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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9C340 it is the complementary color #363CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9C340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9C340 shade: #CEC33B, #DFD54E, #F0E761, #FFF974 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9C340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9C340 shade: #C9C340, #B8B12D, #A79F1A, #968D07 and #857B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9C340 shade: #C9C340, #C99E40, #C97940, #C95440 and #C94040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9C340 shade: #C9C340, #AAC940, #85C940, #60C940 and #40C945

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9C340 shade matches the following richer shades: #C9C340, #DDD52C and #F1E718

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9C340 shade: #C9C340, #B5B154, #A29F68, #8E8D7B and #7A7B8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9C340 shade: #C97940, #C99E40, #C9C240, #ABC940 and #87C940

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9C340 shade: #8E8A28, #AFA931, #C9C340, #D2CD60 and #DBD780

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9C340 shade: #C9C340, #40C955 and #8B40C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9C340 shade: #C9C340, #40C9C2 and #C240C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9C340 shade: #C9C340, #40C955, #4047C9 and #C940B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9C340 shade: #C9C340, #40C97E, #4047C9 and #C9408B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

Complementary color

CMYK 72 / 69 / 0 / 25

HEX #363CBF

RGB 54 60 191

HSL 237.37, 0.56%, 0.48%

LAB 33.52, 41.12, -69.06

 

CMYK 0 / 5 / 71 / 19

HEX #CEC33B

RGB 206 195 59

HSL 55.51, 0.6%, 0.52%

LAB 77.56, -11.4, 65.81

 

CMYK 0 / 4 / 65 / 13

HEX #DFD54E

RGB 223 213 78

HSL 55.86, 0.69%, 0.59%

LAB 83.88, -12.33, 65.36

 

CMYK 0 / 4 / 60 / 6

HEX #F0E761

RGB 240 231 97

HSL 56.22, 0.83%, 0.66%

LAB 90.11, -13.11, 64.58

 

CMYK 0 / 2 / 55 / 0

HEX #FFF974

RGB 255 249 116

HSL 57.41, 1%, 0.73%

LAB 96.11, -14.58, 63.41

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 0 / 4 / 76 / 28

HEX #B8B12D

RGB 184 177 45

HSL 56.98, 0.61%, 0.45%

LAB 70.75, -12.28, 63.56

 

CMYK 0 / 5 / 84 / 35

HEX #A79F1A

RGB 167 159 26

HSL 56.6, 0.73%, 0.38%

LAB 64.23, -11.08, 62.82

 

CMYK 0 / 6 / 95 / 41

HEX #968D07

RGB 150 141 7

HSL 56.22, 0.91%, 0.31%

LAB 57.61, -9.62, 60.61

 

CMYK 0 / 8 / 100 / 48

HEX #857B00

RGB 133 123 0

HSL 55.49, 1%, 0.26%

LAB 50.87, -7.85, 56.16

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 0 / 21 / 68 / 21

HEX #C99E40

RGB 201 158 64

HSL 41.17, 0.56%, 0.52%

LAB 67.46, 6.14, 53.43

 

CMYK 0 / 40 / 68 / 21

HEX #C97940

RGB 201 121 64

HSL 24.96, 0.56%, 0.52%

LAB 58.47, 26.29, 43.67

 

CMYK 0 / 58 / 68 / 21

HEX #C95440

RGB 201 84 64

HSL 8.76, 0.56%, 0.52%

LAB 50.84, 45.33, 34.9

 

CMYK 0 / 68 / 68 / 21

HEX #C94040

RGB 201 64 64

HSL 0, 0.56%, 0.52%

LAB 47.57, 54.07, 30.99

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 15 / 0 / 68 / 21

HEX #AAC940

RGB 170 201 64

HSL 73.58, 0.56%, 0.52%

LAB 76.49, -29.07, 61.98

 

CMYK 34 / 0 / 68 / 21

HEX #85C940

RGB 133 201 64

HSL 89.78, 0.56%, 0.52%

LAB 74.27, -43.15, 58.99

 

CMYK 52 / 0 / 68 / 21

HEX #60C940

RGB 96 201 64

HSL 105.99, 0.56%, 0.52%

LAB 72.65, -54.9, 56.79

 

CMYK 68 / 0 / 66 / 21

HEX #40C945

RGB 64 201 69

HSL 122.19, 0.56%, 0.52%

LAB 71.75, -61.89, 53.53

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 0 / 4 / 80 / 13

HEX #DDD52C

RGB 221 213 44

HSL 57.29, 0.72%, 0.52%

LAB 83.52, -14.67, 76.44

 

CMYK 0 / 4 / 90 / 5

HEX #F1E718

RGB 241 231 24

HSL 57.24, 0.89%, 0.52%

LAB 89.82, -15.57, 86.32

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 0 / 2 / 54 / 29

HEX #B5B154

RGB 181 177 84

HSL 57.53, 0.4%, 0.52%

LAB 70.81, -11.14, 47.4

 

CMYK 0 / 2 / 36 / 36

HEX #A29F68

RGB 162 159 104

HSL 56.9, 0.24%, 0.52%

LAB 64.55, -7.52, 29.13

 

CMYK 0 / 1 / 13 / 44

HEX #8E8D7B

RGB 142 141 123

HSL 56.84, 0.08%, 0.52%

LAB 58.26, -2.92, 9.74

 

CMYK 15 / 14 / 0 / 44

HEX #7A7B8F

RGB 122 123 143

HSL 237.14, 0.09%, 0.52%

LAB 52.16, 3.93, -10.93

 

CMYK 0 / 40 / 68 / 21

HEX #C97940

RGB 201 121 64

HSL 24.96, 0.56%, 0.52%

LAB 58.47, 26.29, 43.67

 

CMYK 0 / 21 / 68 / 21

HEX #C99E40

RGB 201 158 64

HSL 41.17, 0.56%, 0.52%

LAB 67.46, 6.14, 53.43

 

CMYK 0 / 3 / 68 / 21

HEX #C9C240

RGB 201 194 64

HSL 56.93, 0.56%, 0.52%

LAB 76.9, -12.77, 63.15

 

CMYK 15 / 0 / 68 / 21

HEX #ABC940

RGB 171 201 64

HSL 73.14, 0.56%, 0.52%

LAB 76.56, -28.67, 62.07

 

CMYK 33 / 0 / 68 / 21

HEX #87C940

RGB 135 201 64

HSL 88.91, 0.56%, 0.52%

LAB 74.38, -42.44, 59.13

 

CMYK 0 / 3 / 72 / 44

HEX #8E8A28

RGB 142 138 40

HSL 57.65, 0.56%, 0.36%

LAB 56.17, -10.6, 50.19

 

CMYK 0 / 3 / 72 / 31

HEX #AFA931

RGB 175 169 49

HSL 57.14, 0.56%, 0.44%

LAB 67.81, -11.88, 59.1

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 0 / 2 / 54 / 18

HEX #D2CD60

RGB 210 205 96

HSL 57.37, 0.56%, 0.6%

LAB 80.85, -12.45, 53.99

 

CMYK 0 / 2 / 42 / 14

HEX #DBD780

RGB 219 215 128

HSL 57.36, 0.56%, 0.68%

LAB 84.6, -10.95, 43.32

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 68 / 0 / 58 / 21

HEX #40C955

RGB 64 201 85

HSL 129.2, 0.56%, 0.52%

LAB 71.91, -60.09, 46.7

 

CMYK 31 / 68 / 0 / 21

HEX #8B40C9

RGB 139 64 201

HSL 272.85, 0.56%, 0.52%

LAB 43.32, 56, -58.56

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 68 / 0 / 3 / 21

HEX #40C9C2

RGB 64 201 194

HSL 176.93, 0.56%, 0.52%

LAB 74.03, -37.59, -7.21

 

CMYK 3 / 68 / 0 / 21

HEX #C240C9

RGB 194 64 201

HSL 296.93, 0.56%, 0.52%

LAB 51.1, 67.88, -45.66

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 68 / 0 / 58 / 21

HEX #40C955

RGB 64 201 85

HSL 129.2, 0.56%, 0.52%

LAB 71.91, -60.09, 46.7

 

CMYK 68 / 65 / 0 / 21

HEX #4047C9

RGB 64 71 201

HSL 236.93, 0.56%, 0.52%

LAB 37.51, 39.03, -68.34

 

CMYK 0 / 68 / 10 / 21

HEX #C940B5

RGB 201 64 181

HSL 308.76, 0.56%, 0.52%

LAB 51.18, 66.29, -33.88

 

CMYK 0 / 3 / 68 / 21

HEX #C9C340

RGB 201 195 64

HSL 57.37, 0.56%, 0.52%

LAB 77.17, -13.27, 63.42

 

CMYK 68 / 0 / 37 / 21

HEX #40C97E

RGB 64 201 126

HSL 147.15, 0.56%, 0.52%

LAB 72.47, -53.62, 27.06

 

CMYK 68 / 65 / 0 / 21

HEX #4047C9

RGB 64 71 201

HSL 236.93, 0.56%, 0.52%

LAB 37.51, 39.03, -68.34

 

CMYK 0 / 68 / 31 / 21

HEX #C9408B

RGB 201 64 139

HSL 327.15, 0.56%, 0.52%

LAB 49.43, 60.58, -11.71

 

Description

Color code: HEX #C9C340 | qconv.com Color code: HEX #C9C340 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 195 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 195 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 68 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 68% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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