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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C212EC it is the complementary color #3DED13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C212EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C212EC shade: #C712E7, #D824FA, #E936FF, #FA48FF and #FF5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C212EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C212EC shade: #C212EC, #B100D9, #A000C6, #8F00B3 and #7E00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C212EC shade: #C312ED, #ED12DC, #ED12A1, #ED1266 and #ED122B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C212EC shade: #C312ED, #8812ED, #4D12ED and #1212ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C212EC shade matches the following richer shades: #C312ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C212EC shade: #C312ED, #B626D9, #AA3BC4, #9D50AF and #90649B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C212EC shade: #4C12ED, #8712ED, #C112ED, #ED12DF and #ED12A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C212EC shade: #840CA0, #A30FC7, #C312ED, #CD38F0 and #D65FF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C212EC shade: #C212EC, #ED1212 and #12ED6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C212EC shade: #C212EC, #EDC112 and #12EDC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C212EC shade: #C212EC, #ED1212, #3EED12 and #12EDED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C212EC shade: #C212EC, #ED5412, #3EED12 and #12ABED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 92 / 0 / 7

HEX #C212EC

RGB 194 18 236

HSL 288.44, 0.86%, 0.5%

LAB 49.45, 84.97, -68.26

 

Complementary color

CMYK 74 / 0 / 92 / 7

HEX #3DED13

RGB 61 237 19

HSL 108.44, 0.86%, 0.5%

LAB 82.7, -76.44, 77.59

 

CMYK 14 / 92 / 0 / 9

HEX #C712E7

RGB 199 18 231

HSL 290.99, 0.86%, 0.49%

LAB 49.91, 84.87, -64.65

 

CMYK 14 / 86 / 0 / 2

HEX #D824FA

RGB 216 36 250

HSL 290.47, 0.96%, 0.56%

LAB 54.83, 87.86, -67.24

 

CMYK 9 / 79 / 0 / 0

HEX #E936FF

RGB 233 54 255

HSL 293.43, 1%, 0.61%

LAB 59.14, 87.59, -62.93

 

CMYK 2 / 72 / 0 / 0

HEX #FA48FF

RGB 250 72 255

HSL 298.36, 1%, 0.64%

LAB 63.49, 85.79, -55.83

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 18 / 92 / 0 / 7

HEX #C212EC

RGB 194 18 236

HSL 288.44, 0.86%, 0.5%

LAB 49.45, 84.97, -68.26

 

CMYK 18 / 100 / 0 / 15

HEX #B100D9

RGB 177 0 217

HSL 288.94, 1%, 0.43%

LAB 44.74, 81.08, -65.22

 

CMYK 19 / 100 / 0 / 22

HEX #A000C6

RGB 160 0 198

HSL 288.48, 1%, 0.39%

LAB 40.49, 75.53, -61.25

 

CMYK 20 / 100 / 0 / 30

HEX #8F00B3

RGB 143 0 179

HSL 287.93, 1%, 0.35%

LAB 36.17, 69.87, -57.22

 

CMYK 21 / 100 / 0 / 37

HEX #7E00A0

RGB 126 0 160

HSL 287.25, 1%, 0.31%

LAB 31.75, 64.09, -53.12

 

CMYK 18 / 92 / 0 / 7

HEX #C312ED

RGB 195 18 237

HSL 288.49, 0.86%, 0.5%

LAB 49.68, 85.28, -68.45

 

CMYK 0 / 92 / 7 / 7

HEX #ED12DC

RGB 237 18 220

HSL 304.66, 0.86%, 0.5%

LAB 55.69, 89.33, -48.79

 

CMYK 0 / 92 / 32 / 7

HEX #ED12A1

RGB 237 18 161

HSL 320.82, 0.86%, 0.5%

LAB 52.96, 82.3, -18.86

 

CMYK 0 / 92 / 57 / 7

HEX #ED1266

RGB 237 18 102

HSL 336.99, 0.86%, 0.5%

LAB 51.15, 77.42, 14.03

 

CMYK 0 / 92 / 82 / 7

HEX #ED122B

RGB 237 18 43

HSL 353.15, 0.86%, 0.5%

LAB 50.23, 74.87, 47.69

 

CMYK 18 / 92 / 0 / 7

HEX #C312ED

RGB 195 18 237

HSL 288.49, 0.86%, 0.5%

LAB 49.68, 85.28, -68.45

 

CMYK 43 / 92 / 0 / 7

HEX #8812ED

RGB 136 18 237

HSL 272.33, 0.86%, 0.5%

LAB 40.87, 78.02, -83.21

 

CMYK 68 / 92 / 0 / 7

HEX #4D12ED

RGB 77 18 237

HSL 256.16, 0.86%, 0.5%

LAB 34.24, 73.54, -94.38

 

CMYK 92 / 92 / 0 / 7

HEX #1212ED

RGB 18 18 237

HSL 240, 0.86%, 0.5%

LAB 31.06, 71.81, -99.77

 

CMYK 18 / 92 / 0 / 7

HEX #C312ED

RGB 195 18 237

HSL 288.49, 0.86%, 0.5%

LAB 49.68, 85.28, -68.45

 

CMYK 18 / 92 / 0 / 7

HEX #C312ED

RGB 195 18 237

HSL 288.49, 0.86%, 0.5%

LAB 49.68, 85.28, -68.45

 

CMYK 16 / 82 / 0 / 15

HEX #B626D9

RGB 182 38 217

HSL 288.27, 0.7%, 0.5%

LAB 47.42, 76.31, -60.84

 

CMYK 13 / 70 / 0 / 23

HEX #AA3BC4

RGB 170 59 196

HSL 288.61, 0.54%, 0.5%

LAB 46.52, 63.61, -50.28

 

CMYK 10 / 54 / 0 / 31

HEX #9D50AF

RGB 157 80 175

HSL 288.63, 0.37%, 0.5%

LAB 46.98, 46.81, -37.42

 

CMYK 7 / 35 / 0 / 39

HEX #90649B

RGB 144 100 155

HSL 288, 0.22%, 0.5%

LAB 48.77, 27.69, -22.95

 

CMYK 68 / 92 / 0 / 7

HEX #4C12ED

RGB 76 18 237

HSL 255.89, 0.86%, 0.5%

LAB 34.16, 73.49, -94.52

 

CMYK 43 / 92 / 0 / 7

HEX #8712ED

RGB 135 18 237

HSL 272.05, 0.86%, 0.5%

LAB 40.73, 77.92, -83.43

 

CMYK 19 / 92 / 0 / 7

HEX #C112ED

RGB 193 18 237

HSL 287.95, 0.86%, 0.5%

LAB 49.36, 85, -68.98

 

CMYK 0 / 92 / 6 / 7

HEX #ED12DF

RGB 237 18 223

HSL 303.84, 0.86%, 0.5%

LAB 55.85, 89.74, -50.24

 

CMYK 0 / 92 / 31 / 7

HEX #ED12A4

RGB 237 18 164

HSL 320, 0.86%, 0.5%

LAB 53.08, 82.61, -20.46

 

CMYK 18 / 93 / 0 / 37

HEX #840CA0

RGB 132 12 160

HSL 288.65, 0.86%, 0.34%

LAB 33.36, 63.26, -50.45

 

CMYK 18 / 92 / 0 / 22

HEX #A30FC7

RGB 163 15 199

HSL 288.26, 0.86%, 0.42%

LAB 41.61, 74.5, -60

 

CMYK 18 / 92 / 0 / 7

HEX #C312ED

RGB 195 18 237

HSL 288.49, 0.86%, 0.5%

LAB 49.68, 85.28, -68.45

 

CMYK 15 / 77 / 0 / 6

HEX #CD38F0

RGB 205 56 240

HSL 288.59, 0.86%, 0.58%

LAB 54.13, 79.51, -62.86

 

CMYK 12 / 61 / 0 / 5

HEX #D65FF3

RGB 214 95 243

HSL 288.24, 0.86%, 0.66%

LAB 60.74, 67.4, -53.88

 

CMYK 18 / 92 / 0 / 7

HEX #C212EC

RGB 194 18 236

HSL 288.44, 0.86%, 0.5%

LAB 49.45, 84.97, -68.26

 

CMYK 0 / 92 / 92 / 7

HEX #ED1212

RGB 237 18 18

HSL 0, 0.86%, 0.5%

LAB 50.07, 74.43, 58.78

 

CMYK 92 / 0 / 55 / 7

HEX #12ED6A

RGB 18 237 106

HSL 144.11, 0.86%, 0.5%

LAB 82.77, -73.85, 49.81

 

CMYK 18 / 92 / 0 / 7

HEX #C212EC

RGB 194 18 236

HSL 288.44, 0.86%, 0.5%

LAB 49.45, 84.97, -68.26

 

CMYK 0 / 19 / 92 / 7

HEX #EDC112

RGB 237 193 18

HSL 47.95, 0.86%, 0.5%

LAB 79.72, 1.79, 79.34

 

CMYK 92 / 0 / 19 / 7

HEX #12EDC1

RGB 18 237 193

HSL 167.95, 0.86%, 0.5%

LAB 84.25, -56.92, 8.16

 

CMYK 18 / 92 / 0 / 7

HEX #C212EC

RGB 194 18 236

HSL 288.44, 0.86%, 0.5%

LAB 49.45, 84.97, -68.26

 

CMYK 0 / 92 / 92 / 7

HEX #ED1212

RGB 237 18 18

HSL 0, 0.86%, 0.5%

LAB 50.07, 74.43, 58.78

 

CMYK 74 / 0 / 92 / 7

HEX #3EED12

RGB 62 237 18

HSL 107.95, 0.86%, 0.5%

LAB 82.72, -76.31, 77.73

 

CMYK 92 / 0 / 0 / 7

HEX #12EDED

RGB 18 237 237

HSL 180, 0.86%, 0.5%

LAB 85.41, -45.06, -13.27

 

CMYK 18 / 92 / 0 / 7

HEX #C212EC

RGB 194 18 236

HSL 288.44, 0.86%, 0.5%

LAB 49.45, 84.97, -68.26

 

CMYK 0 / 65 / 92 / 7

HEX #ED5412

RGB 237 84 18

HSL 18.08, 0.86%, 0.5%

LAB 56.48, 56.61, 62.81

 

CMYK 74 / 0 / 92 / 7

HEX #3EED12

RGB 62 237 18

HSL 107.95, 0.86%, 0.5%

LAB 82.72, -76.31, 77.73

 

CMYK 92 / 28 / 0 / 7

HEX #12ABED

RGB 18 171 237

HSL 198.08, 0.86%, 0.5%

LAB 66.03, -12.79, -42.98

 

Description

Color code: HEX #C212EC | qconv.com Color code: HEX #C212EC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 18 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 18 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 92 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 92% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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