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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFECE4 it is the complementary color #30131B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFECE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFECE4 shade: #D4ECDF, #E5FEF2, #F6FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFECE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFECE4 shade: #CFECE4, #BEDAD1, #ADC8BE, #9CB6AB and #8BA498

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFECE4 shade: #D0ECE4, #D0ECDD, #D0ECD5, #D2ECD0 and #DAECD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFECE4 shade: #D0ECE4, #D0ECEC, #D0E5EC, #D0DDEC and #D0D5EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFECE4 shade matches the following richer shades: #D0ECE4, #CAF1E7, #C5F7E9 and #C0FCEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFECE4 shade: #D0ECE4, #D5E7E2, #DAE1DF, #E0DCDD and #E5D7DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFECE4 shade: #D0ECD5, #D0ECDC, #D0ECE4, #D0ECEC and #D0E5EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFECE4 shade: #95D5C3, #B2E0D4, #D0ECE4, #EDF8F5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFECE4 shade: #CFECE4, #D0D2EC and #ECD9D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFECE4 shade: #CFECE4, #E4D0EC and #ECE4D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFECE4 shade: #CFECE4, #D0D2EC, #ECD0D8 and #ECEAD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFECE4 shade: #CFECE4, #D6D0EC, #ECD0D8 and #E6ECD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 3 / 7

HEX #CFECE4

RGB 207 236 228

HSL 163.45, 0.43%, 0.87%

LAB 91.17, -10.98, 0.66

 

Complementary color

CMYK 0 / 60 / 44 / 81

HEX #30131B

RGB 48 19 27

HSL 343.45, 0.43%, 0.13%

LAB 10.36, 15.84, 1.23

 

CMYK 10 / 0 / 6 / 7

HEX #D4ECDF

RGB 212 236 223

HSL 147.5, 0.39%, 0.88%

LAB 91.38, -10.3, 3.61

 

CMYK 10 / 0 / 5 / 0

HEX #E5FEF2

RGB 229 254 242

HSL 151.2, 0.93%, 0.95%

LAB 97.61, -10.3, 2.96

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 12 / 0 / 3 / 7

HEX #CFECE4

RGB 207 236 228

HSL 163.45, 0.43%, 0.87%

LAB 91.17, -10.98, 0.66

 

CMYK 13 / 0 / 4 / 15

HEX #BEDAD1

RGB 190 218 209

HSL 160.71, 0.27%, 0.8%

LAB 84.84, -11.01, 1.29

 

CMYK 14 / 0 / 5 / 22

HEX #ADC8BE

RGB 173 200 190

HSL 157.78, 0.2%, 0.73%

LAB 78.41, -11.04, 1.93

 

CMYK 14 / 0 / 6 / 29

HEX #9CB6AB

RGB 156 182 171

HSL 154.62, 0.15%, 0.66%

LAB 71.87, -11.09, 2.6

 

CMYK 15 / 0 / 7 / 36

HEX #8BA498

RGB 139 164 152

HSL 151.2, 0.12%, 0.59%

LAB 65.21, -11.15, 3.31

 

CMYK 12 / 0 / 3 / 7

HEX #D0ECE4

RGB 208 236 228

HSL 162.86, 0.42%, 0.87%

LAB 91.24, -10.66, 0.76

 

CMYK 12 / 0 / 6 / 7

HEX #D0ECDD

RGB 208 236 221

HSL 147.86, 0.42%, 0.87%

LAB 91.06, -11.98, 4.16

 

CMYK 12 / 0 / 10 / 7

HEX #D0ECD5

RGB 208 236 213

HSL 130.71, 0.42%, 0.87%

LAB 90.87, -13.43, 8.06

 

CMYK 11 / 0 / 12 / 7

HEX #D2ECD0

RGB 210 236 208

HSL 115.71, 0.42%, 0.87%

LAB 90.89, -13.64, 10.71

 

CMYK 8 / 0 / 12 / 7

HEX #DAECD0

RGB 218 236 208

HSL 98.57, 0.42%, 0.87%

LAB 91.44, -10.93, 11.56

 

CMYK 12 / 0 / 3 / 7

HEX #D0ECE4

RGB 208 236 228

HSL 162.86, 0.42%, 0.87%

LAB 91.24, -10.66, 0.76

 

CMYK 12 / 0 / 0 / 7

HEX #D0ECEC

RGB 208 236 236

HSL 180, 0.42%, 0.87%

LAB 91.44, -9.12, -3.11

 

CMYK 12 / 3 / 0 / 7

HEX #D0E5EC

RGB 208 229 236

HSL 195, 0.42%, 0.87%

LAB 89.63, -5.55, -5.78

 

CMYK 12 / 6 / 0 / 7

HEX #D0DDEC

RGB 208 221 236

HSL 212.14, 0.42%, 0.87%

LAB 87.57, -1.42, -8.82

 

CMYK 12 / 10 / 0 / 7

HEX #D0D5EC

RGB 208 213 236

HSL 229.29, 0.42%, 0.87%

LAB 85.53, 2.76, -11.86

 

CMYK 12 / 0 / 3 / 7

HEX #D0ECE4

RGB 208 236 228

HSL 162.86, 0.42%, 0.87%

LAB 91.24, -10.66, 0.76

 

CMYK 16 / 0 / 4 / 5

HEX #CAF1E7

RGB 202 241 231

HSL 164.62, 0.58%, 0.87%

LAB 92.24, -14.5, 0.62

 

CMYK 20 / 0 / 6 / 3

HEX #C5F7E9

RGB 197 247 233

HSL 163.2, 0.76%, 0.87%

LAB 93.57, -18.62, 1.48

 

CMYK 24 / 0 / 7 / 1

HEX #C0FCEB

RGB 192 252 235

HSL 163, 0.91%, 0.87%

LAB 94.66, -22.17, 2.01

 

CMYK 12 / 0 / 3 / 7

HEX #D0ECE4

RGB 208 236 228

HSL 162.86, 0.42%, 0.87%

LAB 91.24, -10.66, 0.76

 

CMYK 8 / 0 / 2 / 9

HEX #D5E7E2

RGB 213 231 226

HSL 163.33, 0.27%, 0.87%

LAB 90.22, -6.88, 0.38

 

CMYK 3 / 0 / 1 / 12

HEX #DAE1DF

RGB 218 225 223

HSL 162.86, 0.1%, 0.87%

LAB 88.96, -2.71, 0.15

 

CMYK 0 / 2 / 1 / 12

HEX #E0DCDD

RGB 224 220 221

HSL 345, 0.06%, 0.87%

LAB 88.09, 1.54, -0.02

 

CMYK 0 / 6 / 4 / 10

HEX #E5D7DB

RGB 229 215 219

HSL 342.86, 0.21%, 0.87%

LAB 87.18, 5.5, -0.25

 

CMYK 12 / 0 / 10 / 7

HEX #D0ECD5

RGB 208 236 213

HSL 130.71, 0.42%, 0.87%

LAB 90.87, -13.43, 8.06

 

CMYK 12 / 0 / 7 / 7

HEX #D0ECDC

RGB 208 236 220

HSL 145.71, 0.42%, 0.87%

LAB 91.04, -12.16, 4.65

 

CMYK 12 / 0 / 3 / 7

HEX #D0ECE4

RGB 208 236 228

HSL 162.86, 0.42%, 0.87%

LAB 91.24, -10.66, 0.76

 

CMYK 12 / 0 / 0 / 7

HEX #D0ECEC

RGB 208 236 236

HSL 180, 0.42%, 0.87%

LAB 91.44, -9.12, -3.11

 

CMYK 12 / 3 / 0 / 7

HEX #D0E5EC

RGB 208 229 236

HSL 195, 0.42%, 0.87%

LAB 89.63, -5.55, -5.78

 

CMYK 30 / 0 / 8 / 16

HEX #95D5C3

RGB 149 213 195

HSL 163.13, 0.43%, 0.71%

LAB 80.69, -24.11, 2.4

 

CMYK 21 / 0 / 5 / 12

HEX #B2E0D4

RGB 178 224 212

HSL 164.35, 0.43%, 0.79%

LAB 85.77, -17.27, 0.96

 

CMYK 12 / 0 / 3 / 7

HEX #D0ECE4

RGB 208 236 228

HSL 162.86, 0.42%, 0.87%

LAB 91.24, -10.66, 0.76

 

CMYK 4 / 0 / 1 / 3

HEX #EDF8F5

RGB 237 248 245

HSL 163.64, 0.44%, 0.95%

LAB 96.71, -4.15, 0.17

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 12 / 0 / 3 / 7

HEX #CFECE4

RGB 207 236 228

HSL 163.45, 0.43%, 0.87%

LAB 91.17, -10.98, 0.66

 

CMYK 12 / 11 / 0 / 7

HEX #D0D2EC

RGB 208 210 236

HSL 235.71, 0.42%, 0.87%

LAB 84.77, 4.34, -12.99

 

CMYK 0 / 8 / 12 / 7

HEX #ECD9D0

RGB 236 217 208

HSL 19.29, 0.42%, 0.87%

LAB 87.97, 5.06, 6.78

 

CMYK 12 / 0 / 3 / 7

HEX #CFECE4

RGB 207 236 228

HSL 163.45, 0.43%, 0.87%

LAB 91.17, -10.98, 0.66

 

CMYK 3 / 12 / 0 / 7

HEX #E4D0EC

RGB 228 208 236

HSL 282.86, 0.42%, 0.87%

LAB 85.84, 11.92, -11.24

 

CMYK 0 / 3 / 12 / 7

HEX #ECE4D0

RGB 236 228 208

HSL 42.86, 0.42%, 0.87%

LAB 90.72, -0.61, 10.72

 

CMYK 12 / 0 / 3 / 7

HEX #CFECE4

RGB 207 236 228

HSL 163.45, 0.43%, 0.87%

LAB 91.17, -10.98, 0.66

 

CMYK 12 / 11 / 0 / 7

HEX #D0D2EC

RGB 208 210 236

HSL 235.71, 0.42%, 0.87%

LAB 84.77, 4.34, -12.99

 

CMYK 0 / 12 / 8 / 7

HEX #ECD0D8

RGB 236 208 216

HSL 342.86, 0.42%, 0.87%

LAB 85.96, 11.08, -0.37

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 12 / 0 / 3 / 7

HEX #CFECE4

RGB 207 236 228

HSL 163.45, 0.43%, 0.87%

LAB 91.17, -10.98, 0.66

 

CMYK 9 / 12 / 0 / 7

HEX #D6D0EC

RGB 214 208 236

HSL 252.86, 0.42%, 0.87%

LAB 84.72, 7.33, -13.02

 

CMYK 0 / 12 / 8 / 7

HEX #ECD0D8

RGB 236 208 216

HSL 342.86, 0.42%, 0.87%

LAB 85.96, 11.08, -0.37

 

CMYK 3 / 0 / 12 / 7

HEX #E6ECD0

RGB 230 236 208

HSL 72.86, 0.42%, 0.87%

LAB 92.3, -6.79, 12.89

 

Description

Color code: HEX #CFECE4 | qconv.com Color code: HEX #CFECE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 236 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 236 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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