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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3041B it is the complementary color #2CFBE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3041B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D3041B: #D80416, #E91629, #FA283C, #FF3A4F and #FF4C62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3041B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D3041B: #D3041B, #C20008, #B10000, #A00000 and #8F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 87 / 17

HEX #D3041B

RGB 211 4 27

HSL 353.33, 0.96%, 0.42%

LAB 44.25, 69.39, 48.49

 

Complementary color

CMYK 82 / 0 / 9 / 2

HEX #2CFBE4

RGB 44 251 228

HSL 173.33, 0.96%, 0.58%

LAB 89.45, -52.16, -2.55

 

CMYK 0 / 98 / 90 / 15

HEX #D80416

RGB 216 4 22

HSL 354.91, 0.96%, 0.43%

LAB 45.28, 70.55, 52

 

CMYK 0 / 91 / 82 / 9

HEX #E91629

RGB 233 22 41

HSL 354.6, 0.83%, 0.5%

LAB 49.57, 73.34, 47.82

 

CMYK 0 / 84 / 76 / 2

HEX #FA283C

RGB 250 40 60

HSL 354.29, 0.95%, 0.57%

LAB 54.2, 75.18, 43.31

 

CMYK 0 / 77 / 69 / 0

HEX #FF3A4F

RGB 255 58 79

HSL 353.6, 1%, 0.61%

LAB 56.93, 72.92, 35.91

 

CMYK 0 / 70 / 62 / 0

HEX #FF4C62

RGB 255 76 98

HSL 352.63, 1%, 0.65%

LAB 59.26, 68.25, 27.86

 

CMYK 0 / 98 / 87 / 17

HEX #D3041B

RGB 211 4 27

HSL 353.33, 0.96%, 0.42%

LAB 44.25, 69.39, 48.49

 

CMYK 0 / 100 / 96 / 24

HEX #C20008

RGB 194 0 8

HSL 357.53, 1%, 0.38%

LAB 40.39, 65.29, 51.84

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 98 / 87 / 17

HEX #D3041B

RGB 211 4 27

HSL 353.33, 0.96%, 0.42%

LAB 44.25, 69.39, 48.49

 

CMYK 0 / 93 / 98 / 18

HEX #D10E04

RGB 209 14 4

HSL 2.93, 0.96%, 0.42%

LAB 44.06, 67.66, 56.71

 

CMYK 0 / 77 / 98 / 18

HEX #D13004

RGB 209 48 4

HSL 12.88, 0.96%, 0.42%

LAB 46.55, 60.58, 57.87

 

CMYK 0 / 60 / 98 / 18

HEX #D15304

RGB 209 83 4

HSL 23.12, 0.96%, 0.42%

LAB 51.55, 47, 60.58

 

CMYK 0 / 44 / 98 / 18

HEX #D17504

RGB 209 117 4

HSL 33.07, 0.96%, 0.42%

LAB 58.31, 29.98, 64.73

 

CMYK 0 / 98 / 87 / 17

HEX #D3041B

RGB 211 4 27

HSL 353.33, 0.96%, 0.42%

LAB 44.25, 69.39, 48.49

 

CMYK 0 / 100 / 86 / 97

HEX #070001

RGB 7 0 1

HSL 351.43, 1%, 0.01%

LAB 0.43, 1.97, 0.27

 

CMYK 0 / 98 / 88 / 77

HEX #3A0107

RGB 58 1 7

HSL 353.68, 0.97%, 0.12%

LAB 8.45, 27.73, 10.46

 

CMYK 0 / 98 / 87 / 57

HEX #6D020E

RGB 109 2 14

HSL 353.27, 0.96%, 0.22%

LAB 21.31, 42.69, 26.44

 

CMYK 0 / 98 / 88 / 37

HEX #A00314

RGB 160 3 20

HSL 353.5, 0.96%, 0.32%

LAB 33.11, 56.43, 38.34

 

CMYK 0 / 98 / 87 / 17

HEX #D3041B

RGB 211 4 27

HSL 353.33, 0.96%, 0.42%

LAB 44.25, 69.39, 48.49

 

CMYK 8 / 0 / 98 / 18

HEX #C0D104

RGB 192 209 4

HSL 64.98, 0.96%, 0.42%

LAB 80.08, -25.7, 79.4

 

CMYK 98 / 47 / 0 / 18

HEX #046ED1

RGB 4 110 209

HSL 208.98, 0.96%, 0.42%

LAB 46.69, 12.26, -58.1

 

CMYK 0 / 98 / 87 / 17

HEX #D3041B

RGB 211 4 27

HSL 353.33, 0.96%, 0.42%

LAB 44.25, 69.39, 48.49

 

CMYK 87 / 0 / 98 / 18

HEX #1CD104

RGB 28 209 4

HSL 112.98, 0.96%, 0.42%

LAB 73.45, -72.64, 71.39

 

CMYK 98 / 87 / 0 / 18

HEX #041CD1

RGB 4 28 209

HSL 232.98, 0.96%, 0.42%

LAB 28.01, 60.97, -88.77

 

CMYK 0 / 98 / 87 / 17

HEX #D3041B

RGB 211 4 27

HSL 353.33, 0.96%, 0.42%

LAB 44.25, 69.39, 48.49

 

CMYK 8 / 0 / 98 / 18

HEX #C0D104

RGB 192 209 4

HSL 64.98, 0.96%, 0.42%

LAB 80.08, -25.7, 79.4

 

CMYK 98 / 0 / 11 / 18

HEX #04D1B9

RGB 4 209 185

HSL 172.98, 0.96%, 0.42%

LAB 75.53, -48.13, -0.22

 

CMYK 90 / 98 / 0 / 18

HEX #1504D1

RGB 21 4 209

HSL 244.98, 0.96%, 0.42%

LAB 26.3, 67.53, -91.61

 

CMYK 0 / 98 / 87 / 17

HEX #D3041B

RGB 211 4 27

HSL 353.33, 0.96%, 0.42%

LAB 44.25, 69.39, 48.49

 

CMYK 37 / 0 / 98 / 18

HEX #83D104

RGB 131 209 4

HSL 82.83, 0.96%, 0.42%

LAB 76.34, -49.5, 74.9

 

CMYK 98 / 0 / 11 / 18

HEX #04D1B9

RGB 4 209 185

HSL 172.98, 0.96%, 0.42%

LAB 75.53, -48.13, -0.22

 

CMYK 60 / 98 / 0 / 18

HEX #5304D1

RGB 83 4 209

HSL 263.12, 0.96%, 0.42%

LAB 30.71, 69.58, -84.15

 

Description

Color code: HEX #D3041B | qconv.com Color code: HEX #D3041B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 4 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 4 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 87 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 87% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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