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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2A8F4 it is the complementary color #2D570B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2A8F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D2A8F4: #D7A8EF, #E8BAFF, #F9CCFF, #FFDEFF and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2A8F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D2A8F4: #D2A8F4, #C196E1, #B084CE, #9F72BB and #8E60A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 31 / 0 / 4

HEX #D2A8F4

RGB 210 168 244

HSL 273.16, 0.78%, 0.81%

LAB 74.98, 29.29, -32.15

 

Complementary color

CMYK 48 / 0 / 87 / 66

HEX #2D570B

RGB 45 87 11

HSL 93.16, 0.78%, 0.19%

LAB 32.7, -28.34, 35.97

 

CMYK 10 / 30 / 0 / 6

HEX #D7A8EF

RGB 215 168 239

HSL 279.72, 0.69%, 0.8%

LAB 75.25, 29.8, -28.98

 

CMYK 9 / 27 / 0 / 0

HEX #E8BAFF

RGB 232 186 255

HSL 280, 1%, 0.86%

LAB 81.56, 28.6, -27.78

 

CMYK 2 / 20 / 0 / 0

HEX #F9CCFF

RGB 249 204 255

HSL 292.94, 1%, 0.9%

LAB 87.26, 24.43, -18.97

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 14 / 31 / 0 / 4

HEX #D2A8F4

RGB 210 168 244

HSL 273.16, 0.78%, 0.81%

LAB 74.98, 29.29, -32.15

 

CMYK 14 / 33 / 0 / 12

HEX #C196E1

RGB 193 150 225

HSL 274.4, 0.56%, 0.74%

LAB 68.45, 29.94, -31.99

 

CMYK 15 / 36 / 0 / 19

HEX #B084CE

RGB 176 132 206

HSL 275.68, 0.43%, 0.66%

LAB 61.82, 30.64, -31.83

 

CMYK 15 / 39 / 0 / 27

HEX #9F72BB

RGB 159 114 187

HSL 276.99, 0.35%, 0.59%

LAB 55.07, 31.39, -31.68

 

CMYK 15 / 43 / 0 / 34

HEX #8E60A8

RGB 142 96 168

HSL 278.33, 0.29%, 0.52%

LAB 48.19, 32.2, -31.53

 

CMYK 14 / 31 / 0 / 4

HEX #D2A8F4

RGB 210 168 244

HSL 273.16, 0.78%, 0.81%

LAB 74.98, 29.29, -32.15

 

CMYK 9 / 31 / 0 / 4

HEX #DEA8F4

RGB 222 168 244

HSL 282.63, 0.78%, 0.81%

LAB 76.11, 32.98, -30.31

 

CMYK 4 / 31 / 0 / 4

HEX #EBA8F4

RGB 235 168 244

HSL 292.89, 0.78%, 0.81%

LAB 77.4, 37.01, -28.22

 

CMYK 0 / 31 / 2 / 4

HEX #F4A8F0

RGB 244 168 240

HSL 303.16, 0.78%, 0.81%

LAB 78.19, 39.1, -24.77

 

CMYK 0 / 31 / 7 / 4

HEX #F4A8E3

RGB 244 168 227

HSL 313.42, 0.78%, 0.81%

LAB 77.75, 36.83, -18.4

 

CMYK 14 / 31 / 0 / 4

HEX #D2A8F4

RGB 210 168 244

HSL 273.16, 0.78%, 0.81%

LAB 74.98, 29.29, -32.15

 

CMYK 15 / 30 / 0 / 84

HEX #221C28

RGB 34 28 40

HSL 270, 0.18%, 0.13%

LAB 11.44, 5.95, -7.05

 

CMYK 14 / 31 / 0 / 64

HEX #4E3F5B

RGB 78 63 91

HSL 272.14, 0.18%, 0.3%

LAB 29.24, 12.67, -14.25

 

CMYK 14 / 31 / 0 / 44

HEX #7A628E

RGB 122 98 142

HSL 272.73, 0.18%, 0.47%

LAB 45.39, 18.6, -20.63

 

CMYK 14 / 31 / 0 / 24

HEX #A685C1

RGB 166 133 193

HSL 273, 0.33%, 0.64%

LAB 60.54, 24.09, -26.55

 

CMYK 14 / 31 / 0 / 4

HEX #D2A8F4

RGB 210 168 244

HSL 273.16, 0.78%, 0.81%

LAB 74.98, 29.29, -32.15

 

CMYK 0 / 31 / 23 / 4

HEX #F4A8BB

RGB 244 168 187

HSL 345, 0.78%, 0.81%

LAB 76.57, 30.56, 1.65

 

CMYK 31 / 0 / 26 / 4

HEX #A8F4B4

RGB 168 244 180

HSL 129.47, 0.78%, 0.81%

LAB 90.01, -35.93, 23.57

 

CMYK 14 / 31 / 0 / 4

HEX #D2A8F4

RGB 210 168 244

HSL 273.16, 0.78%, 0.81%

LAB 74.98, 29.29, -32.15

 

CMYK 0 / 14 / 31 / 4

HEX #F4D2A8

RGB 244 210 168

HSL 33.16, 0.78%, 0.81%

LAB 86.08, 5.91, 25.23

 

CMYK 31 / 0 / 14 / 4

HEX #A8F4D2

RGB 168 244 210

HSL 153.16, 0.78%, 0.81%

LAB 90.63, -30.39, 8.97

 

CMYK 14 / 31 / 0 / 4

HEX #D2A8F4

RGB 210 168 244

HSL 273.16, 0.78%, 0.81%

LAB 74.98, 29.29, -32.15

 

CMYK 0 / 31 / 23 / 4

HEX #F4A8BB

RGB 244 168 187

HSL 345, 0.78%, 0.81%

LAB 76.57, 30.56, 1.65

 

CMYK 17 / 0 / 31 / 4

HEX #CAF4A8

RGB 202 244 168

HSL 93.16, 0.78%, 0.81%

LAB 91.72, -26.59, 32.32

 

CMYK 31 / 0 / 8 / 4

HEX #A8F4E1

RGB 168 244 225

HSL 165, 0.78%, 0.81%

LAB 90.99, -27.33, 1.69

 

CMYK 14 / 31 / 0 / 4

HEX #D2A8F4

RGB 210 168 244

HSL 273.16, 0.78%, 0.81%

LAB 74.98, 29.29, -32.15

 

CMYK 0 / 30 / 31 / 4

HEX #F4ACA8

RGB 244 172 168

HSL 3.16, 0.78%, 0.81%

LAB 77.02, 25.88, 12.65

 

CMYK 17 / 0 / 31 / 4

HEX #CAF4A8

RGB 202 244 168

HSL 93.16, 0.78%, 0.81%

LAB 91.72, -26.59, 32.32

 

CMYK 31 / 2 / 0 / 4

HEX #A8F0F4

RGB 168 240 244

HSL 183.16, 0.78%, 0.81%

LAB 90.4, -21.22, -9.08

 

Description

Color code: HEX #D2A8F4 | qconv.com Color code: HEX #D2A8F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 168 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 168 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 31 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 31% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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