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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D24E7B it is the complementary color #2DB184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D24E7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D24E7B: #D74E76, #E86089, #F9729C, #FF84AF and #FF96C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D24E7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D24E7B: #D24E7B, #C13C68, #B02A55, #9F1842 and #8E062F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 41 / 18

HEX #D24E7B

RGB 210 78 123

HSL 339.55, 0.59%, 0.56%

LAB 52.49, 55.78, 2.57

 

Complementary color

CMYK 75 / 0 / 25 / 31

HEX #2DB184

RGB 45 177 132

HSL 159.55, 0.59%, 0.44%

LAB 64.7, -45.71, 13.14

 

CMYK 0 / 64 / 45 / 16

HEX #D74E76

RGB 215 78 118

HSL 342.48, 0.63%, 0.57%

LAB 53.17, 56.85, 6.64

 

CMYK 0 / 59 / 41 / 9

HEX #E86089

RGB 232 96 137

HSL 341.91, 0.75%, 0.64%

LAB 59.28, 56.3, 4.56

 

CMYK 0 / 54 / 37 / 2

HEX #F9729C

RGB 249 114 156

HSL 341.33, 0.92%, 0.71%

LAB 65.42, 55.59, 2.81

 

CMYK 0 / 48 / 31 / 0

HEX #FF84AF

RGB 255 132 175

HSL 339.02, 1%, 0.76%

LAB 70.08, 51.19, -1.04

 

CMYK 0 / 41 / 24 / 0

HEX #FF96C2

RGB 255 150 194

HSL 334.86, 1%, 0.79%

LAB 74.17, 44.7, -5.58

 

CMYK 0 / 63 / 41 / 18

HEX #D24E7B

RGB 210 78 123

HSL 339.55, 0.59%, 0.56%

LAB 52.49, 55.78, 2.57

 

CMYK 0 / 69 / 46 / 24

HEX #C13C68

RGB 193 60 104

HSL 340.15, 0.53%, 0.5%

LAB 46.4, 56.04, 4.93

 

CMYK 0 / 76 / 52 / 31

HEX #B02A55

RGB 176 42 85

HSL 340.75, 0.61%, 0.43%

LAB 40.48, 55.79, 7.9

 

CMYK 0 / 85 / 58 / 38

HEX #9F1842

RGB 159 24 66

HSL 341.33, 0.74%, 0.36%

LAB 34.84, 54.68, 11.73

 

CMYK 0 / 96 / 67 / 44

HEX #8E062F

RGB 142 6 47

HSL 341.91, 0.92%, 0.29%

LAB 29.63, 52.29, 16.66

 

CMYK 0 / 63 / 41 / 18

HEX #D24E7B

RGB 210 78 123

HSL 339.55, 0.59%, 0.56%

LAB 52.49, 55.78, 2.57

 

CMYK 0 / 63 / 52 / 18

HEX #D04C64

RGB 208 76 100

HSL 349.09, 0.58%, 0.56%

LAB 51.27, 53.85, 14.57

 

CMYK 0 / 63 / 63 / 18

HEX #D04C4E

RGB 208 76 78

HSL 359.09, 0.58%, 0.56%

LAB 50.84, 52.23, 27.09

 

CMYK 0 / 54 / 63 / 18

HEX #D0604C

RGB 208 96 76

HSL 9.09, 0.58%, 0.56%

LAB 54.34, 42.82, 32.63

 

CMYK 0 / 43 / 63 / 18

HEX #D0764C

RGB 208 118 76

HSL 19.09, 0.58%, 0.56%

LAB 58.87, 31.5, 38.12

 

CMYK 0 / 63 / 41 / 18

HEX #D24E7B

RGB 210 78 123

HSL 339.55, 0.59%, 0.56%

LAB 52.49, 55.78, 2.57

 

CMYK 0 / 67 / 33 / 98

HEX #060204

RGB 6 2 4

HSL 330, 0.5%, 0.02%

LAB 0.82, 1.32, -0.39

 

CMYK 0 / 63 / 42 / 78

HEX #391521

RGB 57 21 33

HSL 340, 0.46%, 0.15%

LAB 12.71, 19.39, 0.37

 

CMYK 0 / 63 / 42 / 58

HEX #6C283F

RGB 108 40 63

HSL 339.71, 0.46%, 0.29%

LAB 26.92, 32.66, 1.12

 

CMYK 0 / 63 / 42 / 38

HEX #9F3B5D

RGB 159 59 93

HSL 339.6, 0.46%, 0.43%

LAB 40.06, 44.61, 1.86

 

CMYK 0 / 63 / 41 / 18

HEX #D24E7B

RGB 210 78 123

HSL 339.55, 0.59%, 0.56%

LAB 52.49, 55.78, 2.57

 

CMYK 0 / 9 / 63 / 18

HEX #D0BD4C

RGB 208 189 76

HSL 51.36, 0.58%, 0.56%

LAB 76.27, -6.54, 57.77

 

CMYK 63 / 16 / 0 / 18

HEX #4CAFD0

RGB 76 175 208

HSL 195, 0.58%, 0.56%

LAB 67.09, -18.87, -25.32

 

CMYK 0 / 63 / 41 / 18

HEX #D24E7B

RGB 210 78 123

HSL 339.55, 0.59%, 0.56%

LAB 52.49, 55.78, 2.57

 

CMYK 41 / 0 / 63 / 18

HEX #7AD04C

RGB 122 208 76

HSL 99.09, 0.58%, 0.56%

LAB 75.93, -48.82, 55.75

 

CMYK 63 / 41 / 0 / 18

HEX #4C7AD0

RGB 76 122 208

HSL 219.09, 0.58%, 0.56%

LAB 51.85, 11.37, -49.16

 

CMYK 0 / 63 / 41 / 18

HEX #D24E7B

RGB 210 78 123

HSL 339.55, 0.59%, 0.56%

LAB 52.49, 55.78, 2.57

 

CMYK 0 / 9 / 63 / 18

HEX #D0BD4C

RGB 208 189 76

HSL 51.36, 0.58%, 0.56%

LAB 76.27, -6.54, 57.77

 

CMYK 63 / 0 / 22 / 18

HEX #4CD0A2

RGB 76 208 162

HSL 159.09, 0.58%, 0.56%

LAB 75.61, -46.83, 12.36

 

CMYK 63 / 54 / 0 / 18

HEX #4C60D0

RGB 76 96 208

HSL 230.91, 0.58%, 0.56%

LAB 44.88, 27.6, -60.35

 

CMYK 0 / 63 / 41 / 18

HEX #D24E7B

RGB 210 78 123

HSL 339.55, 0.59%, 0.56%

LAB 52.49, 55.78, 2.57

 

CMYK 9 / 0 / 63 / 18

HEX #BDD04C

RGB 189 208 76

HSL 68.64, 0.58%, 0.56%

LAB 79.87, -23.98, 61.16

 

CMYK 63 / 0 / 22 / 18

HEX #4CD0A2

RGB 76 208 162

HSL 159.09, 0.58%, 0.56%

LAB 75.61, -46.83, 12.36

 

CMYK 54 / 63 / 0 / 18

HEX #604CD0

RGB 96 76 208

HSL 249.09, 0.58%, 0.56%

LAB 41.55, 43.24, -65.69

 

Description

Color code: HEX #D24E7B | qconv.com Color code: HEX #D24E7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 78 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 78 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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