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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1EDDDBF it is the complementary color #2E1222BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1EDDDBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1EDDDBF shade: #D6EDD8BF, #E7FFEBBF and #F8FFFEBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1EDDDBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1EDDDBF shade: #D1EDDDBF, #C0DBCABF, #AFC9B7BF, #9EB7A4BF and #8DA591BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1EDDDBF shade: #CFECDC, #CFECD4, #D2ECCF, #DAECCF and #E2ECCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1EDDDBF shade: #CFECDC, #CFECE4, #CFECEB, #CFE6EC and #CFDEEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1EDDDBF shade matches the following richer shades: #CFECDC, #CAF2DB, #C5F7DA and #BFFDD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1EDDDBF shade: #CFECDC, #D5E7DD, #DAE2DD, #DFDCDE and #E5D7DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1EDDDBF shade: #D3ECCF, #CFECD4, #CFECDB, #CFECE3 and #CFECEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1EDDDBF shade: #94D5B0, #B2E1C6, #CFECDC, #EDF8F2 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1EDDDBF shade: #D1EDDD, #CFDAEC and #ECD0CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1EDDDBF shade: #D1EDDD, #DBCFEC and #ECDBCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1EDDDBF shade: #D1EDDD, #CFDAEC, #ECCFE0 and #ECE1CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1EDDDBF shade: #D1EDDD, #CFD2EC, #ECCFE0 and #ECEACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 5 / 5

HEX #D1EDDDBF

RGBA 209 237 221 0.75

HSLA 145.71, 0.44%, 0.87%, 0.75

LABA 91.39, -12.15, 4.65, 0.75

 

Complementary color

CMYK 0 / 46 / 20 / 61

HEX #2E1222BF

RGBA 46 18 34 0.75

HSLA 325.71, 0.44%, 0.13%, 0.75

LABA 10.02, 16.82, -4.58, 0.75

 

CMYK 7 / 0 / 7 / 5

HEX #D6EDD8BF

RGBA 214 237 216 0.75

HSLA 125.22, 0.39%, 0.88%, 0.75

LABA 91.61, -11.4, 7.6, 0.75

 

CMYK 7 / 0 / 6 / 0

HEX #E7FFEBBF

RGBA 231 255 235 0.75

HSLA 130, 1%, 0.95%, 0.75

LABA 97.84, -11.4, 6.9, 0.75

 

CMYK 2 / 0 / 0 / 0

HEX #F8FFFEBF

RGBA 248 255 254 0.75

HSLA 171.43, 1%, 0.99%, 0.75

LABA 99.47, -2.47, -0.33, 0.75

 

CMYK 9 / 0 / 5 / 5

HEX #D1EDDDBF

RGBA 209 237 221 0.75

HSLA 145.71, 0.44%, 0.87%, 0.75

LABA 91.39, -12.15, 4.65, 0.75

 

CMYK 9 / 0 / 6 / 11

HEX #C0DBCABF

RGBA 192 219 202 0.75

HSLA 142.22, 0.27%, 0.81%, 0.75

LABA 85.06, -12.18, 5.33, 0.75

 

CMYK 10 / 0 / 7 / 16

HEX #AFC9B7BF

RGBA 175 201 183 0.75

HSLA 138.46, 0.19%, 0.74%, 0.75

LABA 78.64, -12.23, 6.05, 0.75

 

CMYK 10 / 0 / 8 / 21

HEX #9EB7A4BF

RGBA 158 183 164 0.75

HSLA 134.4, 0.15%, 0.67%, 0.75

LABA 72.11, -12.28, 6.79, 0.75

 

CMYK 11 / 0 / 9 / 26

HEX #8DA591BF

RGBA 141 165 145 0.75

HSLA 130, 0.12%, 0.6%, 0.75

LABA 65.45, -12.35, 7.58, 0.75

 

CMYK 12 / 0 / 7 / 7

HEX #CFECDC

RGB 207 236 220

HSL 146.9, 0.43%, 0.87%

LAB 90.97, -12.49, 4.55

 

CMYK 12 / 0 / 10 / 7

HEX #CFECD4

RGB 207 236 212

HSL 130.34, 0.43%, 0.87%

LAB 90.78, -13.94, 8.44

 

CMYK 11 / 0 / 12 / 7

HEX #D2ECCF

RGB 210 236 207

HSL 113.79, 0.43%, 0.87%

LAB 90.87, -13.81, 11.19

 

CMYK 8 / 0 / 12 / 7

HEX #DAECCF

RGB 218 236 207

HSL 97.24, 0.43%, 0.87%

LAB 91.42, -11.1, 12.05

 

CMYK 4 / 0 / 12 / 7

HEX #E2ECCF

RGB 226 236 207

HSL 80.69, 0.43%, 0.87%

LAB 91.98, -8.34, 12.93

 

CMYK 12 / 0 / 7 / 7

HEX #CFECDC

RGB 207 236 220

HSL 146.9, 0.43%, 0.87%

LAB 90.97, -12.49, 4.55

 

CMYK 12 / 0 / 3 / 7

HEX #CFECE4

RGB 207 236 228

HSL 163.45, 0.43%, 0.87%

LAB 91.17, -10.98, 0.66

 

CMYK 12 / 0 / 0 / 7

HEX #CFECEB

RGB 207 236 235

HSL 177.93, 0.43%, 0.87%

LAB 91.35, -9.63, -2.73

 

CMYK 12 / 3 / 0 / 7

HEX #CFE6EC

RGB 207 230 236

HSL 192.41, 0.43%, 0.87%

LAB 89.82, -6.38, -5.5

 

CMYK 12 / 6 / 0 / 7

HEX #CFDEEC

RGB 207 222 236

HSL 208.97, 0.43%, 0.87%

LAB 87.76, -2.26, -8.55

 

CMYK 12 / 0 / 7 / 7

HEX #CFECDC

RGB 207 236 220

HSL 146.9, 0.43%, 0.87%

LAB 90.97, -12.49, 4.55

 

CMYK 17 / 0 / 10 / 5

HEX #CAF2DB

RGB 202 242 219

HSL 145.5, 0.61%, 0.87%

LAB 92.21, -17.28, 6.81

 

CMYK 20 / 0 / 12 / 3

HEX #C5F7DA

RGB 197 247 218

HSL 145.2, 0.76%, 0.87%

LAB 93.21, -21.5, 8.73

 

CMYK 25 / 0 / 14 / 1

HEX #BFFDD9

RGB 191 253 217

HSL 145.16, 0.94%, 0.87%

LAB 94.46, -26.44, 10.98

 

CMYK 12 / 0 / 7 / 7

HEX #CFECDC

RGB 207 236 220

HSL 146.9, 0.43%, 0.87%

LAB 90.97, -12.49, 4.55

 

CMYK 8 / 0 / 4 / 9

HEX #D5E7DD

RGB 213 231 221

HSL 146.67, 0.27%, 0.87%

LAB 90.1, -7.81, 2.81

 

CMYK 4 / 0 / 2 / 11

HEX #DAE2DD

RGB 218 226 221

HSL 142.5, 0.12%, 0.87%

LAB 89.17, -3.58, 1.5

 

CMYK 0 / 1 / 0 / 13

HEX #DFDCDE

RGB 223 220 222

HSL 320, 0.04%, 0.87%

LAB 88.04, 1.38, -0.63

 

CMYK 0 / 6 / 3 / 10

HEX #E5D7DF

RGB 229 215 223

HSL 325.71, 0.21%, 0.87%

LAB 87.28, 6.2, -2.21

 

CMYK 11 / 0 / 12 / 7

HEX #D3ECCF

RGB 211 236 207

HSL 111.72, 0.43%, 0.87%

LAB 90.94, -13.48, 11.3

 

CMYK 12 / 0 / 10 / 7

HEX #CFECD4

RGB 207 236 212

HSL 130.34, 0.43%, 0.87%

LAB 90.78, -13.94, 8.44

 

CMYK 12 / 0 / 7 / 7

HEX #CFECDB

RGB 207 236 219

HSL 144.83, 0.43%, 0.87%

LAB 90.95, -12.67, 5.03

 

CMYK 12 / 0 / 4 / 7

HEX #CFECE3

RGB 207 236 227

HSL 161.38, 0.43%, 0.87%

LAB 91.14, -11.18, 1.15

 

CMYK 12 / 0 / 0 / 7

HEX #CFECEB

RGB 207 236 235

HSL 177.93, 0.43%, 0.87%

LAB 91.35, -9.63, -2.73

 

CMYK 31 / 0 / 17 / 16

HEX #94D5B0

RGB 148 213 176

HSL 145.85, 0.44%, 0.71%

LAB 80.19, -28.28, 11.78

 

CMYK 21 / 0 / 12 / 12

HEX #B2E1C6

RGB 178 225 198

HSL 145.53, 0.44%, 0.79%

LAB 85.7, -20.51, 8.24

 

CMYK 12 / 0 / 7 / 7

HEX #CFECDC

RGB 207 236 220

HSL 146.9, 0.43%, 0.87%

LAB 90.97, -12.49, 4.55

 

CMYK 4 / 0 / 2 / 3

HEX #EDF8F2

RGB 237 248 242

HSL 147.27, 0.44%, 0.95%

LAB 96.64, -4.69, 1.61

 

CMYK 12 / 0 / 7 / 7

HEX #D1EDDD

RGB 209 237 221

HSL 145.71, 0.44%, 0.87%

LAB 91.39, -12.15, 4.65

 

CMYK 12 / 8 / 0 / 7

HEX #CFDAEC

RGB 207 218 236

HSL 217.24, 0.43%, 0.87%

LAB 86.73, -0.18, -10.07

 

CMYK 0 / 12 / 12 / 7

HEX #ECD0CF

RGB 236 208 207

HSL 2.07, 0.43%, 0.87%

LAB 85.73, 9.6, 4.07

 

CMYK 12 / 0 / 7 / 7

HEX #D1EDDD

RGB 209 237 221

HSL 145.71, 0.44%, 0.87%

LAB 91.39, -12.15, 4.65

 

CMYK 7 / 12 / 0 / 7

HEX #DBCFEC

RGB 219 207 236

HSL 264.83, 0.43%, 0.87%

LAB 84.86, 9.49, -12.77

 

CMYK 0 / 7 / 12 / 7

HEX #ECDBCF

RGB 236 219 207

HSL 24.83, 0.43%, 0.87%

LAB 88.45, 3.86, 7.99

 

CMYK 12 / 0 / 7 / 7

HEX #D1EDDD

RGB 209 237 221

HSL 145.71, 0.44%, 0.87%

LAB 91.39, -12.15, 4.65

 

CMYK 12 / 8 / 0 / 7

HEX #CFDAEC

RGB 207 218 236

HSL 217.24, 0.43%, 0.87%

LAB 86.73, -0.18, -10.07

 

CMYK 0 / 12 / 5 / 7

HEX #ECCFE0

RGB 236 207 224

HSL 324.83, 0.43%, 0.87%

LAB 85.93, 12.97, -4.67

 

CMYK 0 / 5 / 12 / 7

HEX #ECE1CF

RGB 236 225 207

HSL 37.24, 0.43%, 0.87%

LAB 89.95, 0.77, 10.13

 

CMYK 12 / 0 / 7 / 7

HEX #D1EDDD

RGB 209 237 221

HSL 145.71, 0.44%, 0.87%

LAB 91.39, -12.15, 4.65

 

CMYK 12 / 11 / 0 / 7

HEX #CFD2EC

RGB 207 210 236

HSL 233.79, 0.43%, 0.87%

LAB 84.7, 4.02, -13.11

 

CMYK 0 / 12 / 5 / 7

HEX #ECCFE0

RGB 236 207 224

HSL 324.83, 0.43%, 0.87%

LAB 85.93, 12.97, -4.67

 

CMYK 0 / 1 / 12 / 7

HEX #ECEACF

RGB 236 234 207

HSL 55.86, 0.43%, 0.87%

LAB 92.21, -3.83, 13.36

 

Description

Color code: HEX #D1EDDDBF | qconv.com Color code: HEX #D1EDDDBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 237 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 237 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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