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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D385BF it is the complementary color #2C7A40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D385BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D385BF: #D885BA, #E997CD, #FAA9E0, #FFBBF3 and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D385BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D385BF: #D385BF, #C273AC, #B16199, #A04F86 and #8F3D73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 9 / 17

HEX #D385BF

RGB 211 133 191

HSL 315.38, 0.47%, 0.67%

LAB 65.27, 38.41, -17.78

 

Complementary color

CMYK 64 / 0 / 48 / 52

HEX #2C7A40

RGB 44 122 64

HSL 135.38, 0.47%, 0.33%

LAB 45.39, -37.38, 24.82

 

CMYK 0 / 38 / 14 / 15

HEX #D885BA

RGB 216 133 186

HSL 321.69, 0.52%, 0.68%

LAB 65.69, 39.24, -14.27

 

CMYK 0 / 35 / 12 / 9

HEX #E997CD

RGB 233 151 205

HSL 320.49, 0.65%, 0.75%

LAB 72.14, 38.49, -14.95

 

CMYK 0 / 32 / 10 / 2

HEX #FAA9E0

RGB 250 169 224

HSL 319.26, 0.89%, 0.82%

LAB 78.51, 37.77, -15.57

 

CMYK 0 / 27 / 5 / 0

HEX #FFBBF3

RGB 255 187 243

HSL 310.59, 1%, 0.87%

LAB 83.59, 33.18, -18.09

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 37 / 9 / 17

HEX #D385BF

RGB 211 133 191

HSL 315.38, 0.47%, 0.67%

LAB 65.27, 38.41, -17.78

 

CMYK 0 / 41 / 11 / 24

HEX #C273AC

RGB 194 115 172

HSL 316.71, 0.39%, 0.61%

LAB 58.7, 39.18, -17.13

 

CMYK 0 / 45 / 14 / 31

HEX #B16199

RGB 177 97 153

HSL 318, 0.34%, 0.54%

LAB 52.06, 39.95, -16.39

 

CMYK 0 / 51 / 16 / 37

HEX #A04F86

RGB 160 79 134

HSL 319.26, 0.34%, 0.47%

LAB 45.34, 40.71, -15.5

 

CMYK 0 / 57 / 20 / 44

HEX #8F3D73

RGB 143 61 115

HSL 320.49, 0.4%, 0.4%

LAB 38.58, 41.35, -14.4

 

CMYK 0 / 37 / 9 / 17

HEX #D385BF

RGB 211 133 191

HSL 315.38, 0.47%, 0.67%

LAB 65.27, 38.41, -17.78

 

CMYK 0 / 38 / 16 / 18

HEX #D283B1

RGB 210 131 177

HSL 325.06, 0.47%, 0.67%

LAB 64.25, 36.83, -11.43

 

CMYK 0 / 38 / 22 / 18

HEX #D283A4

RGB 210 131 164

HSL 334.94, 0.47%, 0.67%

LAB 63.85, 34.83, -4.65

 

CMYK 0 / 38 / 28 / 18

HEX #D28397

RGB 210 131 151

HSL 344.81, 0.47%, 0.67%

LAB 63.48, 32.97, 2.2

 

CMYK 0 / 38 / 35 / 18

HEX #D28389

RGB 210 131 137

HSL 355.44, 0.47%, 0.67%

LAB 63.13, 31.14, 9.66

 

CMYK 0 / 37 / 9 / 17

HEX #D385BF

RGB 211 133 191

HSL 315.38, 0.47%, 0.67%

LAB 65.27, 38.41, -17.78

 

CMYK 0 / 43 / 14 / 97

HEX #070406

RGB 7 4 6

HSL 320, 0.27%, 0.02%

LAB 1.31, 1.06, -0.48

 

CMYK 0 / 36 / 9 / 77

HEX #3A2535

RGB 58 37 53

HSL 314.29, 0.22%, 0.19%

LAB 17.83, 13.07, -6.38

 

CMYK 0 / 37 / 9 / 57

HEX #6D4563

RGB 109 69 99

HSL 315, 0.22%, 0.35%

LAB 34.82, 22.28, -10.52

 

CMYK 0 / 37 / 9 / 37

HEX #A06591

RGB 160 101 145

HSL 315.25, 0.24%, 0.51%

LAB 50.48, 30.61, -14.27

 

CMYK 0 / 37 / 9 / 17

HEX #D385BF

RGB 211 133 191

HSL 315.38, 0.47%, 0.67%

LAB 65.27, 38.41, -17.78

 

CMYK 0 / 21 / 38 / 18

HEX #D2A683

RGB 210 166 131

HSL 26.58, 0.47%, 0.67%

LAB 71.29, 11.44, 24.29

 

CMYK 38 / 0 / 6 / 18

HEX #83D2C6

RGB 131 210 198

HSL 170.89, 0.47%, 0.67%

LAB 79.04, -27.01, -1.73

 

CMYK 0 / 37 / 9 / 17

HEX #D385BF

RGB 211 133 191

HSL 315.38, 0.47%, 0.67%

LAB 65.27, 38.41, -17.78

 

CMYK 10 / 0 / 38 / 18

HEX #BED283

RGB 190 210 131

HSL 75.19, 0.47%, 0.67%

LAB 81.11, -19.38, 36.94

 

CMYK 38 / 10 / 0 / 18

HEX #83BED2

RGB 131 190 210

HSL 195.19, 0.47%, 0.67%

LAB 73.74, -13.99, -16.08

 

CMYK 0 / 37 / 9 / 17

HEX #D385BF

RGB 211 133 191

HSL 315.38, 0.47%, 0.67%

LAB 65.27, 38.41, -17.78

 

CMYK 0 / 21 / 38 / 18

HEX #D2A683

RGB 210 166 131

HSL 26.58, 0.47%, 0.67%

LAB 71.29, 11.44, 24.29

 

CMYK 38 / 0 / 28 / 18

HEX #83D297

RGB 131 210 151

HSL 135.19, 0.47%, 0.67%

LAB 77.97, -36.7, 21.77

 

CMYK 38 / 17 / 0 / 18

HEX #83AED2

RGB 131 174 210

HSL 207.34, 0.47%, 0.67%

LAB 69.29, -5.44, -22.84

 

CMYK 0 / 37 / 9 / 17

HEX #D385BF

RGB 211 133 191

HSL 315.38, 0.47%, 0.67%

LAB 65.27, 38.41, -17.78

 

CMYK 0 / 10 / 38 / 18

HEX #D2BE83

RGB 210 190 131

HSL 44.81, 0.47%, 0.67%

LAB 77.38, -1.34, 32.39

 

CMYK 38 / 0 / 28 / 18

HEX #83D297

RGB 131 210 151

HSL 135.19, 0.47%, 0.67%

LAB 77.97, -36.7, 21.77

 

CMYK 38 / 28 / 0 / 18

HEX #8397D2

RGB 131 151 210

HSL 224.81, 0.47%, 0.67%

LAB 63.02, 7.44, -32.49

 

Description

Color code: HEX #D385BF | qconv.com Color code: HEX #D385BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 133 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 133 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 9 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 9% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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