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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D29C5B it is the complementary color #2D63A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D29C5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D29C5B shade: #D79C56, #E8AE69, #F9C07C, #FFD28F and #FFE4A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D29C5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D29C5B shade: #D29C5B, #C18A48, #B07835, #9F6622 and #8E540F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D29C5B shade: #D29C5B, #D27C5B, #D25C5B and #D25B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D29C5B shade: #D29C5B, #D2BC5B, #C8D25B, #A8D25B and #88D25B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D29C5B shade matches the following richer shades: #D29C5B, #E39E4A and #F49F39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D29C5B shade: #D29C5B, #C19A6C, #B0997D, #9F978E and #8E969F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D29C5B shade: #D25B5B, #D27B5B, #D29A5B, #D2BA5B and #CAD25B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D29C5B shade: #AB732F, #C9883A, #D29C5B, #DBAF7B and #E4C39C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D29C5B shade: #D29C5B, #7BD25B and #6B5BD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D29C5B shade: #D29C5B, #5BD29A and #9A5BD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D29C5B shade: #D29C5B, #7BD25B, #5B92D2 and #B25BD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D29C5B shade: #D29C5B, #5BD25F, #5B92D2 and #D25BCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

Complementary color

CMYK 73 / 40 / 0 / 36

HEX #2D63A4

RGB 45 99 164

HSL 212.77, 0.57%, 0.41%

LAB 41.47, 4.8, -40.25

 

CMYK 0 / 27 / 60 / 16

HEX #D79C56

RGB 215 156 86

HSL 32.56, 0.62%, 0.59%

LAB 68.68, 14.62, 44.76

 

CMYK 0 / 25 / 55 / 9

HEX #E8AE69

RGB 232 174 105

HSL 32.6, 0.73%, 0.66%

LAB 75.11, 13.51, 43.33

 

CMYK 0 / 23 / 50 / 2

HEX #F9C07C

RGB 249 192 124

HSL 32.64, 0.91%, 0.73%

LAB 81.45, 12.53, 41.96

 

CMYK 0 / 18 / 44 / 0

HEX #FFD28F

RGB 255 210 143

HSL 35.89, 1%, 0.78%

LAB 86.67, 7.36, 39.08

 

CMYK 0 / 11 / 36 / 0

HEX #FFE4A2

RGB 255 228 162

HSL 42.58, 1%, 0.82%

LAB 91.39, 0.16, 35.62

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 0 / 28 / 63 / 24

HEX #C18A48

RGB 193 138 72

HSL 32.73, 0.49%, 0.52%

LAB 61.64, 14.09, 42.97

 

CMYK 0 / 32 / 70 / 31

HEX #B07835

RGB 176 120 53

HSL 32.68, 0.54%, 0.45%

LAB 54.99, 15.49, 44.39

 

CMYK 0 / 36 / 79 / 38

HEX #9F6622

RGB 159 102 34

HSL 32.64, 0.65%, 0.38%

LAB 48.25, 17.15, 45.56

 

CMYK 0 / 41 / 89 / 44

HEX #8E540F

RGB 142 84 15

HSL 32.6, 0.81%, 0.31%

LAB 41.42, 19.14, 45.93

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 0 / 41 / 57 / 18

HEX #D27C5B

RGB 210 124 91

HSL 16.64, 0.57%, 0.59%

LAB 60.67, 30.2, 32.24

 

CMYK 0 / 56 / 57 / 18

HEX #D25C5B

RGB 210 92 91

HSL 0.5, 0.57%, 0.59%

LAB 54.14, 46.55, 23.83

 

CMYK 0 / 57 / 57 / 18

HEX #D25B5B

RGB 210 91 91

HSL 0, 0.57%, 0.59%

LAB 53.96, 47.02, 23.59

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 0 / 10 / 57 / 18

HEX #D2BC5B

RGB 210 188 91

HSL 48.91, 0.57%, 0.59%

LAB 76.33, -4.13, 51.11

 

CMYK 5 / 0 / 57 / 18

HEX #C8D25B

RGB 200 210 91

HSL 65.04, 0.57%, 0.59%

LAB 81.36, -19.42, 56.61

 

CMYK 20 / 0 / 57 / 18

HEX #A8D25B

RGB 168 210 91

HSL 81.18, 0.57%, 0.59%

LAB 79.14, -32.04, 53.5

 

CMYK 35 / 0 / 57 / 18

HEX #88D25B

RGB 136 210 91

HSL 97.31, 0.57%, 0.59%

LAB 77.33, -43.6, 50.94

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 0 / 30 / 67 / 11

HEX #E39E4A

RGB 227 158 74

HSL 32.94, 0.73%, 0.59%

LAB 70.37, 17.82, 52.85

 

CMYK 0 / 35 / 77 / 4

HEX #F49F39

RGB 244 159 57

HSL 32.73, 0.89%, 0.59%

LAB 72.45, 23.59, 62.96

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 0 / 20 / 44 / 24

HEX #C19A6C

RGB 193 154 108

HSL 32.47, 0.41%, 0.59%

LAB 66.16, 8.48, 29.63

 

CMYK 0 / 13 / 29 / 31

HEX #B0997D

RGB 176 153 125

HSL 32.94, 0.24%, 0.59%

LAB 64.56, 4.18, 17.87

 

CMYK 0 / 5 / 11 / 38

HEX #9F978E

RGB 159 151 142

HSL 31.76, 0.08%, 0.59%

LAB 62.89, 1.31, 5.78

 

CMYK 11 / 6 / 0 / 38

HEX #8E969F

RGB 142 150 159

HSL 211.76, 0.08%, 0.59%

LAB 61.71, -1.01, -5.72

 

CMYK 0 / 57 / 57 / 18

HEX #D25B5B

RGB 210 91 91

HSL 0, 0.57%, 0.59%

LAB 53.96, 47.02, 23.59

 

CMYK 0 / 41 / 57 / 18

HEX #D27B5B

RGB 210 123 91

HSL 16.13, 0.57%, 0.59%

LAB 60.45, 30.73, 31.96

 

CMYK 0 / 27 / 57 / 18

HEX #D29A5B

RGB 210 154 91

HSL 31.76, 0.57%, 0.59%

LAB 67.7, 13.98, 40.93

 

CMYK 0 / 11 / 57 / 18

HEX #D2BA5B

RGB 210 186 91

HSL 47.9, 0.57%, 0.59%

LAB 75.81, -3.09, 50.51

 

CMYK 4 / 0 / 57 / 18

HEX #CAD25B

RGB 202 210 91

HSL 64.03, 0.57%, 0.59%

LAB 81.51, -18.6, 56.83

 

CMYK 0 / 33 / 73 / 33

HEX #AB732F

RGB 171 115 47

HSL 32.9, 0.57%, 0.43%

LAB 53.09, 15.76, 45.04

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 0 / 20 / 44 / 14

HEX #DBAF7B

RGB 219 175 123

HSL 32.5, 0.57%, 0.67%

LAB 74.29, 9.34, 32.7

 

CMYK 0 / 14 / 32 / 11

HEX #E4C39C

RGB 228 195 156

HSL 32.5, 0.57%, 0.75%

LAB 80.7, 6.11, 23.96

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 41 / 0 / 57 / 18

HEX #7BD25B

RGB 123 210 91

HSL 103.87, 0.57%, 0.59%

LAB 76.72, -47.85, 50.07

 

CMYK 49 / 57 / 0 / 18

HEX #6B5BD2

RGB 107 91 210

HSL 248.07, 0.57%, 0.59%

LAB 45.99, 37.16, -59.59

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 57 / 0 / 27 / 18

HEX #5BD29A

RGB 91 210 154

HSL 151.76, 0.57%, 0.59%

LAB 76.47, -46.46, 17.88

 

CMYK 27 / 57 / 0 / 18

HEX #9A5BD2

RGB 154 91 210

HSL 271.76, 0.57%, 0.59%

LAB 50.69, 47.97, -51.78

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 41 / 0 / 57 / 18

HEX #7BD25B

RGB 123 210 91

HSL 103.87, 0.57%, 0.59%

LAB 76.72, -47.85, 50.07

 

CMYK 57 / 30 / 0 / 18

HEX #5B92D2

RGB 91 146 210

HSL 212.27, 0.57%, 0.59%

LAB 59.37, 0.62, -38.35

 

CMYK 15 / 57 / 0 / 18

HEX #B25BD2

RGB 178 91 210

HSL 283.87, 0.57%, 0.59%

LAB 53.6, 54.01, -46.98

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 57 / 0 / 55 / 18

HEX #5BD25F

RGB 91 210 95

HSL 122.02, 0.57%, 0.59%

LAB 75.54, -56.32, 46.54

 

CMYK 57 / 30 / 0 / 18

HEX #5B92D2

RGB 91 146 210

HSL 212.27, 0.57%, 0.59%

LAB 59.37, 0.62, -38.35

 

CMYK 0 / 57 / 2 / 18

HEX #D25BCE

RGB 210 91 206

HSL 302.02, 0.57%, 0.59%

LAB 57.69, 61.55, -37.96

 

Description

Color code: HEX #D29C5B | qconv.com Color code: HEX #D29C5B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 156 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 156 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 57 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 57% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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