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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECEAD0 it is the complementary color #13152F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECEAD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECEAD0 shade: #F1EACB, #FFFCDE, #FFFFF1 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECEAD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECEAD0 shade: #ECEAD0, #DBD8BD, #CAC6AA, #B9B497 and #A8A284

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECEAD0 shade: #ECEAD0, #ECE2D0, #ECDBD0, #ECD3D0 and #ECD0D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECEAD0 shade: #ECEAD0, #E6ECD0, #DFECD0, #D7ECD0 and #D0ECD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECEAD0 shade matches the following richer shades: #ECEAD0, #F1EECB, #F7F3C5 and #FCF8C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECEAD0 shade: #ECEAD0, #E6E5D5, #E1E1DB, #DCDCE0 and #D6D7E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECEAD0 shade: #ECDBD0, #ECE2D0, #ECE9D0, #E7ECD0 and #DFECD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECEAD0 shade: #D4CF95, #E0DDB3, #ECEAD0, #F8F7ED and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECEAD0 shade: #ECEAD0, #D0ECD3 and #DED0EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECEAD0 shade: #ECEAD0, #D0ECE9 and #E9D0EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECEAD0 shade: #ECEAD0, #D0ECD3, #D0D2EC and #ECD0E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECEAD0 shade: #ECEAD0, #D0ECDC, #D0D2EC and #ECD0E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

Complementary color

CMYK 60 / 55 / 0 / 82

HEX #13152F

RGB 19 21 47

HSL 235.71, 0.42%, 0.13%

LAB 7.95, 8.12, -17.77

 

CMYK 0 / 3 / 16 / 5

HEX #F1EACB

RGB 241 234 203

HSL 48.95, 0.58%, 0.87%

LAB 92.51, -2.67, 15.91

 

CMYK 0 / 1 / 13 / 0

HEX #FFFCDE

RGB 255 252 222

HSL 54.55, 1%, 0.94%

LAB 98.49, -3.91, 14.73

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 0 / 1 / 14 / 14

HEX #DBD8BD

RGB 219 216 189

HSL 54, 0.29%, 0.8%

LAB 85.93, -3.5, 13.69

 

CMYK 0 / 2 / 16 / 21

HEX #CAC6AA

RGB 202 198 170

HSL 52.5, 0.23%, 0.73%

LAB 79.53, -3.32, 14.54

 

CMYK 0 / 3 / 18 / 27

HEX #B9B497

RGB 185 180 151

HSL 51.18, 0.2%, 0.66%

LAB 73.02, -3.12, 15.45

 

CMYK 0 / 4 / 21 / 34

HEX #A8A284

RGB 168 162 132

HSL 50, 0.17%, 0.59%

LAB 66.39, -2.88, 16.41

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 0 / 4 / 12 / 7

HEX #ECE2D0

RGB 236 226 208

HSL 38.57, 0.42%, 0.87%

LAB 90.22, 0.41, 10

 

CMYK 0 / 7 / 12 / 7

HEX #ECDBD0

RGB 236 219 208

HSL 23.57, 0.42%, 0.87%

LAB 88.47, 4.02, 7.5

 

CMYK 0 / 11 / 12 / 7

HEX #ECD3D0

RGB 236 211 208

HSL 6.43, 0.42%, 0.87%

LAB 86.49, 8.19, 4.64

 

CMYK 0 / 12 / 12 / 7

HEX #ECD0D0

RGB 236 208 208

HSL 0, 0.42%, 0.87%

LAB 85.76, 9.76, 3.58

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 3 / 0 / 12 / 7

HEX #E6ECD0

RGB 230 236 208

HSL 72.86, 0.42%, 0.87%

LAB 92.3, -6.79, 12.89

 

CMYK 6 / 0 / 12 / 7

HEX #DFECD0

RGB 223 236 208

HSL 87.86, 0.42%, 0.87%

LAB 91.79, -9.21, 12.11

 

CMYK 9 / 0 / 12 / 7

HEX #D7ECD0

RGB 215 236 208

HSL 105, 0.42%, 0.87%

LAB 91.23, -11.95, 11.23

 

CMYK 12 / 0 / 12 / 7

HEX #D0ECD0

RGB 208 236 208

HSL 120, 0.42%, 0.87%

LAB 90.76, -14.31, 10.5

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 0 / 1 / 16 / 5

HEX #F1EECB

RGB 241 238 203

HSL 55.26, 0.58%, 0.87%

LAB 93.52, -4.7, 17.33

 

CMYK 0 / 2 / 20 / 3

HEX #F7F3C5

RGB 247 243 197

HSL 55.2, 0.76%, 0.87%

LAB 95.12, -5.93, 22.71

 

CMYK 0 / 2 / 24 / 1

HEX #FCF8C0

RGB 252 248 192

HSL 56, 0.91%, 0.87%

LAB 96.67, -7.3, 27.45

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 0 / 0 / 7 / 10

HEX #E6E5D5

RGB 230 229 213

HSL 56.47, 0.25%, 0.87%

LAB 90.63, -2.41, 7.91

 

CMYK 0 / 0 / 3 / 12

HEX #E1E1DB

RGB 225 225 219

HSL 60, 0.09%, 0.87%

LAB 89.38, -1.06, 2.92

HEX #E1E1DB

CMYK 2 / 2 / 0 / 12

HEX #DCDCE0

RGB 220 220 224

HSL 240, 0.06%, 0.87%

LAB 87.86, 0.73, -1.97

HEX #DCDCE0

CMYK 7 / 6 / 0 / 10

HEX #D6D7E5

RGB 214 215 229

HSL 236, 0.22%, 0.87%

LAB 86.28, 2.28, -6.99

HEX #D6D7E5

CMYK 0 / 7 / 12 / 7

HEX #ECDBD0

RGB 236 219 208

HSL 23.57, 0.42%, 0.87%

LAB 88.47, 4.02, 7.5

 

CMYK 0 / 4 / 12 / 7

HEX #ECE2D0

RGB 236 226 208

HSL 38.57, 0.42%, 0.87%

LAB 90.22, 0.41, 10

 

CMYK 0 / 1 / 12 / 7

HEX #ECE9D0

RGB 236 233 208

HSL 53.57, 0.42%, 0.87%

LAB 91.98, -3.16, 12.51

 

CMYK 2 / 0 / 12 / 7

HEX #E7ECD0

RGB 231 236 208

HSL 70.71, 0.42%, 0.87%

LAB 92.37, -6.44, 13.01

 

CMYK 6 / 0 / 12 / 7

HEX #DFECD0

RGB 223 236 208

HSL 87.86, 0.42%, 0.87%

LAB 91.79, -9.21, 12.11

 

CMYK 0 / 2 / 30 / 17

HEX #D4CF95

RGB 212 207 149

HSL 55.24, 0.42%, 0.71%

LAB 82.27, -7.19, 29.52

 

CMYK 0 / 1 / 20 / 12

HEX #E0DDB3

RGB 224 221 179

HSL 56, 0.42%, 0.79%

LAB 87.39, -5.75, 21.04

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 0 / 0 / 4 / 3

HEX #F8F7ED

RGB 248 247 237

HSL 54.55, 0.44%, 0.95%

LAB 97.06, -1.38, 4.91

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 12 / 0 / 11 / 7

HEX #D0ECD3

RGB 208 236 211

HSL 126.43, 0.42%, 0.87%

LAB 90.83, -13.79, 9.03

 

CMYK 6 / 12 / 0 / 7

HEX #DED0EC

RGB 222 208 236

HSL 270, 0.42%, 0.87%

LAB 85.35, 9.94, -12.02

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 12 / 0 / 1 / 7

HEX #D0ECE9

RGB 208 236 233

HSL 173.57, 0.42%, 0.87%

LAB 91.36, -9.7, -1.66

 

CMYK 1 / 12 / 0 / 7

HEX #E9D0EC

RGB 233 208 236

HSL 293.57, 0.42%, 0.87%

LAB 86.25, 13.57, -10.58

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 12 / 0 / 11 / 7

HEX #D0ECD3

RGB 208 236 211

HSL 126.43, 0.42%, 0.87%

LAB 90.83, -13.79, 9.03

 

CMYK 12 / 11 / 0 / 7

HEX #D0D2EC

RGB 208 210 236

HSL 235.71, 0.42%, 0.87%

LAB 84.77, 4.34, -12.99

 

CMYK 0 / 12 / 1 / 7

HEX #ECD0E9

RGB 236 208 233

HSL 306.43, 0.42%, 0.87%

LAB 86.42, 14.03, -8.71

 

CMYK 0 / 1 / 12 / 7

HEX #ECEAD0

RGB 236 234 208

HSL 55.71, 0.42%, 0.87%

LAB 92.24, -3.67, 12.87

 

CMYK 12 / 0 / 7 / 7

HEX #D0ECDC

RGB 208 236 220

HSL 145.71, 0.42%, 0.87%

LAB 91.04, -12.16, 4.65

 

CMYK 12 / 11 / 0 / 7

HEX #D0D2EC

RGB 208 210 236

HSL 235.71, 0.42%, 0.87%

LAB 84.77, 4.34, -12.99

 

CMYK 0 / 12 / 5 / 7

HEX #ECD0E0

RGB 236 208 224

HSL 325.71, 0.42%, 0.87%

LAB 86.17, 12.44, -4.31

 

Description

Color code: HEX #ECEAD0 | qconv.com Color code: HEX #ECEAD0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 234 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 234 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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