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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2A3AE it is the complementary color #2D5C51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2A3AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D2A3AE: #D7A3A9, #E8B5BC, #F9C7CF, #FFD9E2 and #FFEBF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2A3AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D2A3AE: #D2A3AE, #C1919B, #B07F88, #9F6D75 and #8E5B62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 17 / 18

HEX #D2A3AE

RGB 210 163 174

HSL 345.96, 0.34%, 0.73%

LAB 71.52, 19.02, 1

 

Complementary color

CMYK 51 / 0 / 12 / 64

HEX #2D5C51

RGB 45 92 81

HSL 165.96, 0.34%, 0.27%

LAB 35.61, -19.09, 1.39

 

CMYK 0 / 24 / 21 / 16

HEX #D7A3A9

RGB 215 163 169

HSL 353.08, 0.39%, 0.74%

LAB 71.9, 20.09, 4.37

 

CMYK 0 / 22 / 19 / 9

HEX #E8B5BC

RGB 232 181 188

HSL 351.76, 0.53%, 0.81%

LAB 78.37, 19.49, 3.55

 

CMYK 0 / 20 / 17 / 2

HEX #F9C7CF

RGB 249 199 207

HSL 350.4, 0.81%, 0.88%

LAB 84.74, 18.94, 2.78

 

CMYK 0 / 15 / 11 / 0

HEX #FFD9E2

RGB 255 217 226

HSL 345.79, 1%, 0.93%

LAB 90.03, 14.61, 0.49

 

CMYK 0 / 8 / 4 / 0

HEX #FFEBF5

RGB 255 235 245

HSL 330, 1%, 0.96%

LAB 94.85, 8.46, -2.38

 

CMYK 0 / 22 / 17 / 18

HEX #D2A3AE

RGB 210 163 174

HSL 345.96, 0.34%, 0.73%

LAB 71.52, 19.02, 1

 

CMYK 0 / 25 / 20 / 24

HEX #C1919B

RGB 193 145 155

HSL 347.5, 0.28%, 0.66%

LAB 64.93, 19.63, 1.8

 

CMYK 0 / 28 / 23 / 31

HEX #B07F88

RGB 176 127 136

HSL 348.98, 0.24%, 0.59%

LAB 58.21, 20.31, 2.66

 

CMYK 0 / 31 / 26 / 38

HEX #9F6D75

RGB 159 109 117

HSL 350.4, 0.21%, 0.53%

LAB 51.37, 21.07, 3.62

 

CMYK 0 / 36 / 31 / 44

HEX #8E5B62

RGB 142 91 98

HSL 351.76, 0.22%, 0.46%

LAB 44.4, 21.94, 4.7

 

CMYK 0 / 22 / 17 / 18

HEX #D2A3AE

RGB 210 163 174

HSL 345.96, 0.34%, 0.73%

LAB 71.52, 19.02, 1

 

CMYK 0 / 22 / 21 / 18

HEX #D1A2A6

RGB 209 162 166

HSL 354.89, 0.34%, 0.73%

LAB 70.97, 17.95, 4.62

 

CMYK 0 / 21 / 22 / 18

HEX #D1A6A2

RGB 209 166 162

HSL 5.11, 0.34%, 0.73%

LAB 71.85, 15.18, 8.09

 

CMYK 0 / 17 / 22 / 18

HEX #D1AEA2

RGB 209 174 162

HSL 15.32, 0.34%, 0.73%

LAB 73.83, 10.85, 10.9

 

CMYK 0 / 13 / 22 / 18

HEX #D1B6A2

RGB 209 182 162

HSL 25.53, 0.34%, 0.73%

LAB 75.84, 6.55, 13.74

 

CMYK 0 / 22 / 17 / 18

HEX #D2A3AE

RGB 210 163 174

HSL 345.96, 0.34%, 0.73%

LAB 71.52, 19.02, 1

 

CMYK 0 / 17 / 17 / 98

HEX #060505

RGB 6 5 5

HSL 0, 0.09%, 0.02%

LAB 1.43, 0.26, 0.09

 

CMYK 0 / 23 / 18 / 78

HEX #392C2F

RGB 57 44 47

HSL 346.15, 0.13%, 0.2%

LAB 19.54, 6.57, 0.33

 

CMYK 0 / 22 / 18 / 58

HEX #6C5459

RGB 108 84 89

HSL 347.5, 0.13%, 0.38%

LAB 38.29, 10.82, 0.9

 

CMYK 0 / 23 / 17 / 38

HEX #9F7B84

RGB 159 123 132

HSL 345, 0.16%, 0.55%

LAB 55.28, 15.43, 0.49

 

CMYK 0 / 22 / 17 / 18

HEX #D2A3AE

RGB 210 163 174

HSL 345.96, 0.34%, 0.73%

LAB 71.52, 19.02, 1

 

CMYK 0 / 1 / 22 / 18

HEX #D1CFA2

RGB 209 207 162

HSL 57.45, 0.34%, 0.73%

LAB 82.27, -6.58, 22.68

 

CMYK 22 / 8 / 0 / 18

HEX #A2C1D1

RGB 162 193 209

HSL 200.43, 0.34%, 0.73%

LAB 76.33, -6.9, -11.48

 

CMYK 0 / 22 / 17 / 18

HEX #D2A3AE

RGB 210 163 174

HSL 345.96, 0.34%, 0.73%

LAB 71.52, 19.02, 1

 

CMYK 17 / 0 / 22 / 18

HEX #AED1A2

RGB 174 209 162

HSL 104.68, 0.34%, 0.73%

LAB 80.3, -20.31, 19.57

 

CMYK 22 / 17 / 0 / 18

HEX #A2AED1

RGB 162 174 209

HSL 224.68, 0.34%, 0.73%

LAB 71.25, 3.37, -19.12

 

CMYK 0 / 22 / 17 / 18

HEX #D2A3AE

RGB 210 163 174

HSL 345.96, 0.34%, 0.73%

LAB 71.52, 19.02, 1

 

CMYK 0 / 1 / 22 / 18

HEX #D1CFA2

RGB 209 207 162

HSL 57.45, 0.34%, 0.73%

LAB 82.27, -6.58, 22.68

 

CMYK 22 / 0 / 6 / 18

HEX #A2D1C5

RGB 162 209 197

HSL 164.68, 0.34%, 0.73%

LAB 80.36, -17.77, 0.93

 

CMYK 22 / 21 / 0 / 18

HEX #A2A5D1

RGB 162 165 209

HSL 236.17, 0.34%, 0.73%

LAB 68.89, 8.35, -22.71

 

CMYK 0 / 22 / 17 / 18

HEX #D2A3AE

RGB 210 163 174

HSL 345.96, 0.34%, 0.73%

LAB 71.52, 19.02, 1

 

CMYK 6 / 0 / 22 / 18

HEX #C5D1A2

RGB 197 209 162

HSL 75.32, 0.34%, 0.73%

LAB 81.88, -12.05, 22

 

CMYK 22 / 0 / 6 / 18

HEX #A2D1C5

RGB 162 209 197

HSL 164.68, 0.34%, 0.73%

LAB 80.36, -17.77, 0.93

 

CMYK 17 / 22 / 0 / 18

HEX #AEA2D1

RGB 174 162 209

HSL 255.32, 0.34%, 0.73%

LAB 69.07, 13.8, -22.35

 

Description

Color code: HEX #D2A3AE | qconv.com Color code: HEX #D2A3AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 163 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 163 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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