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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D324FF it is the complementary color #2CDB00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D324FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D324FF shade: #D824FA, #E936FF, #FA48FF, #FF5AFF and #FF6CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D324FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D324FF shade: #D324FF, #C212EC, #B100D9, #A000C6 and #8F00B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D324FF shade: #D324FF, #FF24F0, #FF24B5, #FF247A and #FF243E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D324FF shade: #D324FF, #9824FF, #5D24FF and #2424FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D324FF shade matches the following richer shades: #D324FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D324FF shade: #D324FF, #C835ED, #BE47DC, #B359CA and #A86BB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D324FF shade: #5B24FF, #9524FF, #CF24FF, #FF24F4 and #FF24BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D324FF shade: #A600D0, #C700F9, #D324FF, #DB4DFF and #E476FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D324FF shade: #D324FF, #FF2427 and #24FF78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D324FF shade: #D324FF, #FFCF24 and #24FFCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D324FF shade: #D324FF, #FF2427, #53FF24 and #24FFFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D324FF shade: #D324FF, #FF6224, #53FF24 and #24C1FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

Complementary color

CMYK 80 / 0 / 100 / 14

HEX #2CDB00

RGB 44 219 0

HSL 107.95, 1%, 0.43%

LAB 76.8, -73.89, 74.55

 

CMYK 14 / 86 / 0 / 2

HEX #D824FA

RGB 216 36 250

HSL 290.47, 0.96%, 0.56%

LAB 54.83, 87.86, -67.24

 

CMYK 9 / 79 / 0 / 0

HEX #E936FF

RGB 233 54 255

HSL 293.43, 1%, 0.61%

LAB 59.14, 87.59, -62.93

 

CMYK 2 / 72 / 0 / 0

HEX #FA48FF

RGB 250 72 255

HSL 298.36, 1%, 0.64%

LAB 63.49, 85.79, -55.83

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 18 / 92 / 0 / 7

HEX #C212EC

RGB 194 18 236

HSL 288.44, 0.86%, 0.5%

LAB 49.45, 84.97, -68.26

 

CMYK 18 / 100 / 0 / 15

HEX #B100D9

RGB 177 0 217

HSL 288.94, 1%, 0.43%

LAB 44.74, 81.08, -65.22

 

CMYK 19 / 100 / 0 / 22

HEX #A000C6

RGB 160 0 198

HSL 288.48, 1%, 0.39%

LAB 40.49, 75.53, -61.25

 

CMYK 20 / 100 / 0 / 30

HEX #8F00B3

RGB 143 0 179

HSL 287.93, 1%, 0.35%

LAB 36.17, 69.87, -57.22

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 0 / 86 / 6 / 0

HEX #FF24F0

RGB 255 36 240

HSL 304.11, 1%, 0.57%

LAB 60.62, 92.88, -52.03

 

CMYK 0 / 86 / 29 / 0

HEX #FF24B5

RGB 255 36 181

HSL 320.27, 1%, 0.57%

LAB 57.9, 85.65, -22.72

 

CMYK 0 / 86 / 52 / 0

HEX #FF247A

RGB 255 36 122

HSL 336.44, 1%, 0.57%

LAB 56.01, 80.4, 9.28

 

CMYK 0 / 86 / 76 / 0

HEX #FF243E

RGB 255 36 62

HSL 352.88, 1%, 0.57%

LAB 54.94, 77.3, 43.27

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 40 / 86 / 0 / 0

HEX #9824FF

RGB 152 36 255

HSL 271.78, 1%, 0.57%

LAB 45.85, 79.9, -85.05

 

CMYK 64 / 86 / 0 / 0

HEX #5D24FF

RGB 93 36 255

HSL 255.62, 1%, 0.57%

LAB 39.26, 74.28, -96.16

 

CMYK 86 / 86 / 0 / 0

HEX #2424FF

RGB 36 36 255

HSL 240, 1%, 0.57%

LAB 35.71, 71.56, -102.16

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 16 / 78 / 0 / 7

HEX #C835ED

RGB 200 53 237

HSL 287.93, 0.84%, 0.57%

LAB 52.88, 78.96, -63.22

 

CMYK 14 / 68 / 0 / 14

HEX #BE47DC

RGB 190 71 220

HSL 287.92, 0.68%, 0.57%

LAB 52.53, 67.72, -54.27

 

CMYK 11 / 56 / 0 / 21

HEX #B359CA

RGB 179 89 202

HSL 287.79, 0.52%, 0.57%

LAB 52.94, 53.63, -43.45

 

CMYK 9 / 42 / 0 / 28

HEX #A86BB8

RGB 168 107 184

HSL 287.53, 0.35%, 0.57%

LAB 54.34, 37.44, -31

 

CMYK 64 / 86 / 0 / 0

HEX #5B24FF

RGB 91 36 255

HSL 255.07, 1%, 0.57%

LAB 39.08, 74.14, -96.45

 

CMYK 42 / 86 / 0 / 0

HEX #9524FF

RGB 149 36 255

HSL 270.96, 1%, 0.57%

LAB 45.46, 79.55, -85.71

 

CMYK 19 / 86 / 0 / 0

HEX #CF24FF

RGB 207 36 255

HSL 286.85, 1%, 0.57%

LAB 53.76, 87.32, -71.82

 

CMYK 0 / 86 / 4 / 0

HEX #FF24F4

RGB 255 36 244

HSL 303.01, 1%, 0.57%

LAB 60.83, 93.43, -53.92

 

CMYK 0 / 86 / 27 / 0

HEX #FF24BA

RGB 255 36 186

HSL 318.9, 1%, 0.57%

LAB 58.1, 86.19, -25.31

 

CMYK 20 / 100 / 0 / 18

HEX #A600D0

RGB 166 0 208

HSL 287.88, 1%, 0.41%

LAB 42.25, 78.06, -64.17

 

CMYK 20 / 100 / 0 / 2

HEX #C700F9

RGB 199 0 249

HSL 287.95, 1%, 0.49%

LAB 50.67, 89.37, -73.55

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 14 / 70 / 0 / 0

HEX #DB4DFF

RGB 219 77 255

HSL 287.87, 1%, 0.65%

LAB 59.51, 77.91, -62.44

 

CMYK 11 / 54 / 0 / 0

HEX #E476FF

RGB 228 118 255

HSL 288.18, 1%, 0.73%

LAB 67.03, 62.58, -50.41

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 0 / 86 / 85 / 0

HEX #FF2427

RGB 255 36 39

HSL 359.18, 1%, 0.57%

LAB 54.73, 76.69, 55.08

 

CMYK 86 / 0 / 53 / 0

HEX #24FF78

RGB 36 255 120

HSL 143.01, 1%, 0.57%

LAB 88.57, -76.41, 50.43

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 0 / 19 / 86 / 0

HEX #FFCF24

RGB 255 207 36

HSL 46.85, 1%, 0.57%

LAB 85, 2.59, 80.87

 

CMYK 86 / 0 / 19 / 0

HEX #24FFCF

RGB 36 255 207

HSL 166.85, 1%, 0.57%

LAB 90.04, -59.61, 9.19

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 0 / 86 / 85 / 0

HEX #FF2427

RGB 255 36 39

HSL 359.18, 1%, 0.57%

LAB 54.73, 76.69, 55.08

 

CMYK 67 / 0 / 86 / 0

HEX #53FF24

RGB 83 255 36

HSL 107.12, 1%, 0.57%

LAB 88.68, -77.62, 80.11

 

CMYK 86 / 0 / 2 / 0

HEX #24FFFB

RGB 36 255 251

HSL 178.9, 1%, 0.57%

LAB 91.17, -48.08, -11.96

 

CMYK 17 / 86 / 0 / 0

HEX #D324FF

RGB 211 36 255

HSL 287.95, 1%, 0.57%

LAB 54.38, 87.92, -70.78

 

CMYK 0 / 62 / 86 / 0

HEX #FF6224

RGB 255 98 36

HSL 16.99, 1%, 0.57%

LAB 61.76, 57.18, 62.15

 

CMYK 67 / 0 / 86 / 0

HEX #53FF24

RGB 83 255 36

HSL 107.12, 1%, 0.57%

LAB 88.68, -77.62, 80.11

 

CMYK 86 / 24 / 0 / 0

HEX #24C1FF

RGB 36 193 255

HSL 196.99, 1%, 0.57%

LAB 73.37, -17.38, -41.24

 

Description

Color code: HEX #D324FF | qconv.com Color code: HEX #D324FF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 36 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 36 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 86 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 86% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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