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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2CD5E it is the complementary color #2D32A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2CD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2CD5E shade: #D7CD59, #E8DF6C, #F9F17F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2CD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2CD5E shade: #D2CD5E, #C1BB4B, #B0A938, #9F9725 and #8E8512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2CD5E shade: #D2CD5F, #D2AE5F, #D28F5F, #D2705F and #D25F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2CD5E shade: #D2CD5F, #B8D25F, #99D25F, #7AD25F and #5FD263

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2CD5E shade matches the following richer shades: #D2CD5F, #E2DC4F and #F3EB3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2CD5E shade: #D2CD5F, #C1BE70, #B1AF80, #A09F91 and #9090A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2CD5E shade: #D28F5F, #D2AD5F, #D2CC5F, #B9D25F and #9AD25F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2CD5E shade: #AEA831, #C9C33F, #D2CD5F, #DBD780 and #E4E1A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2CD5E shade: #D2CD5E, #5FD271 and #9E5FD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2CD5E shade: #D2CD5E, #5FD2CC and #CC5FD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2CD5E shade: #D2CD5E, #5FD271, #5F65D2 and #D25FC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2CD5E shade: #D2CD5E, #5FD293, #5F65D2 and #D25F9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 55 / 18

HEX #D2CD5E

RGB 210 205 94

HSL 57.41, 0.56%, 0.6%

LAB 80.83, -12.61, 54.88

 

Complementary color

CMYK 72 / 69 / 0 / 37

HEX #2D32A1

RGB 45 50 161

HSL 237.41, 0.56%, 0.4%

LAB 27.88, 35.82, -60.44

 

CMYK 0 / 5 / 59 / 16

HEX #D7CD59

RGB 215 205 89

HSL 55.24, 0.61%, 0.6%

LAB 81.2, -10.92, 57.65

 

CMYK 0 / 4 / 53 / 9

HEX #E8DF6C

RGB 232 223 108

HSL 55.65, 0.73%, 0.67%

LAB 87.49, -11.59, 56.61

 

CMYK 0 / 3 / 49 / 2

HEX #F9F17F

RGB 249 241 127

HSL 56.07, 0.91%, 0.74%

LAB 93.7, -12.15, 55.5

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5E

RGB 210 205 94

HSL 57.41, 0.56%, 0.6%

LAB 80.83, -12.61, 54.88

 

CMYK 0 / 3 / 61 / 24

HEX #C1BB4B

RGB 193 187 75

HSL 56.95, 0.49%, 0.53%

LAB 74.44, -11.92, 55.85

 

CMYK 0 / 4 / 68 / 31

HEX #B0A938

RGB 176 169 56

HSL 56.5, 0.52%, 0.45%

LAB 67.94, -11.08, 56.56

 

CMYK 0 / 5 / 77 / 38

HEX #9F9725

RGB 159 151 37

HSL 56.07, 0.62%, 0.38%

LAB 61.34, -10.05, 56.75

 

CMYK 0 / 6 / 87 / 44

HEX #8E8512

RGB 142 133 18

HSL 55.65, 0.78%, 0.31%

LAB 54.63, -8.76, 55.88

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5F

RGB 210 205 95

HSL 57.39, 0.56%, 0.6%

LAB 80.84, -12.53, 54.44

 

CMYK 0 / 17 / 55 / 18

HEX #D2AE5F

RGB 210 174 95

HSL 41.22, 0.56%, 0.6%

LAB 72.76, 3.56, 44.99

 

CMYK 0 / 32 / 55 / 18

HEX #D28F5F

RGB 210 143 95

HSL 25.04, 0.56%, 0.6%

LAB 65.1, 20.28, 35.63

 

CMYK 0 / 47 / 55 / 18

HEX #D2705F

RGB 210 112 95

HSL 8.87, 0.56%, 0.6%

LAB 58.15, 36.85, 26.77

 

CMYK 0 / 55 / 55 / 18

HEX #D25F5F

RGB 210 95 95

HSL 0, 0.56%, 0.6%

LAB 54.77, 45.42, 22.33

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5F

RGB 210 205 95

HSL 57.39, 0.56%, 0.6%

LAB 80.84, -12.53, 54.44

 

CMYK 12 / 0 / 55 / 18

HEX #B8D25F

RGB 184 210 95

HSL 73.57, 0.56%, 0.6%

LAB 80.24, -25.48, 53.23

 

CMYK 27 / 0 / 55 / 18

HEX #99D25F

RGB 153 210 95

HSL 89.74, 0.56%, 0.6%

LAB 78.28, -37.24, 50.45

 

CMYK 42 / 0 / 55 / 18

HEX #7AD25F

RGB 122 210 95

HSL 105.91, 0.56%, 0.6%

LAB 76.71, -47.72, 48.22

 

CMYK 55 / 0 / 53 / 18

HEX #5FD263

RGB 95 210 99

HSL 122.09, 0.56%, 0.6%

LAB 75.72, -54.83, 44.89

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5F

RGB 210 205 95

HSL 57.39, 0.56%, 0.6%

LAB 80.84, -12.53, 54.44

 

CMYK 0 / 3 / 65 / 11

HEX #E2DC4F

RGB 226 220 79

HSL 57.55, 0.72%, 0.6%

LAB 85.97, -14.52, 67.21

 

CMYK 0 / 3 / 74 / 5

HEX #F3EB3E

RGB 243 235 62

HSL 57.35, 0.88%, 0.6%

LAB 91.15, -15.68, 78.74

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5F

RGB 210 205 95

HSL 57.39, 0.56%, 0.6%

LAB 80.84, -12.53, 54.44

 

CMYK 0 / 2 / 42 / 24

HEX #C1BE70

RGB 193 190 112

HSL 57.78, 0.4%, 0.6%

LAB 75.66, -10.26, 39.67

 

CMYK 0 / 1 / 28 / 31

HEX #B1AF80

RGB 177 175 128

HSL 57.55, 0.24%, 0.6%

LAB 70.57, -6.89, 24.43

 

CMYK 0 / 1 / 9 / 37

HEX #A09F91

RGB 160 159 145

HSL 56, 0.07%, 0.6%

LAB 65.21, -2.19, 7.43

 

CMYK 11 / 11 / 0 / 37

HEX #9090A1

RGB 144 144 161

HSL 240, 0.08%, 0.6%

LAB 60.29, 3.48, -8.95

 

CMYK 0 / 32 / 55 / 18

HEX #D28F5F

RGB 210 143 95

HSL 25.04, 0.56%, 0.6%

LAB 65.1, 20.28, 35.63

 

CMYK 0 / 18 / 55 / 18

HEX #D2AD5F

RGB 210 173 95

HSL 40.7, 0.56%, 0.6%

LAB 72.51, 4.09, 44.69

 

CMYK 0 / 3 / 55 / 18

HEX #D2CC5F

RGB 210 204 95

HSL 56.87, 0.56%, 0.6%

LAB 80.58, -12.03, 54.13

 

CMYK 12 / 0 / 55 / 18

HEX #B9D25F

RGB 185 210 95

HSL 73.04, 0.56%, 0.6%

LAB 80.31, -25.09, 53.33

 

CMYK 27 / 0 / 55 / 18

HEX #9AD25F

RGB 154 210 95

HSL 89.22, 0.56%, 0.6%

LAB 78.34, -36.88, 50.53

 

CMYK 0 / 3 / 72 / 32

HEX #AEA831

RGB 174 168 49

HSL 57.12, 0.56%, 0.44%

LAB 67.45, -11.8, 58.72

 

CMYK 0 / 3 / 69 / 21

HEX #C9C33F

RGB 201 195 63

HSL 57.39, 0.56%, 0.52%

LAB 77.17, -13.33, 63.8

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5F

RGB 210 205 95

HSL 57.39, 0.56%, 0.6%

LAB 80.84, -12.53, 54.44

 

CMYK 0 / 2 / 42 / 14

HEX #DBD780

RGB 219 215 128

HSL 57.36, 0.56%, 0.68%

LAB 84.6, -10.95, 43.32

 

CMYK 0 / 1 / 30 / 11

HEX #E4E1A0

RGB 228 225 160

HSL 57.35, 0.56%, 0.76%

LAB 88.39, -8.85, 32.25

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5E

RGB 210 205 94

HSL 57.41, 0.56%, 0.6%

LAB 80.83, -12.61, 54.88

 

CMYK 55 / 0 / 46 / 18

HEX #5FD271

RGB 95 210 113

HSL 129.39, 0.56%, 0.6%

LAB 75.9, -52.87, 38.31

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5E

RGB 210 205 94

HSL 57.41, 0.56%, 0.6%

LAB 80.83, -12.61, 54.88

 

CMYK 55 / 0 / 3 / 18

HEX #5FD2CC

RGB 95 210 204

HSL 176.87, 0.56%, 0.6%

LAB 77.81, -33.86, -6.92

 

CMYK 3 / 55 / 0 / 18

HEX #CC5FD2

RGB 204 95 210

HSL 296.87, 0.56%, 0.6%

LAB 57.73, 58.85, -40.23

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5E

RGB 210 205 94

HSL 57.41, 0.56%, 0.6%

LAB 80.83, -12.61, 54.88

 

CMYK 55 / 0 / 46 / 18

HEX #5FD271

RGB 95 210 113

HSL 129.39, 0.56%, 0.6%

LAB 75.9, -52.87, 38.31

 

CMYK 55 / 52 / 0 / 18

HEX #5F65D2

RGB 95 101 210

HSL 236.87, 0.56%, 0.6%

LAB 47.49, 28.65, -57.22

 

CMYK 0 / 55 / 9 / 18

HEX #D25FC0

RGB 210 95 192

HSL 309.39, 0.56%, 0.6%

LAB 57.74, 57.41, -29.9

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5E

RGB 210 205 94

HSL 57.41, 0.56%, 0.6%

LAB 80.83, -12.61, 54.88

 

CMYK 55 / 0 / 30 / 18

HEX #5FD293

RGB 95 210 147

HSL 147.13, 0.56%, 0.6%

LAB 76.46, -46.98, 21.58

 

CMYK 55 / 52 / 0 / 18

HEX #5F65D2

RGB 95 101 210

HSL 236.87, 0.56%, 0.6%

LAB 47.49, 28.65, -57.22

 

CMYK 0 / 55 / 25 / 18

HEX #D25F9E

RGB 210 95 158

HSL 327.13, 0.56%, 0.6%

LAB 56.44, 52.32, -12.24

 

Description

Color code: HEX #D2CD5E | qconv.com Color code: HEX #D2CD5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 205 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 205 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 55 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 55% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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