, 0.93%

LAB 93.69, 4.94, 10.47

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 0 / 26 / 35 / 24

HEX #C28F7F

RGB 194 143 127

HSL 14.33, 0.35%, 0.63%

LAB 63.87, 17.15, 16.09

 

CMYK 0 / 29 / 39 / 31

HEX #B17D6C

RGB 177 125 108

HSL 14.78, 0.31%, 0.56%

LAB 57.17, 17.98, 17.32

 

CMYK 0 / 33 / 44 / 37

HEX #A06B59

RGB 160 107 89

HSL 15.21, 0.29%, 0.49%

LAB 50.35, 18.95, 18.7

 

CMYK 0 / 38 / 51 / 44

HEX #8F5946

RGB 143 89 70

HSL 15.62, 0.34%, 0.42%

LAB 43.4, 20.08, 20.27

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 0 / 31 / 31 / 17

HEX #D39292

RGB 211 146 146

HSL 0, 0.42%, 0.7%

LAB 66.89, 24.57, 9.93

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 0 / 15 / 31 / 17

HEX #D3B392

RGB 211 179 146

HSL 30.46, 0.42%, 0.7%

LAB 74.93, 6.72, 21.15

 

CMYK 0 / 7 / 31 / 17

HEX #D3C492

RGB 211 196 146

HSL 46.15, 0.42%, 0.7%

LAB 79.27, -2.27, 27.05

 

CMYK 1 / 0 / 31 / 17

HEX #D0D392

RGB 208 211 146

HSL 62.77, 0.42%, 0.7%

LAB 82.95, -11.14, 31.92

 

CMYK 9 / 0 / 31 / 17

HEX #BFD392

RGB 191 211 146

HSL 78.46, 0.42%, 0.7%

LAB 81.7, -17.56, 30.03

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 0 / 30 / 40 / 13

HEX #DF9B86

RGB 223 155 134

HSL 14.16, 0.58%, 0.7%

LAB 70.07, 22.86, 21.23

 

CMYK 0 / 37 / 48 / 8

HEX #EB947A

RGB 235 148 122

HSL 13.81, 0.74%, 0.7%

LAB 69.65, 30.02, 27.47

 

CMYK 0 / 43 / 56 / 3

HEX #F88D6D

RGB 248 141 109

HSL 13.81, 0.91%, 0.7%

LAB 69.55, 37.55, 34.72

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 0 / 15 / 20 / 22

HEX #C6A89F

RGB 198 168 159

HSL 13.85, 0.25%, 0.7%

LAB 71.22, 9.5, 8.7

 

CMYK 0 / 6 / 8 / 27

HEX #BAAFAB

RGB 186 175 171

HSL 16, 0.1%, 0.7%

LAB 72.25, 3.22, 3.45

 

CMYK 6 / 2 / 0 / 28

HEX #ADB5B8

RGB 173 181 184

HSL 196.36, 0.07%, 0.7%

LAB 73.15, -2.2, -2.5

 

CMYK 18 / 4 / 0 / 23

HEX #A1BCC4

RGB 161 188 196

HSL 193.71, 0.23%, 0.7%

LAB 74.53, -7.42, -7.11

 

CMYK 0 / 31 / 21 / 17

HEX #D392A7

RGB 211 146 167

HSL 340.62, 0.42%, 0.7%

LAB 67.42, 27.55, -1.07

 

CMYK 0 / 31 / 29 / 17

HEX #D39296

RGB 211 146 150

HSL 356.31, 0.42%, 0.7%

LAB 66.98, 25.1, 7.82

 

CMYK 0 / 24 / 31 / 17

HEX #D3A092

RGB 211 160 146

HSL 12.92, 0.42%, 0.7%

LAB 70.22, 16.96, 14.63

 

CMYK 0 / 16 / 31 / 17

HEX #D3B192

RGB 211 177 146

HSL 28.62, 0.42%, 0.7%

LAB 74.42, 7.79, 20.46

 

CMYK 0 / 8 / 31 / 17

HEX #D3C392

RGB 211 195 146

HSL 45.23, 0.42%, 0.7%

LAB 79.02, -1.75, 26.71

 

CMYK 0 / 41 / 53 / 27

HEX #BB6F58

RGB 187 111 88

HSL 13.94, 0.42%, 0.54%

LAB 54.7, 27.72, 25.66

 

CMYK 0 / 32 / 41 / 22

HEX #C78875

RGB 199 136 117

HSL 13.9, 0.42%, 0.62%

LAB 62.54, 21.79, 19.96

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 0 / 17 / 21 / 13

HEX #DFBAB0

RGB 223 186 176

HSL 12.77, 0.42%, 0.78%

LAB 78.43, 11.72, 10.02

 

CMYK 0 / 10 / 13 / 8

HEX #EBD4CD

RGB 235 212 205

HSL 14, 0.43%, 0.86%

LAB 86.58, 6.83, 6.35

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 13 / 0 / 31 / 17

HEX #B8D392

RGB 184 211 146

HSL 84.92, 0.42%, 0.7%

LAB 81.21, -20.15, 29.3

 

CMYK 31 / 25 / 0 / 17

HEX #929ED3

RGB 146 158 211

HSL 228.92, 0.42%, 0.7%

LAB 65.96, 7.96, -28.42

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 31 / 0 / 24 / 17

HEX #92D3A0

RGB 146 211 160

HSL 132.92, 0.42%, 0.7%

LAB 79.18, -30.95, 18.82

 

CMYK 24 / 31 / 0 / 17

HEX #A092D3

RGB 160 146 211

HSL 252.92, 0.42%, 0.7%

LAB 63.95, 18.95, -31.44

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 13 / 0 / 31 / 17

HEX #B8D392

RGB 184 211 146

HSL 84.92, 0.42%, 0.7%

LAB 81.21, -20.15, 29.3

 

CMYK 31 / 7 / 0 / 17

HEX #92C5D3

RGB 146 197 211

HSL 192.92, 0.42%, 0.7%

LAB 76.53, -13.27, -12.37

 

CMYK 18 / 31 / 0 / 17

HEX #AD92D3

RGB 173 146 211

HSL 264.92, 0.42%, 0.7%

LAB 65.08, 22.93, -29.6

 

CMYK 0 / 24 / 31 / 17

HEX #D3A192

RGB 211 161 146

HSL 13.85, 0.42%, 0.7%

LAB 70.46, 16.42, 14.97

 

CMYK 22 / 0 / 31 / 17

HEX #A5D392

RGB 165 211 146

HSL 102.46, 0.42%, 0.7%

LAB 79.99, -26.96, 27.44

 

CMYK 31 / 7 / 0 / 17

HEX #92C5D3

RGB 146 197 211

HSL 192.92, 0.42%, 0.7%

LAB 76.53, -13.27, -12.37

 

CMYK 9 / 31 / 0 / 17

HEX #C092D3

RGB 192 146 211

HSL 282.46, 0.42%, 0.7%

LAB 66.88, 28.91, -26.68

 

Description

Color code: HEX #D3A192 | qconv.com Color code: HEX #D3A192 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 161 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 161 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 31 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 31% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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