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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2F4C2 it is the complementary color #2D0B3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2F4C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D2F4C2: #D7F4BD, #E8FFD0, #F9FFE3, #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2F4C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D2F4C2: #D2F4C2, #C1E2AF, #B0D09C, #9FBE89 and #8EAC76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 20 / 4

HEX #D2F4C2

RGB 210 244 194

HSL 100.8, 0.69%, 0.86%

LAB 92.71, -19.91, 20.5

 

Complementary color

CMYK 26 / 82 / 0 / 76

HEX #2D0B3D

RGB 45 11 61

HSL 280.8, 0.69%, 0.14%

LAB 10.06, 26.71, -24.35

 

CMYK 12 / 0 / 23 / 4

HEX #D7F4BD

RGB 215 244 189

HSL 91.64, 0.71%, 0.85%

LAB 92.94, -18.97, 23.43

 

CMYK 9 / 0 / 18 / 0

HEX #E8FFD0

RGB 232 255 208

HSL 89.36, 1%, 0.91%

LAB 97.32, -15.53, 19.99

 

CMYK 2 / 0 / 11 / 0

HEX #F9FFE3

RGB 249 255 227

HSL 72.86, 1%, 0.95%

LAB 98.91, -6.7, 12.7

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 14 / 0 / 20 / 4

HEX #D2F4C2

RGB 210 244 194

HSL 100.8, 0.69%, 0.86%

LAB 92.71, -19.91, 20.5

 

CMYK 15 / 0 / 23 / 11

HEX #C1E2AF

RGB 193 226 175

HSL 98.82, 0.47%, 0.79%

LAB 86.42, -19.99, 21.42

 

CMYK 15 / 0 / 25 / 18

HEX #B0D09C

RGB 176 208 156

HSL 96.92, 0.36%, 0.71%

LAB 80.03, -20.07, 22.39

 

CMYK 16 / 0 / 28 / 25

HEX #9FBE89

RGB 159 190 137

HSL 95.09, 0.29%, 0.64%

LAB 73.55, -20.16, 23.41

 

CMYK 17 / 0 / 31 / 33

HEX #8EAC76

RGB 142 172 118

HSL 93.33, 0.25%, 0.57%

LAB 66.95, -20.24, 24.49

 

CMYK 14 / 0 / 20 / 4

HEX #D2F4C2

RGB 210 244 194

HSL 100.8, 0.69%, 0.86%

LAB 92.71, -19.91, 20.5

 

CMYK 17 / 0 / 20 / 5

HEX #CAF3C2

RGB 202 243 194

HSL 110.2, 0.67%, 0.86%

LAB 91.93, -22.14, 19.34

 

CMYK 20 / 0 / 20 / 5

HEX #C2F3C2

RGB 194 243 194

HSL 120, 0.67%, 0.86%

LAB 91.44, -24.79, 18.59

 

CMYK 20 / 0 / 17 / 5

HEX #C2F3CA

RGB 194 243 202

HSL 129.8, 0.67%, 0.86%

LAB 91.61, -23.41, 14.7

 

CMYK 20 / 0 / 13 / 5

HEX #C2F3D3

RGB 194 243 211

HSL 140.82, 0.67%, 0.86%

LAB 91.81, -21.8, 10.32

 

CMYK 14 / 0 / 20 / 4

HEX #D2F4C2

RGB 210 244 194

HSL 100.8, 0.69%, 0.86%

LAB 92.71, -19.91, 20.5

 

CMYK 15 / 0 / 20 / 84

HEX #222820

RGB 34 40 32

HSL 105, 0.11%, 0.14%

LAB 15.29, -4.63, 4.38

 

CMYK 14 / 0 / 21 / 64

HEX #4E5B48

RGB 78 91 72

HSL 101.05, 0.12%, 0.32%

LAB 37.06, -9.1, 9.3

 

CMYK 14 / 0 / 20 / 44

HEX #7A8E71

RGB 122 142 113

HSL 101.38, 0.11%, 0.5%

LAB 56.76, -12.89, 13.11

 

CMYK 14 / 0 / 21 / 24

HEX #A6C199

RGB 166 193 153

HSL 100.5, 0.24%, 0.68%

LAB 75.17, -16.58, 17.16

 

CMYK 14 / 0 / 20 / 4

HEX #D2F4C2

RGB 210 244 194

HSL 100.8, 0.69%, 0.86%

LAB 92.71, -19.91, 20.5

 

CMYK 20 / 0 / 2 / 5

HEX #C2F3ED

RGB 194 243 237

HSL 172.65, 0.67%, 0.86%

LAB 92.44, -16.76, -2.27

 

CMYK 0 / 20 / 5 / 5

HEX #F3C2E6

RGB 243 194 230

HSL 315.92, 0.67%, 0.86%

LAB 83.63, 23.26, -11.2

 

CMYK 14 / 0 / 20 / 4

HEX #D2F4C2

RGB 210 244 194

HSL 100.8, 0.69%, 0.86%

LAB 92.71, -19.91, 20.5

 

CMYK 20 / 13 / 0 / 5

HEX #C2D3F3

RGB 194 211 243

HSL 219.18, 0.67%, 0.86%

LAB 84.24, 0.91, -17.61

 

CMYK 0 / 20 / 13 / 5

HEX #F3C2D3

RGB 243 194 211

HSL 339.18, 0.67%, 0.86%

LAB 83.09, 20.09, -1.82

 

CMYK 14 / 0 / 20 / 4

HEX #D2F4C2

RGB 210 244 194

HSL 100.8, 0.69%, 0.86%

LAB 92.71, -19.91, 20.5

 

CMYK 20 / 0 / 2 / 5

HEX #C2F3ED

RGB 194 243 237

HSL 172.65, 0.67%, 0.86%

LAB 92.44, -16.76, -2.27

 

CMYK 7 / 20 / 0 / 5

HEX #E3C2F3

RGB 227 194 243

HSL 280.41, 0.67%, 0.86%

LAB 82.59, 20.38, -19.86

 

CMYK 0 / 20 / 17 / 5

HEX #F3C2C9

RGB 243 194 201

HSL 351.43, 0.67%, 0.86%

LAB 82.84, 18.52, 3.16

 

CMYK 14 / 0 / 20 / 4

HEX #D2F4C2

RGB 210 244 194

HSL 100.8, 0.69%, 0.86%

LAB 92.71, -19.91, 20.5

 

CMYK 20 / 3 / 0 / 5

HEX #C2EBF3

RGB 194 235 243

HSL 189.8, 0.67%, 0.86%

LAB 90.49, -11.5, -8.27

 

CMYK 7 / 20 / 0 / 5

HEX #E3C2F3

RGB 227 194 243

HSL 280.41, 0.67%, 0.86%

LAB 82.59, 20.38, -19.86

 

CMYK 0 / 17 / 20 / 5

HEX #F3CAC2

RGB 243 202 194

HSL 9.8, 0.67%, 0.86%

LAB 84.58, 13.25, 9.41

 

Description

Color code: HEX #D2F4C2 | qconv.com Color code: HEX #D2F4C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 244 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 244 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 20 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 20% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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