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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 26 / 35 / 24 it is the complementary color CMYK 53 / 13 / 0 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 26 / 35 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 26 / 35 / 24: CMYK 0 / 28 / 39 / 22, CMYK 0 / 25 / 35 / 15, CMYK 0 / 23 / 32 / 9, CMYK 0 / 21 / 29 / 2 and CMYK 0 / 16 / 23 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 26 / 35 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 26 / 35 / 24: CMYK 0 / 26 / 35 / 24, CMYK 0 / 29 / 40 / 31, CMYK 0 / 33 / 45 / 37, CMYK 0 / 38 / 52 / 44 and CMYK 0 / 44 / 60 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 35 / 24

HEX #C28F7E

RGB 194 143 126

HSL 15, 0.36%, 0.63%

LAB 63.85, 17.02, 16.62

 

Complementary color

CMYK 53 / 13 / 0 / 49

HEX #3D7081

RGB 61 112 129

HSL 195, 0.36%, 0.37%

LAB 44.47, -12.05, -14.66

 

CMYK 0 / 28 / 39 / 22

HEX #C78F79

RGB 199 143 121

HSL 16.92, 0.41%, 0.63%

LAB 64.3, 18.41, 20.11

 

CMYK 0 / 25 / 35 / 15

HEX #D8A18C

RGB 216 161 140

HSL 16.58, 0.49%, 0.7%

LAB 70.86, 17.6, 18.89

 

CMYK 0 / 23 / 32 / 9

HEX #E9B39F

RGB 233 179 159

HSL 16.22, 0.63%, 0.77%

LAB 77.32, 16.88, 17.78

 

CMYK 0 / 21 / 29 / 2

HEX #FAC5B2

RGB 250 197 178

HSL 15.83, 0.88%, 0.84%

LAB 83.69, 16.23, 16.74

 

CMYK 0 / 16 / 23 / 0

HEX #FFD7C5

RGB 255 215 197

HSL 18.62, 1%, 0.89%

LAB 88.87, 11.27, 14.07

 

CMYK 0 / 26 / 35 / 24

HEX #C28F7E

RGB 194 143 126

HSL 15, 0.36%, 0.63%

LAB 63.85, 17.02, 16.62

 

CMYK 0 / 29 / 40 / 31

HEX #B17D6B

RGB 177 125 107

HSL 15.43, 0.31%, 0.56%

LAB 57.15, 17.86, 17.86

 

CMYK 0 / 33 / 45 / 37

HEX #A06B58

RGB 160 107 88

HSL 15.83, 0.29%, 0.49%

LAB 50.33, 18.84, 19.25

 

CMYK 0 / 38 / 52 / 44

HEX #8F5945

RGB 143 89 69

HSL 16.22, 0.35%, 0.42%

LAB 43.38, 19.98, 20.85

 

CMYK 0 / 44 / 60 / 51

HEX #7E4732

RGB 126 71 50

HSL 16.58, 0.43%, 0.35%

LAB 36.31, 21.33, 22.7

 

CMYK 0 / 26 / 35 / 24

HEX #C28F7E

RGB 194 143 126

HSL 15, 0.36%, 0.63%

LAB 63.85, 17.02, 16.62

 

CMYK 0 / 21 / 35 / 24

HEX #C29A7E

RGB 194 154 126

HSL 24.71, 0.36%, 0.63%

LAB 66.59, 10.97, 20.37

 

CMYK 0 / 14 / 35 / 24

HEX #C2A67E

RGB 194 166 126

HSL 35.29, 0.36%, 0.63%

LAB 69.65, 4.44, 24.52

 

CMYK 0 / 9 / 35 / 24

HEX #C2B17E

RGB 194 177 126

HSL 45, 0.36%, 0.63%

LAB 72.51, -1.46, 28.34

 

CMYK 0 / 3 / 35 / 24

HEX #C2BC7E

RGB 194 188 126

HSL 54.71, 0.36%, 0.63%

LAB 75.42, -7.25, 32.17

 

CMYK 0 / 26 / 35 / 24

HEX #C28F7E

RGB 194 143 126

HSL 15, 0.36%, 0.63%

LAB 63.85, 17.02, 16.62

 

CMYK 0 / 26 / 35 / 4

HEX #F5B59F

RGB 245 181 159

HSL 15.35, 0.81%, 0.79%

LAB 79.02, 20.39, 20.32

 

CMYK 0 / 27 / 34 / 84

HEX #291E1B

RGB 41 30 27

HSL 12.86, 0.21%, 0.13%

LAB 12.47, 4.78, 4.11

 

CMYK 0 / 26 / 35 / 64

HEX #5C443C

RGB 92 68 60

HSL 15, 0.21%, 0.3%

LAB 31.2, 9.06, 8.86

 

CMYK 0 / 27 / 35 / 44

HEX #8F695D

RGB 143 105 93

HSL 14.4, 0.21%, 0.46%

LAB 47.92, 13.48, 12.7

 

CMYK 0 / 26 / 35 / 24

HEX #C28F7E

RGB 194 143 126

HSL 15, 0.36%, 0.63%

LAB 63.85, 17.02, 16.62

 

CMYK 15 / 0 / 35 / 24

HEX #A4C27E

RGB 164 194 126

HSL 86.47, 0.36%, 0.63%

LAB 74.81, -21.91, 30.96

 

CMYK 35 / 30 / 0 / 24

HEX #7E88C2

RGB 126 136 194

HSL 231.18, 0.36%, 0.63%

LAB 57.98, 10.4, -31.36

 

CMYK 0 / 26 / 35 / 24

HEX #C28F7E

RGB 194 143 126

HSL 15, 0.36%, 0.63%

LAB 63.85, 17.02, 16.62

 

CMYK 35 / 0 / 26 / 24

HEX #7EC28F

RGB 126 194 143

HSL 135, 0.36%, 0.63%

LAB 72.89, -32.26, 19

 

CMYK 26 / 35 / 0 / 24

HEX #8F7EC2

RGB 143 126 194

HSL 255, 0.36%, 0.63%

LAB 56.74, 21.23, -33.18

 

CMYK 0 / 26 / 35 / 24

HEX #C28F7E

RGB 194 143 126

HSL 15, 0.36%, 0.63%

LAB 63.85, 17.02, 16.62

 

CMYK 15 / 0 / 35 / 24

HEX #A4C27E

RGB 164 194 126

HSL 86.47, 0.36%, 0.63%

LAB 74.81, -21.91, 30.96

 

CMYK 35 / 9 / 0 / 24

HEX #7EB1C2

RGB 126 177 194

HSL 195, 0.36%, 0.63%

LAB 69.31, -12.55, -14.03

 

CMYK 19 / 35 / 0 / 24

HEX #9D7EC2

RGB 157 126 194

HSL 267.35, 0.36%, 0.63%

LAB 58.02, 25.49, -31.09

 

CMYK 0 / 26 / 35 / 24

HEX #C28F7E

RGB 194 143 126

HSL 15, 0.36%, 0.63%

LAB 63.85, 17.02, 16.62

 

CMYK 26 / 0 / 35 / 24

HEX #8FC27E

RGB 143 194 126

HSL 105, 0.36%, 0.63%

LAB 73.5, -29.5, 28.98

 

CMYK 35 / 9 / 0 / 24

HEX #7EB1C2

RGB 126 177 194

HSL 195, 0.36%, 0.63%

LAB 69.31, -12.55, -14.03

 

CMYK 9 / 35 / 0 / 24

HEX #B17EC2

RGB 177 126 194

HSL 285, 0.36%, 0.63%

LAB 60.04, 31.76, -27.81

 

Description

Color code: CMYK 0 / 26 / 35 / 24 | qconv.com Color code: CMYK 0 / 26 / 35 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 143 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 143 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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