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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 136 58 it is the complementary color RGB 54 119 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 136 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 136 58 shade: RGB 206 136 53, RGB 223 154 72, RGB 240 172 91, RGB 255 190 110 and RGB 255 208 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 136 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 136 58 shade: RGB 201 136 58, RGB 184 118 39, RGB 167 100 20, RGB 150 82 1 and RGB 133 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 136 58 shade: RGB 201 136 58, RGB 201 98 58, RGB 201 59 58 and RGB 201 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 136 58 shade: RGB 201 136 58, RGB 201 174 58, RGB 189 201 58, RGB 150 201 58 and RGB 112 201 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 136 58 shade matches the following richer shades: RGB 201 136 58, RGB 221 138 38 and RGB 241 140 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 136 58 shade: RGB 201 136 58, RGB 181 134 79, RGB 160 132 99, RGB 140 131 119 and RGB 120 129 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 136 58 shade: RGB 201 58 58, RGB 201 96 58, RGB 201 134 58, RGB 201 172 58 and RGB 191 201 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 136 58 shade: RGB 139 93 38, RGB 171 115 47, RGB 201 136 58, RGB 210 156 91 and RGB 219 175 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 136 58 shade: RGB 201 136 58, RGB 96 201 58 and RGB 77 58 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 136 58 shade: RGB 201 136 58, RGB 58 201 134 and RGB 134 58 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 136 58 shade: RGB 201 136 58, RGB 96 201 58, RGB 58 125 201 and RGB 163 58 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 136 58 shade: RGB 201 136 58, RGB 58 201 63, RGB 58 125 201 and RGB 201 58 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

Complementary color

CMYK 73 / 40 / 0 / 23

HEX #3677C5

RGB 54 119 197

HSL 212.73, 0.57%, 0.49%

LAB 49.51, 5.81, -46.67

 

CMYK 0 / 34 / 74 / 19

HEX #CE8835

RGB 206 136 53

HSL 32.55, 0.61%, 0.51%

LAB 62.5, 19.69, 53.32

 

CMYK 0 / 31 / 68 / 13

HEX #DF9A48

RGB 223 154 72

HSL 32.58, 0.7%, 0.58%

LAB 68.94, 18.16, 52.09

 

CMYK 0 / 28 / 62 / 6

HEX #F0AC5B

RGB 240 172 91

HSL 32.62, 0.83%, 0.65%

LAB 75.32, 16.83, 50.72

 

CMYK 0 / 25 / 57 / 0

HEX #FFBE6E

RGB 255 190 110

HSL 33.1, 1%, 0.72%

LAB 81.41, 14.86, 49.03

 

CMYK 0 / 18 / 49 / 0

HEX #FFD081

RGB 255 208 129

HSL 37.62, 1%, 0.75%

LAB 85.98, 7.07, 45.24

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 0 / 36 / 79 / 28

HEX #B87627

RGB 184 118 39

HSL 32.69, 0.65%, 0.44%

LAB 55.37, 19.46, 51.38

 

CMYK 0 / 40 / 88 / 35

HEX #A76414

RGB 167 100 20

HSL 32.65, 0.79%, 0.37%

LAB 48.74, 21.4, 51.68

 

CMYK 0 / 45 / 99 / 41

HEX #965201

RGB 150 82 1

HSL 32.62, 0.99%, 0.3%

LAB 42.03, 23.62, 50.83

 

CMYK 0 / 52 / 100 / 48

HEX #854000

RGB 133 64 0

HSL 28.87, 1%, 0.26%

LAB 35.31, 26.19, 45.71

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 0 / 51 / 71 / 21

HEX #C9623A

RGB 201 98 58

HSL 16.78, 0.57%, 0.51%

LAB 53.45, 38.11, 41.15

 

CMYK 0 / 71 / 71 / 21

HEX #C93B3A

RGB 201 59 58

HSL 0.42, 0.57%, 0.51%

LAB 46.78, 55.7, 33.55

 

CMYK 0 / 71 / 71 / 21

HEX #C93A3A

RGB 201 58 58

HSL 0, 0.57%, 0.51%

LAB 46.64, 56.07, 33.39

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 0 / 13 / 71 / 21

HEX #C9AE3A

RGB 201 174 58

HSL 48.67, 0.57%, 0.51%

LAB 71.55, -2.72, 60.14

 

CMYK 6 / 0 / 71 / 21

HEX #BDC93A

RGB 189 201 58

HSL 65.03, 0.57%, 0.51%

LAB 77.81, -21.62, 65.95

 

CMYK 25 / 0 / 71 / 21

HEX #96C93A

RGB 150 201 58

HSL 81.4, 0.57%, 0.51%

LAB 75.18, -37.28, 62.47

 

CMYK 44 / 0 / 71 / 21

HEX #70C93A

RGB 112 201 58

HSL 97.34, 0.57%, 0.51%

LAB 73.24, -50.63, 59.88

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 0 / 38 / 83 / 13

HEX #DD8A26

RGB 221 138 38

HSL 32.79, 0.73%, 0.51%

LAB 64.71, 24.45, 61.94

 

CMYK 0 / 42 / 93 / 5

HEX #F18C12

RGB 241 140 18

HSL 32.83, 0.89%, 0.51%

LAB 67.65, 31.32, 70.75

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 0 / 26 / 56 / 29

HEX #B5864F

RGB 181 134 79

HSL 32.35, 0.41%, 0.51%

LAB 59.38, 11.67, 36.35

 

CMYK 0 / 18 / 38 / 37

HEX #A08463

RGB 160 132 99

HSL 32.46, 0.24%, 0.51%

LAB 56.96, 5.9, 21.83

 

CMYK 0 / 6 / 15 / 45

HEX #8C8377

RGB 140 131 119

HSL 34.29, 0.08%, 0.51%

LAB 55.22, 1.24, 7.7

 

CMYK 14 / 7 / 0 / 45

HEX #78818B

RGB 120 129 139

HSL 211.58, 0.08%, 0.51%

LAB 53.55, -1.14, -6.53

 

CMYK 0 / 71 / 71 / 21

HEX #C93A3A

RGB 201 58 58

HSL 0, 0.57%, 0.51%

LAB 46.64, 56.07, 33.39

 

CMYK 0 / 52 / 71 / 21

HEX #C9603A

RGB 201 96 58

HSL 15.94, 0.57%, 0.51%

LAB 53.05, 39.12, 40.71

 

CMYK 0 / 33 / 71 / 21

HEX #C9863A

RGB 201 134 58

HSL 31.89, 0.57%, 0.51%

LAB 61.46, 18.88, 49.81

 

CMYK 0 / 14 / 71 / 21

HEX #C9AC3A

RGB 201 172 58

HSL 47.83, 0.57%, 0.51%

LAB 71.03, -1.67, 59.61

 

CMYK 5 / 0 / 71 / 21

HEX #BFC93A

RGB 191 201 58

HSL 64.2, 0.57%, 0.51%

LAB 77.97, -20.79, 66.15

 

CMYK 0 / 33 / 73 / 45

HEX #8B5D26

RGB 139 93 38

HSL 32.67, 0.57%, 0.35%

LAB 43.44, 13.44, 38.03

 

CMYK 0 / 33 / 73 / 33

HEX #AB732F

RGB 171 115 47

HSL 32.9, 0.57%, 0.43%

LAB 53.09, 15.76, 45.04

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 0 / 26 / 57 / 18

HEX #D29C5B

RGB 210 156 91

HSL 32.77, 0.57%, 0.59%

LAB 68.19, 12.9, 41.52

 

CMYK 0 / 20 / 44 / 14

HEX #DBAF7B

RGB 219 175 123

HSL 32.5, 0.57%, 0.67%

LAB 74.29, 9.34, 32.7

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 52 / 0 / 71 / 21

HEX #60C93A

RGB 96 201 58

HSL 104.06, 0.57%, 0.51%

LAB 72.6, -55.38, 59.03

 

CMYK 62 / 71 / 0 / 21

HEX #4D3AC9

RGB 77 58 201

HSL 247.97, 0.57%, 0.51%

LAB 35.64, 48.32, -71.37

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 71 / 0 / 33 / 21

HEX #3AC986

RGB 58 201 134

HSL 151.89, 0.57%, 0.51%

LAB 72.49, -53.01, 22.86

 

CMYK 33 / 71 / 0 / 21

HEX #863AC9

RGB 134 58 201

HSL 271.89, 0.57%, 0.51%

LAB 41.71, 57.73, -61.2

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 52 / 0 / 71 / 21

HEX #60C93A

RGB 96 201 58

HSL 104.06, 0.57%, 0.51%

LAB 72.6, -55.38, 59.03

 

CMYK 71 / 38 / 0 / 21

HEX #3A7DC9

RGB 58 125 201

HSL 211.89, 0.57%, 0.51%

LAB 51.59, 4.16, -45.63

 

CMYK 19 / 71 / 0 / 21

HEX #A33AC9

RGB 163 58 201

HSL 284.06, 0.57%, 0.51%

LAB 45.67, 63.49, -54.6

 

CMYK 0 / 32 / 71 / 21

HEX #C9883A

RGB 201 136 58

HSL 32.73, 0.57%, 0.51%

LAB 61.94, 17.79, 50.32

 

CMYK 71 / 0 / 69 / 21

HEX #3AC93F

RGB 58 201 63

HSL 122.1, 0.57%, 0.51%

LAB 71.58, -63.54, 55.73

 

CMYK 71 / 38 / 0 / 21

HEX #3A7DC9

RGB 58 125 201

HSL 211.89, 0.57%, 0.51%

LAB 51.59, 4.16, -45.63

 

CMYK 0 / 71 / 2 / 21

HEX #C93AC4

RGB 201 58 196

HSL 302.1, 0.57%, 0.51%

LAB 51.19, 70.71, -42.57

 

Description

Color code: RGB 201 136 58 | qconv.com Color code: RGB 201 136 58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 136 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 136 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 71 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 71% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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